Tommy Crow

Spartan Tree

2019

X-ray digital C-type mounted onto Dibond, with Plexi face We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays to strip back layers and show what is under the surface. Often, integral beauty adds intrigue to the familiar and challenges our automatic reaction to physical appearance by highlighting the beauty inside. Society is being increasingly inhibited by security and surveillance. Take a flight or go into a high-profile courtroom and your belongings will be x-rayed. The post arriving in corporations and government departments is often x-rayed. Security cameras...

X-ray digital C-type mounted onto Dibond, with Plexi face We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays to strip back layers and show what is under the surface. Often, integral beauty adds intrigue to the familiar and challenges our automatic reaction to physical appearance by highlighting the beauty inside. Society is being increasingly inhibited by security and surveillance. Take a flight or go into a high-profile courtroom and your belongings will be x-rayed. The post arriving in corporations and government departments is often x-rayed. Security cameras...

Digital Photo printed with Archival Pigment Inks on Epson Legacy Baryta paper, Framed - orders only & different sizing options available "Standing tall upon the edge of the land, s...

Digital Photo printed with Archival Pigment Inks on Epson Legacy Baryta paper, Framed. - orders only & different sizing options available. "The woman lifts a single hand to the window. Peering out, caught in the balance between dark and light, she’s waiting and watching. Longing pours out of every pour as she reaches for what’s just beyond her grasp." Suzy Raskin...

A stand of spinous silver birch gather, shining white against the inky night... Over a three-year period, Goodall has visited areas of British forest and moorland to make images that he refers to as being 'more akin to fairytale than documentary'. There is indeed an unreal quality to the images, and this is perhaps a result of using artificial lighting; it reminds one of those spooky, unnaturally lit forests we see in the movies. In the absence of any natural illumination (save for a few that include the moon), scenes are lit as if they are in a studio setting. This results in imagery that feels eerily unfamiliar; transporting the viewer from the recognisable landscape into a kind of liminal netherworld - it's the landscape, but not as we are used to seeing it. Goodall responds to this observation by speaking about the possibility of the darkness being seen as a metaphor for the unconscious mind; the 'light' of consciousness illuminates the known forms of tree and rock, but beyond these certainties lies the unknown. When your eyes have little information, your imagination takes over and fills in the gaps." - Jasper Goodall...

An immense beech pollard, cut in its youth hundreds of years ago, has developed dozens of thick branches from its spiralling trunk. One in a line of several very old beeches in Sussex woodland that may have marked a boundary or a long forgotten track. Artwork info: Archival Pigment Print, Edition of 8 +2AP This print is unframed but can be mounted on Dibond upon request (price upon application) and further framing options are also available - Please contact us at MMX Gallery for more details or purchase here the unframed print. About the Artist: Born in Birmingham in 1973, Jasper Goodall...

Original title: Silver Path, Twilight #35 by Jasper Goodall A silver path winds its way through twisted, towering beech trees; an invitation to step int...

Field - Limited edition pigment print - Limited Editions of 15 Rural France, Burgundy, 2006 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta ...