Maria Yampolsky

Petalos "Petals", 1979

Signed, titled and dated in pencil on verso Gelatin silver print Paper: 11" x 14", Mat: 16" x 20"

Signed, titled, & dated in pencil on verso Gelatin Silver Print Paper 10 x 8 inches; Image 9 5/8 x 7 5/8 inches

Signed in pencil on verso Gelatin Silver Print 15 x 13", matt

Signed and dated in pencil on mount recto; number "8" blind-stamped in lower left corner of mount Image 9-1/2" x 7-1/4", Mount 18" x 14", Matted 20" x 16"

Botman, Machiel (Dutch, b.1955). "Ijke, 1993" (Boy with Flower, Rainchild). Silver Print.Hand signed in pencil (beneath mat) Image: 8" x 13.25". Framed: 18.5" x 22.5". A key figure in contemporary Dutch photography, Machiel Botman is represented by the Gitterman Gallery in New York, Galerie VU in Paris and the Kahmann Gallery in Amsterdam. His books include Heartbeat (Volute, 1994), Rainchild (Schaden and Le Point du Jour, 2004) and One Tree (Nazraeli Press, 2011). His work is included in numerous institutional collections, including the Bibliotheque Nationale in Paris, the Tokyo Museum of Photography and the Frans Hals Museum in Haarlem. Machiel Botman was born in 1955 in Vogelenzang, The Netherlands. Self-taught, Botman has photographed since the age of 10. In the early 1980s he learned to print by assisting the master printer Philippe Salaün in Paris, who made prints for Willy Ronis, Izis, Robert Doisneau and others. He lives in Haarlem, the Netherlands. Select Group Exhibitions Gitterman Gallery Summer Exhibition Adam Bartos, Ferenc Berko, Machiel Botman Josef Breitenbach, Eugene Meatyard, Joseph Szabo, Edmund Teske etc. Gitterman Gallery Eclectic Bruno Barbey, Machiel Botman, Pierre Cordier, František Drtikol, Yasuhiro Ishimoto, Izis, Pierre Jahan, Helen Levitt, Tina Modotti, Josef Sudek, Roman Vishniac, Minor White, etc. Kahmann Gallery The Old Man & The Sea Nobuyoshi Araki, Machiel Botman, Henri Cartier-Bresson, André Kertész, Irving Klaw, etc. Kahmann Gallery FLAVOURS Eva Besnyö, Machiel Botman, Harry Callahan, Takeshi Shikama, Maura Sullivan, Albert Watson etc. European Photography - Reggio Emilia Mark Borthwick, Machiel Botman, Kevin Cummins, Francesco Jodice, Michael Kenna, Man Ray Alberta Pellacani, Alessandra Spranzi, Luigi Veronesi, Richard Wentworth, Alain Willaume etc. Kahmann Gallery, Imagine A collection of contemporary and vintage photographs Jehsong Baak, Eva Besnyö, Machiel Botman, Fons Brasser, etc. Museum Charlottenburg-Wilmersdorf L'Homme-paysage Dieter Appelt, Machiel Botman, William Kentridge, Javier Pérez, Giuseppe Penone, Jim Shaw Zabriskie Gallery, The Beach Machiel Botman, Esther Bubley, Harry Callahan, Joel Meyerowitz, Garry Winogrand etc. Kahmann Gallery, Dutch Nudes...

In this series, Terada photographs cherry blossoms on water in energetic and engaging all-over compositions working on both micro and macro ...

'Bloom Cluster' London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. The photograph is signed front and bac...

"White Flowers" Photography 30"x26" inch Ed. 1/3 by VLADIMIR CLAVIJO-TELEPNEV Author's direct print on wood PRINT ON THE WOOD The series is based on the idea to look at the famous literary work from an unorthodox perspective and show the content with the help of visual images. In Vladimir’s view the asexuality of the characters allows, within the given photographic project, to use a “transvestitism approach” with females portraying males. The task was to use a natural female refinement of the heroines. Chronologically-wise the Chekhov’s characters find themselves in the 1920’s and the 1930’s when the very notion “style” was most graphic and fitting. The retro-styling approach used in the series makes the photos both expressive and melancholic at the same time. With all his inherent theatricality and nostalgia the artist puts his post-modernistic compositions in the atmospheres of the years past reproducing long-gone motifs. He shows reality against the background of a “theatrical universe”. Grace Glueck, a prominent art critic for the New York Times newspaper, wrote that Vladimir Clavijo-Telepnyov’s large-scale photos look intriguing and, among other things, the photos have something really theatrical about them as if inspired by the system initiated by the Russian theatrical director of the early 20th century Konstantin Stanislavsky. In a subject called Temptation, the rather spoilt servant Yasha in the role of a tempter portrays a so-called new Russian. The character is expressive and cynical; he is aloof, kind of cheeky and self-satisfied individual quick to elbow old-timers. A tragic theme of old age, helplessness and eventual death of a servant named Firse is solved in the form of diptych with a little girl sitting alone in the corner of a huge empty room. The image of land-owning lady Ranevskaya was quite logically portrayed by Renata Litvinova, an actress, script-writer and film director who had played the same role in the Moscow Art Theater...