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Michael PutlandBob, Mick And Pete - Marley Jagger Tosh Limited Estate Print1978 (printed later)
1978 (printed later)
About the Item
Marley Jagger Tosh
Photo by Michael Putland
1978
Limited Estate Print.
Bob Marley, Mick Jagger and Peter Tosh pose backstage at a Rolling Stones concert
at the Palladium in New York, United States, 19th June 1978.
by Michael Putland (1947 – 2019)
Limited Estate Stamped Edition print
silver gelatin fibre based photographic darkroom paper print
Paper size 20 x 24″ / 51 x 61 cm
Edition of 20 only
Numbered and signed by the Estate on reverse
Stamped on front with a blind embossed stamp
certificate of authenticity provided
unframed
Framing available on request
by Michael Putland :
“I left school when I was 16 and I got a job as a photography assistant, because I’d always loved photography. And I’d always loved music. So I’d go to concerts in the evenings and take little old cameras around and snap the artists as they were on stage. I found I could sell one or two of the prints and it all just developed from that really.
It was much easier back then. There were very few people doing it. You go to a big concert now and 40 people are shooting the show then they’re all escorted out of the hall after two numbers. I always used to shoot the whole show. The national press weren’t interested in those days, and there wasn’t much music press, so the artists were very pleased we were there trying to take their pictures. And you’d always get to go to the afterparty.
That’s how it was with this picture of Bob, Mick and Pete. An afterparty in the dressing room for a small amount of people. The Stones had done a gig in the Palladium Theatre in New York in 1978 and it Mick had just come off stage. All the Stones were there, as well as Bob Marley, Peter Tosh, Paul and Linda McCartney. It was a very elite group, if you like. And obviously I knew the Stones very well at that time, so I just snapped it really, it was a lovely moment.
I’ve always tried to photograph people’s character. And I think I’ve captured that, certainly with Bob and Mick, the pleasure in the moment. If I had a gift it was catching the person, catching what they were. And this was before digital, when it all became about making the person beautiful. I was more of a photojournalist. I always worked very hard never to take a photograph in those personal circumstances that I thought people wouldn’t like. I felt very privileged to be given that freedom. I loved the band and I was always respectful to them. I’d been watching them since their very early days because I was only a few years younger than them. That’s how it was in those days, The Who used to play my local pub. It was a fantastic period of time.
This is an image that people seem to like very much and people often ask me for it to hang on their walls. I think after my first Stones tour in 1973 people started to treat me differently. They thought, ‘Oh you must be okay!’ and I started working with really good people after that.
The first photographer I assisted said to me, ‘Kid, keep it simple.’ If you give me too many lights or a flash set-up I just go to pieces but if I’m in a darkened room with a little bit of light coming through and an atmosphere, then what skill I have, will shine through.”
- Creator:Michael Putland (1947 - 2019, British)
- Creation Year:1978 (printed later)
- Dimensions:Height: 20 in (50.8 cm)Width: 24 in (60.96 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:London, GB
- Reference Number:Seller: SM241stDibs: LU449311921972
Michael Putland
Michael Putland photographed everyone from Abba to Zappa. Born on May 27, 1947, Putland grew up in Harrow, England. He took his first pictures at the age of nine before leaving school at 16 to work as an assistant to various photographers including "Time-Life" photographer Walter Curtin and the legendary motor racing photographer, Louis Klemantaski. In 1969, Putland set up his own studio, and, by 1971, he was the official photographer for the British music magazine "Disc & Music Echo." His first assignment that year was to photograph Mick Jagger in London. From the editorial work for "Disc & Music Echo," "Sounds," "Smash Hits" and "Q" magazine among others, to the 1973 tour with The Rolling Stones, which led to a long-standing working relationship with the band, Putland shot prodigiously including for several major record labels: CBS, Warner, Elektra, Polydor, Columbia Records and EMI. Upon relocating to New York in 1977, Putland founded the photo agency Retna with his long-term business partner and friend, Julie Grahame, which became one of the most comprehensive and respected music and celebrity image libraries in the world, with offices in New York and London. Music photography took Putland around the globe touring with acts as diverse as George Michael in Australia and Japan, The Cure in Brazil, Eric Clapton in the United States, and The Rolling Stones in the United States and Europe, as well as to the homes of artists including David Bowie, John Lennon and Yoko Ono, Roger Daltry, Jeff Beck, Billy Joel, Keith Richards and Robert Plant. The last 10 years of Putland’s life were busy with a series of exhibitions that included Getty Gallery’s 50-year retrospective in 2014. Ono Arte in Bologna, Italy, hosted "Bowie before Ziggy" in 2016 and "Glad to be Glam" in 2018. Elliott Halls in Amsterdam curated "It’s been a fantastic ride" in 2018, and The Lucy Bell Gallery in Hastings, England, exhibited "Off The Record" in 2017 and "The Music I Saw" in 2019. In his later years, Putland continued to shoot the artists he admired and the music he loved, including jazz, classical and world musicians who provided an alternative to his rock music portfolio. The year 2017 saw Putland shooting the largest gig of his life, from a helicopter circling the crowd of 225,000 fans of the Italian rock giant, Vasco Rossi, at Modena Park in Italy— a world record for a ticketed concert. The year 2019 brought the launch of his 350-page book "The Music I Saw," with exhibitions and signings at Paul Smith shops in London and New York. In June of that year Putland was still doing what he loved, working with a team he respected, shooting at the vast San Siro stadium in Milan. He died at home after a short illness on November 18, 2019.

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