ESTEVAN ORIOL

Fuck Love Black and White Photography Women of LA chicano culture Signed Print

2020

Estevan was born in 1966 in United States. At present he is situated in Los Angeles, California the city of the stars. His work has been highlighted in a large number of the top magazines and has additionally captured a portion of the top famous people too. He has likewise coordinated many music recordings also. He is the child of Eriberto Oriol who was additionally a well known picture taker. The universally eminent picture taker, music executive and urban way of life business visionary started his vocation as a hip-jump club bouncer and later turned a visit director for Cypress Hill and House of Pain which are the notable rap bunches in Los Angeles. He was talented an old camera...

Derek Hess Black Line White Lie 2011 AP from an edition of 750 Offset Lithograph 22 X 28 Our gallery takes pride in providing only the highest quality piec...

Fine art giclée print on Hahnemühle Photo Rag with Hand Deckle Edge's 19 × 13 in 48.3 × 33 cm Edition of 560 Part of a limited edition set Includes a Certificate of Authenticity From New Union Gallery...

Delve into the provocative world of Larry Clark with this exclusive collection of three striking photographs, featuring outtakes scenes from Supreme photoshoots. Each photograph, mea...

"Lovesick" Black & White Photography 60" x 40" in Edition 1/3 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 24: 27" x 18" inch Edition ...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Punk ‘ Signed by Ian Sanderson lower...

Untitled (Nr. 0423) Black & White Photography 44" x 36" Ed. of 12 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culminatio...

Black and white contemporary photograph by Houston, TX artist Delilah Montoya. This conceptual photograph captures a young child with long, dark, curly hair, resembling that of Christ's, also wearing a white dress with a thick, patterned lining. The young subject also holds what appears to be a heart figure, also replicated as a graffiti on the wall. Signed and labeled at the back. Framed and matted in a black wooden frame. Dimensions Without Frame: H 23 in. x W 18 in. Artist Biography: Although she was born in Texas and lived in Nebraska into her twenties, photographer and printmaker Delilah Montoya has deep roots in northern New Mexico through her mother's family. Raised by her mother, Montoya observes that women have empowered her family for five generations. Montoya studied photography and printmaking at the University of New Mexico, where she received her bachelor's degree, master's degree, and master of fine arts. She works in a variety of two-dimensional photographic and printing processes as well as creating larger installations. The artist describes her approach as postmodernist and uses documentary strategies to interpret her own distinct vision. Politically, Montoya is committed to exploring issues of identity in terms of a Chicano cultural context:"In my own evolving ideology I question my identity as a Chicana in occupied America, and articulate the experience of the minority woman. I work to understand the depth of my spiritual, political, emotional and cultural icons, realizing that in exploring the topography of my conceptual homeland, Aztlan, I am searching for the configuration of my own vision. " (Montoya n.d.) Montoya is committed to the expression of Chicana experience and history, but she does not consider herself as a feminist. Indeed, Montoya rejects identification as a United States-style feminist because she believes that "Feminists don't give us solidarity. As a Chicana my issues are multifaceted, not just gender, but class, race. " The border, for Montoya, is a politically imposed construct, a part of a United States colonialist enterprise that was forced upon the Chicano community. It is the environment in which Chicano life and history unfolds. Montoya's work explores contemporary and historical issues, sometimes win a humorous twist. Her artist's book for the 1992 Chicano Codices exhibition organized by the Mexican Museum in San Francisco, Codex Delilah: a Journey From Mechica to Chicana (including text by poet Cecilio Garcia-Camarillo), traces the imaginary journey of Six Deer, a character who embodies the contact between indigenous and Spanish culture in her trip "pal norte" towards Aztlan, the "spiritual homeland of her ancestors." As she journeys to the north, the character also journeys forward in time, meeting important Chicanas from the past, including La Llorona...