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David SteenSean Connery Snooker – County Wicklow, Ireland, 1973 Limited Estate Print1973 (printed later)
1973 (printed later)
About the Item
Sean Connery – County Wicklow, Ireland,
1973
David Steen recalls: “Sean looked like a killer that day, all dressed in black, the sort of bad boy you’d see in an old western movie, you could just imagine him on the back of a horse being chased by others. I lit this photograph with a torch, I had someone stand on a chair and point it down onto his face, I needed to maintain the mood of the snooker hall, so flash was out of the question.”
Limited Edition David Steen Estate Print
Limited Edition: All prints are limited editions, no further prints are produced once sold
Paper size - 44 x 31 " / 111 x 78 cm
Limited to 20 only this size
All prints are bespoke and printed to order
stamped and numbered by the Estate
Copyright: © David Steen / The David Steen Archive
David Steen’s introduction to photography was as a 15-year-old school leaver joining Picture Post where he had the good luck to be taken under the wing of the legendary Bert Hardy as an assistant. It was the ultimate training ground in photojournalism, and the launch pad for his career.
David’s reunion with Picture Post after doing his National Service (as special photographer based in Eygpt, covering the major trouble zones) was short-lived. The magazine was losing ground and closed. He moved to Fleet Street, first to a bright new Mirror title, Woman’s Sunday Mirror, where incidentally he picked up First Prize in Encyclopaedia Britannica’s Best Pictures of the Year Award for his sequence of ‘Birth of a Baby’, the progress of a young woman delivering her own baby under hypnosis.
He was 21, the youngest ever to be awarded this prize. There followed time as a staff photographer with The Daily Mail; Fleet Street was the hub of the world. Then on to freelancing…Queen magazine, Nova, the Sunday Times Magazine, international magazines around the world, over the years covering projects as diverse as riots in Harlem to a film set in Acapulco, a battered wives’ refuge to the Queen and family at Sandringham: the hopeless, the homeless, the glitterati. Trained on the maxim ‘every picture tells a story’ he has focused on film stars, actors, criminals, politicians, prime ministers and countless men, women and children going about their everyday lives.
David Steen believes himself to be lucky. He thinks lucky; luck is being in the right place at the right time, having the luck to have a loving family and enduring friends and winning a three-year battle against cancer.
Asked by aspiring photographers for his best advice, his stock reply is: ‘Get up early.’
David Steen † 1936 – 2015
Tags: sir thomas sean connery, 007, james bond, scottish, actor, producer, 1973, 70s, 1970s, the seventies, film star, legend, famous, fame, movies, hollywood, sex symbol, the untouchables, marnie, the name of the rose, zardoz, the league of extraordinary gentlemen, indiana jones and the last crusade, the hunt for red october, highlander, murder on the orient express, dragonheart, the rock, dr. no, from russia with love, goldfinger, thunderball, you only live twice, diamonds are forever, never say never again, ian fleming
- Creator:David Steen (1936 - 2015)
- Creation Year:1973 (printed later)
- Dimensions:Height: 31 in (78.74 cm)Width: 44 in (111.76 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:London, GB
- Reference Number:Seller: SM241stDibs: LU381313650622
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Limited Edition David Steen Estate Print
Limited Edition: All prints are limited editions, no further prints are produced once sold
Paper size - 44 x 31 " / 111 x 78 cm
Limited to 20 only this size
All prints are bespoke and printed to order
stamped and numbered by the Estate
Copyright: © David Steen / The David Steen Archive
David Steen’s introduction to photography was as a 15-year-old school leaver joining Picture Post where he had the good luck to be taken under the wing of the legendary Bert Hardy as an assistant. It was the ultimate training ground in photojournalism, and the launch pad for his career.
David’s reunion with Picture Post after doing his National Service (as special photographer based in Eygpt, covering the major trouble zones) was short-lived. The magazine was losing ground and closed. He moved to Fleet Street, first to a bright new Mirror title, Woman’s Sunday Mirror, where incidentally he picked up First Prize in Encyclopaedia Britannica’s Best Pictures of the Year Award for his sequence of ‘Birth of a Baby’, the progress of a young woman delivering her own baby under hypnosis.
He was 21, the youngest ever to be awarded this prize. There followed time as a staff photographer with The Daily Mail; Fleet Street was the hub of the world. Then on to freelancing…Queen magazine, Nova, the Sunday Times Magazine, international magazines around the world, over the years covering projects as diverse as riots in Harlem to a film set in Acapulco, a battered wives’ refuge to the Queen and family at Sandringham: the hopeless, the homeless, the glitterati. Trained on the maxim ‘every picture tells a story’ he has focused on film stars, actors, criminals, politicians, prime ministers and countless men, women and children going about their everyday lives.
David Steen believes himself to be lucky. He thinks lucky; luck is being in the right place at the right time, having the luck to have a loving family and enduring friends and winning a three-year battle against cancer.
Asked by aspiring photographers for his best advice, his stock reply is: ‘Get up early.’
David Steen † 1936 – 2015
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