Ernst Haas

Cowboys, Nevada USA by Master of 20th Century Photography

1960



"Chains of love" is in a series of portraits by Jan Saudek, depicting two figures – either male or female chained together. In this work, the two models...

Office Party, New York City, 1966 by Leonard Freed is a gelatin silver later print, 16 x 20, signed verso (on back) by the photographer. Freed enjoyed sto...

A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...

Mirage, 2012 Edition of 10 - 20 x 20 cm Digital C-Print based on a Polaroid, not mounted. Signed on back and certificate. Clare Marie Bailey Works and Lives: UK Clare Marie Baile...