David Jay

Shanghai #6, Nude Portrait Black and White Photograph

2012

Touching the skin of the past is an extraordinary collection of Roman Statues captured with the ICM technique in order to make the marble skin like a truly human body. 'Touching the ...

Through David Jay’s photography, context evaporates, and we as the viewer are left to engage the subjects, trade places, and for a moment, live behind their eyes. We recognize our sh...

Through David Jay’s photography, context evaporates, and we as the viewer are left to engage the subjects, trade places, and for a moment, live behind their eyes. We recognize our sh...

Mauricio Velez's photographs seeks to refine the viewer's sensitivity and perception of art and the human body, elevating these elements to an aesthetic realm that can inspire, distu...

The gallery is launching a special 10-day sale on selected prints so take advantage of this special week !!! This is an original signed figurative archival pigment print on Hahnemüh...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘Heather' Naked woman with shiny skin swa...

The gallery is launching a special 10-day sale on selected prints so take advantage of this special week !!! Stretch - Signed limited edition archival pigment print - Edition of 1...

Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper DEAD MAN'S CHEST Anguilla, Caribbean 2022 This work was sourced directly from the artist. I hope this image is identified as having some of my trademarks. Every inch of the frame sweats and every person within the frame firmly stakes claim to his or her presence. I was greedy in the amount of information I wanted in the picture and for it to come off, I needed luck as well as strong communication with everyone on set. It has the cinematic feel that I often strive for and I think in time I will look back very fondly on that evening. At the moment it is all a little fresh and the subject matter is sufficiently adrift from my normal work that it is difficult to find context. But my sense is that it is a special photograph. The goal was to attain compositional harmony amidst the chaos of the beach landing, which was not that easy an objective as this landing was for real. This raw and rocky coastline in Anguilla is no studio. In retrospect it is remarkable that not only are the faces of the six male pirates in the landing party all in view but they also show collective endeavour. They had enough to think about dealing with the boat in the tide and maybe the truth is that they weren’t in role at all. Whilst getting soaked, out of my right eye I was checking the barrel in the sea, as I didn’t want to lose it behind the boat. There was quite a bit of multi-tasking going on in that one minute. Keeping a watch on two Rastafarian friends on the rocks was a further dimension. It was quite late in the day and by that time, I couldn't be too sure of their footing given their activities during the day. Josie Canseco...