John Simmons

Xmas Eve, Chicago, 1967

1967

John Simmons Man With A Pistol, Chicago, 1965 Signed, titled and dated in pencil on verso Gelatin Silver Print Image: 8 3/4"x12 7/8", Paper 11"x14", Matte...

John Simmons Love On The Bus, Chicago, 1967 Signed, titled and dated in pencil on verso Gelatin Silver Print Image:12 7/8"x 8 3/4", Paper 14"x11", Matted ...

Signed, titled, dated, & numbered in pencil on verso, Artist's stamp on verso Gelatin Silver Print Image - 12 1/2" x 18 1/2"; Paper - 16 7/8" x 19 3/4"; Matted 20" x 24" Edition 15 o...

Signed and dated in pencil on mount recto; number "8" blind-stamped in lower left corner of mount Image 9-1/2" x 7-1/4", Mount 18" x 14", Matted 20" x 16"

The photograph captures and translates the American South of the 1960s. Southern State, 1964 by Leonard Freed, is an 11” x 14” gelatin silver photograph from the photographer's Black...

Limited Edition Archival Photograph of 50 Hand Signed by John Migicovsky Additional Information: More Editions - 16" x 20"

Leonard Freed is considered one of the most prolific and timely photojournalists of his generation. Born in Brooklyn, he traveled to Europe for the first time in 1952, where he discovered photography. In 1954 he moved to Little Italy on the lower east side of Manhattan, where his love affair with Italian culture began. The photographs expose Freed’s love of the Italian people. In photo after photo, the daily life, rituals and traditions of Italians are expertly frozen in time by the eye of such an accomplished photographer. The Italians finds scenes of weddings, birthdays and everyday life exposing their inner lives. His photographs illuminate an entire set of habits intertwined with tradition that are symbols of a broader culture and an entire country. Freed’s career began shortly after World War II with subjects as diverse as his travels. Freed first came to fame in the United States documenting...

"A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson...