David H. Gibson

Mountain Moment II, Canadian Rocky Mountians

Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognit...

For those of us who live in the West, mountains are more than just landmarks; they dene a sense of home. We have memories associated with our mountains; those we grew up surrounded by; remembering the rst time we saw one, and the people we visited them with. This gave us all a larger sense of where we locate home. During our recent pandemic, home shrunk to the walls that surrounded us. Real experiences became mediated through computers and the Internet – but something felt lost: a living connection with things bigger than ourselves. But we kept our memories – waiting to be triggered by a photograph or reminder of the mountains that could bring back that sense of the sublime. Mountains and nature have long been places of peace and refuge. There are few emotions about places for which adequate single words exist. At the beginning of the eighteenth century, the word sublime arose to describe the feelings that the natural world can evoke in us. At home, on my kitchen table, I have been trying to capture something of that sublime in bits of plastic. Using geographical data from the Internet, I used my 3D printer to make the memories of those mountains tangible. With a small fog machine, I create atmospheres and clouds. Sunlight through a window illuminates some, while others were lit with a variety of sources including ber optic lights used for microscopy. For me, these images evoke the place I call home; and remind me that it is our memories that make a place special. At Home in the West was created as a companion to Yosemite: Seeking Sublime, which premiered at photo-eye Gallery in November 2020. In December of that year, work from that series was invited to the Art of Staying at Home; Artists in the Time of Corona exhibition at the Bibliotheca Alexandrina in Egypt, where I was the only U.S. artist from eight countries included. Additional works from that series will soon be exhibited at the Krakow Triennial in Poland and at the Earth Photo...

Sometimes there is a hazy, almost tropical light that falls over the Bay Area. The moisture in the air falls on the landscape and makes it appear as a series of two-dimensional plane...

For those of us who live in the West, mountains are more than just landmarks; they dene a sense of home. We have memories associated with our mountains; those we grew up surrounded by; remembering the rst time we saw one, and the people we visited them with. This gave us all a larger sense of where we locate home. During our recent pandemic, home shrunk to the walls that surrounded us. Real experiences became mediated through computers and the Internet – but something felt lost: a living connection with things bigger than ourselves. But we kept our memories – waiting to be triggered by a photograph or reminder of the mountains that could bring back that sense of the sublime. Mountains and nature have long been places of peace and refuge. There are few emotions about places for which adequate single words exist. At the beginning of the eighteenth century, the word sublime arose to describe the feelings that the natural world can evoke in us. At home, on my kitchen table, I have been trying to capture something of that sublime in bits of plastic. Using geographical data from the Internet, I used my 3D printer to make the memories of those mountains tangible. With a small fog machine, I create atmospheres and clouds. Sunlight through a window illuminates some, while others were lit with a variety of sources including ber optic lights used for microscopy. For me, these images evoke the place I call home; and remind me that it is our memories that make a place special. At Home in the West was created as a companion to Yosemite: Seeking Sublime, which premiered at photo-eye Gallery in November 2020. In December of that year, work from that series was invited to the Art of Staying at Home; Artists in the Time of Corona exhibition at the Bibliotheca Alexandrina in Egypt, where I was the only U.S. artist from eight countries included. Additional works from that series will soon be exhibited at the Krakow Triennial in Poland and at the Earth Photo...

12" x 10" Unframed Silver Gelatin Print Hand Signed by Simeon Posen

Photograph, Archival Pigment Print Size US: 36 x 53 in Size EU: 92 x 135 cm A native of Tacoma, Washington, Tim Klein is a photographer based in Chicago, Illinois. The foundation of Klein’s artistic practice is rooted in journalism photography. His career spans almost twenty years. Klein exhibits in Chicago’s River North Gallery District and he has been published internationally and nationally in newspapers and magazines such as New York Times, The New Yorker, Esquire, The Wall Street Journal, Smithsonian Magazine, Time Out, Variety Magazine, Out Magazine, Wired Japan, W Magazine, Reader’s Digest, National Geographic, and Forbes, among others. Klein’s photography is located in the collections of DeGroot Fine Art Acquistions, The Draper, Flats Studios, Chicago Department of Transportation, The Otis, Terrell Place, Presence Health Chicago, and The Ardus, among others. Klein approaches contemporary photography with an awareness of the power the photograph possesses in documenting an ever-changing world. Preserving the sublime qualities of nature, the humbling scale of forests and mountains for generations to come. Klein has an eye for ephemeral beauty, such as the dreamy fog that brushes high altitudes and slips away in a mist. Klein’s photograph titled Mountain Mist...

Black and white fine art panorama landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editi...

25" x 40" Unframed Limited Edition Archival Print of 15 Hand Signed by Simeon Posen