Michal Cala

Slagheaps, Silesia - Graphic Black and White Landscape, Silver Gelatin Print

Kabool, 'Avenue of Trees’, 2001 by John Reardon Edition of 2/10 Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass This piece was part of (afte...

Mark of Esteem, ‘Silhouette’, 2001 by John Reardon This Print is part of the Hermès Collection of Contemporary Photographs since November 2023 A few mor...

THE LANDSCAPE AROUND THE MARCEL MINE, RADLIN, 1978 Vintage Gelatin Silver Print 47.5 x 32.5 cm Series: Silesia Signed, titled and dated on verso; Artist's stamp Using a basic 35mm Exa 500 camera, Cała managed to produce images of lyrical beauty, emphasised by a dark graphic printing style that gave the landscape an apocalyptic, otherworldly look. More print information: A little tape marks in the back corners of the print. Nr 61 noted in the middle on the back of the print. The front of the photograph in a very good condition. Hand printed by the photographer on gloss paper. A rare vintage gelatin silver print from the Silesia series. Michal Cala was born in Toruń, Poland in 1948 and studied aircraft construction in Warsaw at the University of Technology in the early 1970's. From 1974 to 1983 he worked as an engineer in various companies in Silesia, and began photographing in the area. In 1977, he moved to Tychy in Upper Silesia, where he co-founded the photographers' association KRON and become a member of the ZPAF - the Union of Polish Art Photographers. Publications on his work include The Anthology of Polish Photography 1839 - 1989, The Masters of Polish Landscape...

"I was intrigued to find what I supposed was the world's largest ice cream vendor in the world's smallest ice cream van, The rear suspension plays testament to this." - David George Beadnell, England, "Ice Cream Van", from the 'East of Eden' series, 2020 Photogravure; Charbonnel Ink on Archival Somerset Satin Paper Photogravure, 14.85 x 21 cm plus frame, (custom made with antireflective art glass) Edition of 2/5 + 2APs, Signed and numbered David George's interest in British landscape began under the tutelage of John Blakemore at Derby University and continues to be a major part of his practice, now mainly concerned with ideas of classical and romantic visual semantics in the contemporary British landscape. His work looks at the decline of traditional industries, incorporating his interest in 19th century European landscape painting...

Signed and dated on the front of the mount.

Signed, dated and editioned. Signed, titled, editioned and dated on back of mount on artist copyright stamp. Available in 20 x 24, 26 x 32 and 44 1/2 x 56 inches (largest size includ...

Signed, dated and editioned. Signed, titled, editioned and dated on back of mount on artist copyright stamp. Available in 20 x 24, 26 x 32 and 44 1/2 x 56 inches (largest size includ...

Signed, dated and editioned. Signed, titled, editioned and dated on back of mount on artist copyright stamp. Available in 20 x 24, 26 x 32 and 44 1/2 x 56 inches (largest size includ...