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Ken HeymanThe Pop Artists: Roy Lichtenstein in Mirror, 1964
$4,800
£3,644.75
€4,168.05
CA$6,706.30
A$7,458.87
CHF 3,894.79
MX$90,766.45
NOK 49,742.38
SEK 46,649.58
DKK 31,107.74
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About the Item
In 1964, Heyman was invited by Basic Books Publishing to collaborate on the subject of Pop art. In the fall of 1964, Heyman spent three days photographing such artists as Andy Warhol, Roy Lichtenstein, Claes Oldenburg, James Rosenquist, and Tom Wesselmann. All artists were photographed in their studios except for Warhol, who was photographed in his home, and Oldenburg, who posed in a department store. The resulting book, entitled Pop Art, was published the same year and included a text by noted author and cultural historian John Rublowsky. It was the first book on the subject of Pop art and its groundbreaking approach set out to analyze the artists, their sources, and those who collected their work.
- Creator:Ken Heyman (1930 - 2019, American)
- Dimensions:Height: 11.5 in (29.21 cm)Width: 14 in (35.56 cm)
- Medium:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Toronto, CA
- Reference Number:1stDibs: LU2177213491972
Born in New York City in 1930, Ken Heyman first became interested in photography in high school. Later, during his student days at Columbia College-which were interrupted by a two-year stint in the army-his skill as a photographer grew, but still regarded photography as no more than a hobby. Then two events in college helped to direct him toward his career in photography. First, he sent off selections of his work to two national photography annuals and was pleased, indeed surprised, when both indicated they were eager to print his pictures-and did. But perhaps more important was his becoming a student of the distinguished anthropologist Margaret Mead. To fulfil a term paper requirement in one of her courses, Mr. Heyman submitted a photographic essay that interested the famous professor. Out of this began a friendship and collaboration that continued for more than twenty years. Their first collaboration began shortly after his graduation from Columbia in 1956, when she invited him to go with her to take pictures in Bali. Other field trips followed: some with Mead and others where he went alone. Since then, ken Heyman has photographed in more than sixty countries. These photographs have appeared in major exhibits and in two books co-authored with Margaret Mead: Family (1965) and World Enough (1976). Ken Heyman has done photographic assignments for many magazines, including Life. He has worked for the U.S. Information Agency, photographing Alliance for Progress projects in Latin America, and for several photographic agencies, including Rapho Guillumette Agency and Magnum. Shows of Mr. Heyman's work have been held at the Museum of Modern Art (1963), the Hallmark Gallery (1965), The International Center for Photography in New York City (1976), The Zabriskie Gallery in Paris (1995). Ken Heyman's work has brought him a number of awards including "The World Understanding award," considered to be one of the top awards in photography. It is given "to honor the photographer whose work has contributed most to a better understanding among the world's people." Ken Heyman has done many books in addition to Family and World Enough. His recent works includes twenty-two books for children written by Ann Morris. The multicultural perspective in these acclaimed books reflects Heyman's varied experience and his ability to sensitively interpret the human condition. A New York Times Article on Leonard Bernstein featuring Ken Heyman’s photography.
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Corlett, The Prints of Roy Lichtenstein - A Catalogue Raisonne 1948 - 1997, Hudson Hills Press, NY and National Gallery of Art, Washington, D.C., 2002, pg.126, #114.
About Lichtenstein’s Mirror Series (taken from Corlett):
Mirrors were an important subject in Lichtenstein’s paintings and prints of the early 1970s. From late 1969 to 1972 he painted over forty canvases depicting this subject. The first print was in 1970, with Twin Mirrors (cat. no.102) for the Guggenheim Museum. In 1972 he also produced Mirror (cat. No. 115) at Styria Studio, in addition to this Gemini G.E.L. series of nine prints. In the mid-seventies he took up the subject in sculpture, and he returned to it in prints as recently 1990, with Mirror (cat. No 246). In addition, he has often explored the related theme of reflections, incorporating them in various paintings and in several print series: Reflections (1990; cat. Nos. 239 – 245), Interiors (1990, published 1991; cat. nos. 247 – 54), and Water Lilies (1992; cat. nos. 261 – 66).
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