Bruce Barnbaum

Layers, Antelope Canyon Arizona

1998

Magnificent Vintage Photograph by the master Edward Weston. Photograph is in excellent condition considering it's age. The mat as you can see has wear but can be framed to disguise....

A hand printed silver gelatin photograph by the artist. Print Date 2003 Edition #12 Matted 18x22"

Hand printed photograph. Print Date 2013 Anne Larsen worked as a successful photographer for one of the largest commercial studios in Copenhagen, Denmark. In 1994 she moved to the United States to pursue a career in fine-art photography. Anne’s intimate still life images and delicate photographs of the natural environment, all made with a 4x5" view camera or medium format camera; share a common luminosity and elegance. Anne Larson hand made silver gelatin prints are distinguished by their impeccable execution and tonal subtlety. Anne has assisted and taught on workshops instructed by James Baker, Morley Baer, Ruth Bernhard, Charles Cramer, Philip Hyde, Ray McSavaney, and John Sexton. Her prints are in numerous private and public collections in North America and Europe. Her images have been included in exhibitions at the Susan Spiritus...

Signed, numbered and dated on mount recto. Signed, dated, numbered and titled with artist's copyright stamp on mount verso. Edition of 25 in size

Black and white unique gelatin silver print, (chemical print on fiber-based paper), in black frame. There is crackle texture around the circles that provides dimensionality to the work. There is no glass or acrylic covering the image so none of the texture of the work gets lost. Betsy Kenyon...

Black and white unique gelatin silver print, (chemical print on fiber-based paper), in black frame. There is no glass or acrylic covering the image so none of the texture of the work gets lost. Betsy...

Black and white unique silver gelatin print, (chemical print on fiber-based paper), in white frame. Betsy Kenyon’s work is a merging of different process...

Black and white unique gelatin silver print, (chemical print on fiber-based paper), in black frame. There is crackle texture around the circles that provides dimensionality to the work. There is no glass or acrylic covering the image so none of the texture of the work gets lost. Betsy Kenyon...