Fabrizio La Torre

A l'ombra del gigante - New York, 1956 - Contemporary Black & White Photography

1956

Artwork # 1 on 5 sold in perfect condition Limited Edition of 5 + 2 AP : Fiat Lux. Religiously parked under the watchful gaze of the Blessed Virgin, the ca...

Artwork # 1 on 5 sold in perfect condition Limited Edition of 5 + 2 AP The artwork is mounted on dibond and fixed in American floating box (black metal frame) The passo sospeso del pedone. Hesitant gait of the pedestrian who faces snow and car traffic in Piazza San Silvestro. Artwork printed on baryta paper 310 grs museum quality pigment inks, limited edition of 7 copies in total Brussels Art Edition is the custodian of the archives of the great Italian photographer Fabrizio La Torre. For almost 10 years, long and meticulous work has been carried out to restore these negatives and present these photos to collectors and the public. This year, we have practically completed the "Rome" file, this city where Fabrizio was born in 1921, where he spent a large part of his life, and where he was passionate about the daily life of its inhabitants in this period. 1950s-60s. Like all the films of post-war Italian neorealist cinema, La Torre was able to capture these moments of sincerity and simplicity in a city that had not yet been transfigured by modernity. While a few streets away, world famous actors and sexy starlets met in the rhinestones and glitter of the Dolce Vita, Fabrizio gazed into our simplest feelings, friendship, love and envy. of humour, those which truly make life sweeter and more beautiful. As a preview, we present here a selection of these never seen before photos Fabrizio La Torre (b. Rome 1921 d. Brussels 2014) was an Italian neo-realist photographer working during the period 1950-1960 who left behind a body of work focussing on three specific geographical areas: Italy, North America, which he spent several months visiting in 1955 and Asia where he lived for five years (1956-61). Fascinated by the task of capturing moments of truth and intimacy which characterise the human condition all over the world, he gives us moments of insight into life which reach out to us bridging time and distance. He holds up to us an affectionate and benign mirror, always knowing, sometimes amused but never mocking. In 1965, success came knocking at his door: he was offered the possibility of exhibitions and publication but he turned it down for reasons he never fully explained. The most we can do is note that this was also the time when the immense talent and historical importance of the photographic works, produced a century earlier by his grandfather Enrico Valenziani, were discovered. This may have made him feel he could not compete, particularly as he came from a family which was possessed of multiple artistic talents but in which no-one claimed to be an artist. Perhaps he saw himself as “a photographer” who was just the grandson of one of the founding fathers of Italian photography...

A black and white photograph of a perfect woman's buttocks and her handcuffed hands giving a finger. Original gallery quality print signed by the artist. Digital archival pigment p...

'The Ramones perform at CBGB,' 1977 by famed American photographer, Allan Tannenbaum. Archival pigment print, 10 x 15 inch photo on 17 x 22 inch on the finest satin photo paper, Ed. ...