Fox Photos

"Spiral Staircase" by Fox Photos

1937

"Inside St Stephen's" by Benjamin Stone circa 1925: Inside St Stephenfs Tower, Westminster Palace, showing the 23 ft diameter clock-face of Big Ben, named ...

"Dangerous Perch" by Fox Photos Evacuee Barrie Peacop enjoys an ice cream as he sits on a mine washed up on the beach at Deal in Kent, 7th February 1940. U...

"Inside St Stephen's" by Fox Photos February 1928: People sheltering from the rain under the portico of the National Gallery in London. The church of St-Martin-in-the-Fields can be ...

"Penny Farthing Bugle" by Fox Photos 17th October 1932: Edwin Davey, riding a penny farthing bicycle over Lambeth bridge in London, and blowing...

Handcrafted in the Photographers Darkroom Exhibition Quality Fibre Print Signed, dated and inscribed with title and stamped with photographers ink stamp reverso with the edition numb...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In her ninth solo show at the Robin Rice Gallery, veteran artist Patricia Heal documents her visual narrative of their enchanted home in upstate New York. Hidden within untouched forests lies Peabrook, a babbling brook running through the property. The classic architecture of the house is offset by uniquely quirky interiors designed by the English-born Patricia and her husband, Anthony Cotsifas, which generate an otherworldly existence within the estate. “Peabrook is my Neverland,” Heal states, in reference to J.M. Barrie’s Peter Pan. “It is a fictional place often described as a metaphor for eternal childhood.” Heal hopes that, with just a visit to the gallery and a little imagination, you, too, can see Peabrook. Her use of the large format, now-extinct Polaroid film for her black and white photographs, and the warm soft colors found in many of the other pieces of the collection, contribute to the sense of antiquity and fantasy surrounding Peabrook. The whimsical subject matter, including mythical creatures and extensive taxidermy, complete the “magical” representation of Heal’s home that she strove to depict. The simply framed 4” x 5”, 5” x 7” and 8” x 10” photographs sit within large mattes, in keeping with the classical quality of her images. “I really wanted to work in film again, and this project seemed the right one to do it with,” says Heal, who lists Sarah Moon and André Kertesz as artistic inspirations. The dark and mysterious invitational image, “Willow”, depicts a portrait of a hooded woman, her downward gaze partially obstructed by the soft branches of a fern from the surrounding garden. The earth-toned image contains the unpredictable streaked effect of developed instant film. In another image, entitled “Sitting Room”, we see a positive image of a film negative. Most notable is the hanging rhinoceros head towering impressively over two antique sitting chairs...

Rebecca Skinner’s “Stairway” was photographed at an abandoned asylum and is part of her “Forgotten” series raising mental health awareness. A fisheye lens gives the ornate, iron staircase...

Rebecca Skinner’s “Stair Detail” was photographed at an abandoned asylum and is part of her “Forgotten” series raising mental health awareness. The 20 x 30 inch photo with satin fini...