Kate Breakey

Agoseris in a Bottle

2021

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Artist Statement For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both i...

Artist Statement For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both i...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Brigitte LUSTENBERGER (*1969, Switzerland) An Apparition Of Memory, 2019 From the series 'An Apparition Of Memory' C-print 100 x 100 cm (39 3/8 x 39 3/8 in.) Edition of 5, plus 2 AP...

"Still Life with a Bottle" 30"x26" inch Ed. 1/3 by VLADIMIR CLAVIJO-TELEPNEV Author's direct print on wood Vladimir Clavijo-Telepnev was born in 1962 in Moscow, in the family of creative people. His father, Pedro Clavijo, was a Columbian journalist and a radio reporter. His grandfather by his father's side, Edmundo Clavijo Cubilios, was a famous Columbia's photograph and artist. His grandfather and grandmother by his mother's side, Vladimir and Margarita Telepnevs, were painters. In 1986 Vladimir graduated from the Moscow Polygraphic Academy, faculty of graphic art, specializing in painting, graphics, and polygraphic design. PRIVATE COLLECTIONS: ELTON JOHN PRINCESS MICHAEL of KENT MARIE CHRISTINE PETER GREENAWAY DMITRY MEDVEDEV NURSULTAN NAZARBAEV Vladimir's work of arts were put up for auction at PHILLIPS de Pury in 2003 in New York, in 2008 in London and New York, in 2010 in New York; at GENE SHAPIRO in 2008, 2009, 2010, 2011 in New York and at HERITAGE AUCTIONS in 2011 in New York. EXHIBITIONS: 2013 Group exhibition at the Gulbenkian Foundation, Lisbon, Portugal; Solo exhibition at the AZOR ROZA Gallery, Moscow, Russia. ​ 2012 Group exhibition of the best iconography for Lewis Carroll's "Alice", "A Mad Tea-Party", The Story Museum, Oxford, UK; Group exhibition "Museum's Centenary: a Photographer's View" at the Pushkin Fine Arts Museum; Solo exhibition at the ZEPPELIN Gallery, Moscow, Russia. 2011 Group exhibition at the ART MOSCOW FAIR. 2010 Pushkin Fine Arts Museum opened a section of photography with the participation of Vladimir Clavijo-Telepnev, the only Russian exhibitor. 2009 "Wayfaring Territory" group exhibition, St. Petersburg, Peter-and-Paul Fortress, Russia. 2008 "Joyance Territory" group exhibition in the Rumyantsev villa, St. Petersburg, Pskov, Belostok, Voronezh, Mikhailovskoye (all in Russia), and also in Berlin, Germany; Solo exhibition at the VINZAVOD Exhibition Center. 2007 Solo exhibition at the MILLIONAIRE FAIR, Moscow, Russia; Participation at the Moscow Fine Art Fair, MANEZH Exhibition Center. 2006 Art London, "Russian Asia", a joint project of Inna Khegai and the Artek Gallery, London, UK; Solo exhibition at the ESPECRTO Gallery in Krasnodar. 2005 Personal exhibition within the framework of the Russian Movie Week in Paris, Paris-Art-Moscow, Espace Cardin, Paris; personal exhibition at the MILLIONAIRE FAIR, Moscow; exhibition at the Grossman Gallery, Williams Visual Arts Buildings, Easton, Penn; personal exhibition at the Grand Hayat Hotel gallery, Dubai, Arab Emirates; exhibition at the STUDIO Gallery, Moscow Russia; exhibition of the Cherry Orchard...

Abstract drawing Graphite on paper in vintage frame 14 x 12 inches framed / 10 x 7 inches unframed Signs of wear on framing is consistent with age and is the intention of the artist...

"White Flowers" Photography 30"x26" inch Ed. 1/3 by VLADIMIR CLAVIJO-TELEPNEV Author's direct print on wood PRINT ON THE WOOD The series is based on the idea to look at the famous literary work from an unorthodox perspective and show the content with the help of visual images. In Vladimir’s view the asexuality of the characters allows, within the given photographic project, to use a “transvestitism approach” with females portraying males. The task was to use a natural female refinement of the heroines. Chronologically-wise the Chekhov’s characters find themselves in the 1920’s and the 1930’s when the very notion “style” was most graphic and fitting. The retro-styling approach used in the series makes the photos both expressive and melancholic at the same time. With all his inherent theatricality and nostalgia the artist puts his post-modernistic compositions in the atmospheres of the years past reproducing long-gone motifs. He shows reality against the background of a “theatrical universe”. Grace Glueck, a prominent art critic for the New York Times newspaper, wrote that Vladimir Clavijo-Telepnyov’s large-scale photos look intriguing and, among other things, the photos have something really theatrical about them as if inspired by the system initiated by the Russian theatrical director of the early 20th century Konstantin Stanislavsky. In a subject called Temptation, the rather spoilt servant Yasha in the role of a tempter portrays a so-called new Russian. The character is expressive and cynical; he is aloof, kind of cheeky and self-satisfied individual quick to elbow old-timers. A tragic theme of old age, helplessness and eventual death of a servant named Firse is solved in the form of diptych with a little girl sitting alone in the corner of a huge empty room. The image of land-owning lady Ranevskaya was quite logically portrayed by Renata Litvinova, an actress, script-writer and film director who had played the same role in the Moscow Art Theater...