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Carol Marino
Ribbons

1998

$2,500
£1,896.94
€2,168.98
CA$3,491.82
A$3,882.43
CHF 2,027.19
MX$47,258.64
NOK 25,866.08
SEK 24,235.28
DKK 16,187.53
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About the Item

This photographic triptych Titled "Ribbons" 1998 is a gelatin silver print on paper by noted American/Canadian artist Carol Marino, born 1943. It is hand signed, dated 1998 and titled in dark red ink by the artist. The size of each photograph is 16 x 11 inches, sheet size is 16. 5 x 11.5 inches. The three together is 34.65 x 11.5 inches, framed is 29.25 x 43 inches. Framed in a silver and maple frame. The photographs are in excellent condition, the frame has some minor scratches and will be replaced by a similar or better new frame before shipping, which will make the overall condition excellent. About the artist: CAROL MARINO (Canadian, b. United States, 1943) In reaction to the industrial landscape of Pittsburgh, where she grew up, Carol Marino responds to her present, comparatively untouched environment with a certain instinctive attachment to it. Photographing near and around her home in northern Ontario, she focuses on flora and fauna in their natural habitats. For her, photography is a vehicle to express her concern for and engagement with her natural surroundings and her work often shows the influence of artists such as Edward Weston or Imogen Cunningham, particularly in its sensuality. Marino generally makes only a single print from each negative, often grouping three or four images together to create assemblages. The occasional addition of patterned colour-pigmented Select Solo Exhibitions 2006 Newfoundland, Corkin Shopland Gallery, Toronto 2001 New Work, Jane Corkin Gallery, Toronto 1999 Recent Work, Jane Corkin Gallery, Toronto 1996 Jane Corkin Gallery, Toronto 1993 Jane Corkin Gallery, Toronto 1991 The Koffler Gallery, Toronto New Work, Jane Corkin Gallery 1988 Works in Colour, Jane Corkin Gallery 1986 Recent Work, Jane Corkin Gallery 1984 Jane Corkin Gallery, Toronto 1983 Kodak Gallery, Rochester, New York 1982 Jane Corkin Gallery Kensington Fine Art Gallery, Calgary 1981 Marcuse Pfeifer Gallery, New York 1980 Jane Corkin Gallery 1978 The David Mirvish Gallery, Toronto 1976 The David Mirvish Gallery, Toronto 1973 The Baldwin Street Gallery, Toronto Select Group Exhibitions 2002 Four Canadian Photographers, Samuel P. Harn Museum of Art, University of Florida 1997 Hot Art for Hot Days, Jane Corkin Gallery 1996 Gallery Artists, Jane Corkin Gallery 1995 Contemporary Animals, Jane Corkin Gallery 1994 15th Anniversary Exhibition, Jane Corkin Gallery 1992 Women on Women, Jane Corkin Gallery 1991 Four Canadians, Vision Gallery, San Francisco 1990 Is There Still Life in Still Life or is Nature Morte?, Watson de Nagy, Houston, Texas 1989 Contemporary Canadian Photography, Hotel La Citadelle, Montreal, PQ 1988 Figurative Force, The Gallery / Stratford, Ontario 1987 An Exhibition of Works in Colour, Jane Corkin Gallery Summer Gardens – Summer Flowers, Jane Corkin Gallery 1986 Masterpieces from the Gallery Collection, Jane Corkin Gallery Canadian Contemporary Photography, Watson de Nagy, Houston, Texas 1985-6 Retrospective, Jane Corkin Gallery 1985 Jane Corkin Gallery 1984 Santa Claus Exhibition, Jane Corkin Gallery Summer Salon ’84, Jane Corkin Gallery 1983 Galerie Zur Stockeregg, Zurich, Switzerland 1981 Le Troisième Salon, Jane Corkin Gallery 1979 Canadian Images Conference, Trent University, Peterborough, ON Opening Exhibition, Jane Corkin Gallery 1978 The Baldwin Street Gallery, Toronto 1975 National Film Board - International Women’s Year Exhibition Select Solo Museum Exhibitions 1987 Life Forces, Agnes Etherington Art Centre, with Catalogue, Queen’s University, Kingston, ON Select Group Museum Exhibitions 2009 Dancing While Driving, Corkin Gallery, Toronto 2000 From the Collection: Flowerpieces, Canadian Museum of Contemporary Photography 1995 The Hat My Father Wore, Agnes Etherington Art Centre, Kingston 1992-4 Flora Photographica: The Flower in Photography From 1835 to the Present (traveling exhibition), curator: William Ewing Musée des Beaux Art, Montreal Vancouver Art Gallery, Vancouver, BC 1990-2 Children in Photography: 150 Years (traveling exhibition) Dalhousie Art Gallery, Halifax Saidye Bronfman Centre, Montreal Memorial University Art Gallery, St. John’s, Newfoundland Winnipeg Art Gallery, Winnipeg Koffler Art Gallery, Toronto Art Gallery of Hamilton, Hamilton Vancouver Museum, Vancouver Glenbow Museum, Calgary Edmonton Art Gallery 1990 The Artist and the Environment, Art Gallery of Ontario, Art Rental and Sales, Toronto 1987 Contemporary Canadian Photography, The Grimsby Art Gallery, Grimsby, Ontario Focus ’87, Art Gallery of Ontario, Toronto 1983 Perceptions, The Gallery / Stratford, Ontario 1977 The Art Gallery of Ontario, Toronto Museum Collections Art Gallery of Ontario Art Gallery of Hamilton Canada Council Art Bank, Ottawa Canadian Museum for Contemporary Photography, Ottawa Grimsby Art Gallery Museum of Fine Arts, Houston Nickle Arts Museum, Calgary Public Archives Canada Winnipeg Art Gallery Publications Books and Catalogues Carte Blanche: A compendium of Canadian photographers, Magenta Publishing for the Arts. 2006, p. 54-55. Life Forces, Photographs by Carol Marino, edited by Michael Bell, 1987 The Female Eye, Ottawa, The National Film Board, 1975 12 Canadians, Contemporary Canadian Photography, edited by Jane Corkin, 1980 Articles “The smell of the sea in black and white”, by Gary Michael Dault, The Globe and Mail, February 24, 2006 “Beauty Beyond the Click of a Shutter”, by Gary Michael Dault, The Globe and Mail, February 10, 2001 “The Radiant Moment”, by Gary Michael Dault, Toronto Life, January, 1985 “Carol Marino: Light Plays a Heavy Role”, by Gary Michael Dault, The Globe and Mail, April 23, 1982 “Photographic Split Symmetries Create Bizarre World”, by Nancy Tousley, Calgary Herald, Jan. 28, 1982 “Affordable Art from 10 of Our Best Talents”, by Lisa Balfour Bowen, Toronto Star, December, 1980 “Carol Marino”, Camera 11, November, 1980 “Carol Marino Photos at Jane Corkin Gallery”, by Martin Heavisides, Art Magazine, Vol. 11, No. 48/49, May/June, 1980 “Marino Photograph Memorable”, by Gary Michael Dault, Toronto Star, March 15, 1980 “A Frame of its Own, by Carol Marino”, Photo Communique, March/April, 1979 “Landscapes by Carol Marino”, Branching Out, Vol. 5, No. 1, 1978 “Carol Marino at David Mirvish”, by Cyrel Troster, Art Magazine, Vol. 9, No. 49, December/January/February 1977/78 “The Frozen Image Renaissance”, by Adele Freedman, Toronto Life, May, 1977 “Focus on Our Photographic Galleries”, by Cordelia Fosgate, Key to Toronto, January, 1976 “Photo Festival ‘74”, by Charles Oberdorff, Camera Canada, September, 1974 “Ottawa Photo Show Dazzles”, by Charles Oberdorff, Canadian Photography, August, 1974
  • Creator:
    Carol Marino (1943)
  • Creation Year:
    1998
  • Dimensions:
    Height: 29.25 in (74.3 cm)Width: 43 in (109.22 cm)Depth: 1.35 in (3.43 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    San Francisco, CA
  • Reference Number:
    Seller: marino/trip/ribb/1011stDibs: LU66634779801

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Artist: Jack Welpott – American (1923-2007) Title: Variation on Weston Year: 1963 Medium: Gelatin silver print Size: 7.5 x 9.6 inches Mounted size: 13 x 16.25 inches Signature: Initialed and dated in pencil on the mount; signed, titled and dated in ink, his copyright credit stamp on mount verso Edition: unknown. Condition: Very good This exceptional gelatin silver print is by the noted American photographer Jack Welpott (1923-2007) The artwork is initialed and dated in pencil on the mount; signed, titled and dated in ink, his copyright credit stamp on mount verso It is in good condition aside from some uneven toning and a few creases/scuffs on mount. Please see pictures. It is mounted but not framed. Jack Welpott’s photographs are in the permanent collections of the Getty Museum, Museum of Modern Art, New York; Whitney Museum, New York; International Museum of Photography at the George Eastman House, Rochester, New York; Center for Creative Photography, University of Arizona, Tucson; University of New Mexico, Albuquerque; the San Francisco Museum of Modern Art; Bibliotheque Nationale, Paris and the Australian National Gallery among others. Born in Kansas City, Kansas, Jack Welpott (1923-2007) was educated at primary and secondary schools in Missouri, Illinois, and Indiana. He learned about photography as a boy by watching his uncle in the darkroom, and began taking pictures by the time he was twelve. After high school he enrolled in college, but was drafted into the U.S. Army Air Force in 1943. He served in the South Pacific as a radio intercept operator until 1946. In 1949, he earned his BS in Economics from the University of Indiana, Bloomington on the G.I. Bill. He then studied photography under Henry Homes Smith, painting under Leon Golub and Harry Engle, and design with George Rickey receiving his MS in Visual Communication in 1955. Welpott then completed his MFA in photography and painting in 1959, getting to know classmates Jerry Uelsmann and Van Deren Coke in the process. During these years, he also became acquainted with Harry Callahan, Aaron Siskind, and Minor White. Upon graduation, Welpott was hired by John Gutmann to teach photography in the Art Department at San Francisco State College, now San Francisco State University, where he made extensive contributions to the field of photographic education over the next thirty-three years. In the early 1960s there were few photography courses or graduate programs offered so Welpott pioneered individual courses and a graduate program, and taught one of the first history of photography courses at the college level. Don Worth joined the faculty in 1962, adding color photography to the program, long before color photography was widely accepted as an art medium. Welpott was a beloved instructor and was deeply dedicated to the success of his students. His educational goal was to determine the needs of the student, provide constructive criticism, and most importantly, help them develop their own vision. A number of his students have had successful photographic careers including Judy Dater, Leland Rice, John Spence Weir, Michael Bishop, Harvey Himelfarb, and Catherine Wagner. He was a pillar in San Francisco’s photographic community for years, along with Ansel Adams, Ruth Bernard...
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