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James LewinThe Huntress of Namiri, Photography 2020, Printed After
About the Item
Available sizes:
18”x19.37”, Edition of 8, Pigment Print
28”x30.14 , Edition of 8, Pigment Print
38”x40.91”, Edition of 6, Silver Gelatin
48”x51.67”, Edition of 6, Silver Gelatin
58”x62.44” , Edition of 3, Pigment Print
30”x32.29”, Edition of 1, Platinum Palladium
Tsavo Trust
"I can never do anything to prepare myself for coming face to face with a Big Tusker elephant. Each time, it is as if it were the first. I am left in total shock and am instantly teleported to times long ago where sights like this were more common. Never have I encountered any animal or human that commands instant silence and such an amount of respect from all around. Yet, today there are fewer than 25 across the entire African continent. Once prized by hunters as trophies, today prized by poachers for overseas markets. They are on the brink of existence.
The first time I met Dida was in 2017, and I remember Richard (Founder & CEO, Tsavo Trust) telling me every time he sees her, he believes it will be his last. At the beginning of 2021, she ventured away from her herd, which matriarchs do when they feel their time has come. Another giant cow tusker named Mudanda did precisely this before she died in 2017, and so the Tsavo Trust were worried that Dida’s days were almost over. Following some favourable rains, she is remarkably still with us and reunited with her herd looking in better condition. This granted me the opportunity to photograph her again four years later, something I could never have imagined. Dida is one of the oldest matriarchs in Africa, at close to 60 years old. She has guided her herd for decades across a landscape the size of Switzerland. I cannot begin to imagine the knowledge she holds or the stories she could tell of periods of extreme poaching and immense droughts.
In April, I partnered with the Tsavo Trust and spent a week with a monitoring team following her every move. Tsavo can be a tricky location to photograph, with much of the landscape covered in thick bush. Waterholes can sometimes offer opportunities if you can get into position before the elephants arrive to drink. Without the Tsavo Trust’s knowledge, this portrait would not exist.
To me, Dida represents hope and the resilience of nature when given a chance to thrive. It is remarkable that creatures not so different from mammoths still exist in 2021 despite our best efforts over generations. My sincere appreciation and thanks go to the Tsavo Trust for their years of dedication to keeping these last Big Tuskers alive in the wild. Today, they monitor over 30 “up and coming” emerging tuskers that will become the Big Tuskers of tomorrow. With continued efforts, we may witness a time where there are more tuskers in Africa than there are today."
This photograph will be printed once payment has been received and will ship directly from the printer the artist works with. Your certificate of authenticity will be shipped separately from your print and in most cases will ship directly from the gallery.
Trimper Gallery is more than happy to provide clients with the next available edition number, however, the Trimper Gallery can only guarantee the specific edition number the client will receive once payment has been received.
About James Lewin:
Wildlife fine art photographer and conservationist, James Lewin, is entirely self-taught and first became interested in photography whilst in Kenya. Alongside his love of photography, James is an ardent conservationist and in partnership with Isabella Garrucho Fine Art we donates 20% of all image sales directly back to the conservation charities in the areas where the images were taken. Organizations like the Big Life Foundation, The Serengeti Cheetah Project, Reteti Elephant Sanctuary, Tsavo Trust, Borana Conservancy, The Mara Elephant Project and Lewa Conservancy, These organizations mission it is to protect the Elephants, Lions, Giraffes, Rhinos and Leopards he photographs along with their natural habitat.
James's photographs are offered in 3 different printing formats / styles:
Small Archival Pigment Prints:
The most commonly used among professional photographers. Pigment Prints are made by digital inkjet printers, which mix ink to create specific hues. The ink is then applied directly to paper in fine detail.
Medium / Large Silver Gelatin Prints:
The gold standard in black and white printing which surpasses archival pigment prints in longevity, quality and detail.
Premium Edition Platinum Palladium Prints:
The prints selected are made in a darkroom and were very popular in the late 19th century. It uses platinum palladium as the light-sensitive material and has the very best archival rating of any print over 2,000+ years.
This photograph will be printed once payment has been received and will ship directly from the printer the artist works with. Your certificate of authenticity will be shipped separately from your print and in most cases will ship directly from the gallery.
The Gallery is more than happy to provide clients with the next available edition number, however, the Gallery can only guarantee the specific edition number the client will receive once payment has been received.
- Creator:James Lewin (1996)
- Dimensions:Height: 18 in (45.72 cm)Width: 19.37 in (49.2 cm)
- More Editions & Sizes:28”x30.14 , Edition of 8, Pigment PrintPrice: $3,50038”x40.91”, Edition of 6, Silver GelatinPrice: $6,50048”x51.67”, Edition of 6, Silver GelatinPrice: $9,50058”x62.44” , Edition of 3, Pigment PrintPrice: $12,500
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Greenwich, CT
- Reference Number:1stDibs: LU25116313422
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