Ed Feingersh

Gerry Cranham 'Sundial Hat' Limited Edition Photograph 20x30

1955

Circa 1968: Young men and women pose in and on a car while modeling factory-made versions of Flower Power clothing, England. (Photo by Brian Duff/Daily Express/Express/Getty Images) ...

March 16, 1971: Air Stewardess Cynthia Robertson models the new uniform for National Airlines. A synthetic tiger skin number, the new uniform will be worn by over 1000 stewardesses....

Circa 1950: Swimmer diving into rough water lashing against rocky cliffs at Acapulco, the Riviera of Mexico. (Photo by Evans/Three Lions/Getty Images) As ...

Circa 1950: Swimmer diving into rough water lashing against rocky cliffs at Acapulco, the Riviera of Mexico. (Photo by Evans/Three Lions/Getty Images) As ...

Limited Edition Series. Black and White Photography by Cuban Photographer René Peña, Self Portrait René Peña (Rene de Jesus Pena Gonzalez) is a self-taught photographer born in Havana, Cuba in 1957. His photography is characterized by stark contrasts, between black and white, subject and background, subject and object. His work often focuses on the duality between human inability to escape institutionalization and human desire for individualism. His interest in contrast is also reflected in his place of residence: Peña currently inhabits the Cerro neighborhood of Cuba which is home to a mostly poor African-Caribbean population, despite having been an enclave of Havana's richest families in the 19th century. René Peña graduated from the Higher pedagogic Institute of Foreign Languages, University of Havana with a specialization in English in 1983. In the late 1980s he entered the national world of photography and since 1990 became leader of the new trends of Cuban photography, first by handling interiors and domestic situations in modern-day Cuba and later making studies of his own body in aspects such as negritude, sexual ambiguity and the influence of consumerism through self-portraits. He conceives his series on the basis of a conceptual, formal and structurally different analysis of all the parameters established up to the present, going from a brutal expressionism to a distinct homoeroticism, with strong mystic elements, trends from experimental painting, and a certain theatrical dramatization. He has had important solo shows and participated in group exhibitions in Cuba, the United States, Venezuela, Canada, France and Germany. His work is part of important collections, not only national but also at world level, such as the National Museum of Fine Arts, Cuba; the Ludwig Foundation of Cuba; Reinhard Schultz Collection, Germany; photographic archive Tuscany, Italy; Southeast Museum of Photography, Daytona, USA; Houston Museum of Fine Arts, Houston, Texas, USA; collection of the province of Hainuat, Belgium; and Lehigh University Pennsylvania...

lifetime edition silver gelatin fine art archival print 72 x 48 in. (paper size) edition 10 of 50 signed and numbered Notes: Dean Martin prepares to go on...

Terry O'Neill (1938-2019) David Bowie, Diamond Dogs (v2) 1974 lifetime edition silver gelatin fine art archival print 24 x 20 in. (paper size) edition of 50 signed and numbered printed later Price: £9,360 GBP (inc. 20% UK VAT) Notes: David Bowie poses with a large barking dog for the artwork of his 1974 album Diamond Dogs in London. From the start of the 1960s and continuing until the present day the name of Terry O'Neill has become inextricably connected with some of the most interesting takes on photographic portraits of celebrities. From the Beatles and Rolling Stones in the 1960s to the Royal Family and the Prime Minister's family in more recent times Terry O'Neill has proved adept at recording the significant subjects of the day in a visually stimulating and sometimes unexpected way and thus illuminated history of our age. Terry O'Neill was born on 30 July 1938 in the East End of London. His career as a photographer evolved by chance out of his first ambition to become a jazz drummer. Leaving school at fourteen and then doing his National Service his ambition was to go to America to study with the great drummers there. He thought that the best way to travel frequently and inexpensively to the USA would be to get a job as an air steward for BOAC. The airline at that time had no vacancies for stewards but suggested he took a vacancy in their technical photographic unit, which he combined with time at an art school and he then became interested in photojournalism. At first, O'Neill worked as freelance at London Airport, later was offered a stunt as a reportage photographer at Heathrow. This was followed by three years in Fleet Street, with O'Neill at 21, the youngest photographer in Fleet Street taking pop pictures for the up-tempo Daily Sketch. One thing lead to another and O'Neill quickly became a significant image-maker and one of the group of talented young photographers who helped create the photographic icons of the 1960s and create part of the buzz that became Swinging London. The peer group that emerged in this decade included David Bailey, Terence Donovan and Brian Duffy from the East End and Patrick Lichfield and Lewis Morley...

Sophie Calle (born 1953) is an internationally acclaimed French contemporary artist. Highly conceptual in her approach, Calle's projects often begin with material from her personal ...