Mick Rock

"Iggy Backbend, London, 1972" Photography 24" x 20" inch 29/50 by Mick Rock

1972

"Syd Barrett Laying on His Car" Photography 20" x 24" inch 14/50 by Mick Rock Edition: 14/50 Signed and numbered by Mick Rock Medium: Silver gelatin limited edition photographic pri...

"The Glimmer Twins - Mick Jagger" Photography 40x30 in by Charlie Auringer Year: 1978 Edition of 50 Medium: Silver gelatin limited edition photographic print on paper Signed and num...

"The Glimmer Twins - Keith Richards" Photography 20x15 in by Charlie Auringer Year: 1978 Edition of 50 Medium: Silver gelatin limited edition photographic print on paper Signed and ...

David Bowie, Iggy Pop & Lou Reed, London's Dorchester Hotel, 1972 by Mick Rock Edition: 29/50 Signed and numbered by Mick Rock. Medium: Silver gelatin limited edition photographic print on paper Size framed: 27" x 33" inch "It was a press conference at the Dorchester Hotel in London. RCA Records had flown a bunch of American journalists to London in July 1972 to promote David’s upcoming US tour and the release of his Ziggy Stardust album. Iggy and Lou were both working on their new albums, Raw Power and Transformer and were hanging out at the conference. Even though Iggy and Lou were still basically “underground” artists, and David’s ascent was still in its early days, it was a photo that I really wanted to take. Only later did it become one of the classic rock images. So I hustled them together. The only thing I remember was Lou saying: “This will be a pretty picture!” When Mick Rock first met David Bowie, he had previously met and photographed both Iggy Pop and Lou Reed, so there was an immediate bond formed...

Terry O'Neill (1938-2019) David Bowie, Diamond Dogs (v2) 1974 lifetime edition silver gelatin fine art archival print 24 x 20 in. (paper size) edition of 50 signed and numbered printed later Price: £9,360 GBP (inc. 20% UK VAT) Notes: David Bowie poses with a large barking dog for the artwork of his 1974 album Diamond Dogs in London. From the start of the 1960s and continuing until the present day the name of Terry O'Neill has become inextricably connected with some of the most interesting takes on photographic portraits of celebrities. From the Beatles and Rolling Stones in the 1960s to the Royal Family and the Prime Minister's family in more recent times Terry O'Neill has proved adept at recording the significant subjects of the day in a visually stimulating and sometimes unexpected way and thus illuminated history of our age. Terry O'Neill was born on 30 July 1938 in the East End of London. His career as a photographer evolved by chance out of his first ambition to become a jazz drummer. Leaving school at fourteen and then doing his National Service his ambition was to go to America to study with the great drummers there. He thought that the best way to travel frequently and inexpensively to the USA would be to get a job as an air steward for BOAC. The airline at that time had no vacancies for stewards but suggested he took a vacancy in their technical photographic unit, which he combined with time at an art school and he then became interested in photojournalism. At first, O'Neill worked as freelance at London Airport, later was offered a stunt as a reportage photographer at Heathrow. This was followed by three years in Fleet Street, with O'Neill at 21, the youngest photographer in Fleet Street taking pop pictures for the up-tempo Daily Sketch. One thing lead to another and O'Neill quickly became a significant image-maker and one of the group of talented young photographers who helped create the photographic icons of the 1960s and create part of the buzz that became Swinging London. The peer group that emerged in this decade included David Bailey, Terence Donovan and Brian Duffy from the East End and Patrick Lichfield and Lewis Morley...

This is a 2002 contact sheet (a positive print of all the negative images from a roll of 35mm film or medium format film) of youthful-looking Daniel Craig...

An 11 x 14 black and white print of Buzz Aldrin from the original negative before Nasa added “more” space on the top of the image, which is a more common version of Visor. The 11 x 1...

Interested in “ordinary people" French photographer Willy Ronis was a postwar (WWII) photographer who roamed the streets, photographing people in love, at work, and at play. Chez M...