Marion Post Wolcott

3 Early 20th Century B&W Photographs, Published by Library of Congress

c. 1900-1940

BRASSAI (Hungarian–French, 1899-1984) Street Fair on the Place d'Italie, 1931 Medium: Sheet-fed Gravure Printing Date: 1970's Printed in the USA Image: 10 1/2 x 8 inches Framed: 14 1/2 x 12 inches Although his real nameis Gyula Halasz, he took the name Brassai from his birthplace, and it means someone who comes from Brasov. He used the name all his adult life and is known throughout the world as Brassai. He was of Hungarian ethnic origins. Brasov in Transylvania has been a part of Romania since the end of the First World War, and that region is still largely populated by ‘Romanain-Hungarians.’ Two of these became well known in the film industry: Bela Lugosi and Gabriel Pascal. When the Austro-Hungarian Empire was dismantled after the War, most of its territories were distributed amongst a number of nations. It was at this time that Transylvania returned to its earlier identity as part of Romania. Brassai had served in the Austro-Hungarian cavalry for the last year of the War, 1917-1918. After he settled in Paris in 1924, Brassai never returned to his homeland, remaining in exile for the rest of his life. His parents continued to live in Brasov but joined him for long visits in Paris. In 1949 Brassai became a French citizen, having been a stateless person since 1947. He fell in love with a French woman, Gilberte Boyer, and they married in 1948. Gilberte worked closely with her husband as he pursued his photographic career, helping him develop prints in his dark-room, and often writing descriptions of the subjects and personalities. It was also in 1949 that a book with 207 photographs of Picasso’s sculptures was published, with photographs by Brassai. He and Picasso became friends and the latter asked him to photograph his work for this volume. Brassai was a frequent visitor to Picasso’s studio and there he took several portraits of the artist. Brassai has become one of the leading photographers of the twentieth century with collectors all over the world seeking his work. In an era which produced several brilliant and inspired photographers, not least Brassai’s friend Man Ray, he was able to capture a quality of magic in the atmosphere, bordering on the supernatural. Many of his pictures were taken at night or in fog, a frequent condition in Paris in the early part of the twentieth century. Even his day time photographs capture a moment of eerie transition between the mundane and the surreal. He is on the doorstep of another world where time stands still. Light becomes spectral as if it is the breath of an invisible power. Figures seem set in amber. Wet cobbles seem to slither and flow. A Master of capturing the ordinary, Brassai saw things as they were but transmuted the scene through his use of the lens into something outside the ordinary. Brassai was a familiar figure prowling round Paris after dark with his camera and tripod and heavy bag of glass photographic plates. He was sometimes accompanied by Ernest Hemingway, Henry Miller, or Leon Paul...

Mystery Artist Untitled (Female Bodybuilder), c. 1980 Black and white photograph mounted to foam board Image: 12 3/4 x 10 1/2 in. Board: 19 7/8 x 16 1/2 in.

Unknown American Modernism School Untitled (Kitchen), c. 1930 Pencil on paper Sight size: 10 x 12 in. Framed: 16 3/4 x 20 3/4 in.

Stan Phillips (American, 1923-2012) Jacob's Pillow, c. 1970 Lithograph 14 7/8 x 10 7/8 in. Signed and inscribed Phillips was born in Brooklyn, New York and spent most of his young l...

DAN BUDNIK (American, b. 1933-2020 David Smith with Voltr1-Bolton XV, Terminal Iron Works, Bolton Landing, N. Y. 1963 Vintage Print on Afga Paper, Silver gelatin, March 1963, printed 1992 by Igor Bakht Paper: 24 x 20 inches Image: 16.38 x 13 inches Recto: signed in black ink in artist's hand Verso: titled, dated, signed in graphite in artist's hand, printer information in graphite State: unmounted. Dan Budnik 1933-2020 As a photojournalist, Dan Budnik is known for his photographs of artists, but also for his photo-documentation of the Civil Rights Movement and of Native Americans. Born in 1933 in Long Island, New York, Budnik studied with Charles Alston at the Art Students League of New York (1951-53) and began his photography career as Philippe Halsman’s assistant. Working at Magnum Photos (1957-64) in 1963, Budnik persuaded Life Magazine to have him create a long-term photo essay showing the seriousness of the Civil Rights Movement, documenting the Selma to Montgomery march and other historical Civil Rights moments. Budnik went on to photograph for premier publications such as Life, Fortune, Look, Newsweek, Sports Illustrated and Vogue. He has been a major contributor to eight Time-Life Wilderness and Great Cities series and received a 1973 grant from the National Endowment for the Arts for his work on the Hudson River Ecology Project and a 1980 grant from the Polaroid Foundation for Big Mountain: Hopi-Navajo Forced Relocation. Biography Pastaza, Ecuador, December 2004 Photo by Kresta King Cuther Pastaza, Ecuador, December 2004 Photo by Kresta King Cuther Dan Budnik, (b. 1933-died 2020), whose career as a photographer has spanned more than half a century, was most recent recipient, in 1998, of the prestigious American Society of Media Photographers Honor Roll Award, an accolade previously accorded to such eminent photographers as Man Ray, Edward Steichen, Walker Evans, Dorothea Lange, André Kertész, Ernst Hass...

"Dr Dre The Chronic Cassette" is a photomosaic artwork by Destro. This image is made up of 100's of smaller images of Dr Dre imagery. Archival photographic paper Signed Framing op...

"Dr Dre The Chronic Cassette" is a photomosaic artwork by Destro. This image is made up of 100's of smaller images of Dr Dre imagery. Archival photographic paper Framing options a...

"Dr Dre The Chronic Cassette" is a photomosaic artwork by Destro. This image is made up of 100's of smaller images of Dr Dre imagery. Archival photographic paper Framing options a...