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Nona HatayPeter Newland1979
1979
$950
£721.36
€824.93
CA$1,327.29
A$1,476.23
CHF 770.84
MX$17,964.19
NOK 9,844.85
SEK 9,232.73
DKK 6,156.74
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About the Item
Peter Newland of Fat
- Creator:Nona Hatay (1967, American)
- Creation Year:1979
- Dimensions:Height: 12 in (30.48 cm)Width: 8.25 in (20.96 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38210658482
About the Seller
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View AllVintage Print - Legend
By Malcolm Lubliner
Located in Surfside, FL
Malcolm Lubliner was in the right place at the right time. The artist had been working and teaching in Southern California for a number of years before he became a full-time photographer in 1968. Entrenched in Los Angeles’s burgeoning art scene, Lubliner was hired as a contract photographer for the publishing workshop Gemini G.E.L. to document its behind-the-scenes activities. He would later become the official photographer for the Art and Technology Program at the Los Angeles County Museum of Art (LACMA), which paired artists with technology companies in the region.
Lubliner’s collection of negatives, contact sheets, and prints—newly catalogued as part of the special collections at the Getty Research Institute—showcases some of the 20th century’s most notable artists and demonstrates his insight into their artistic processes.
Lubliner photographed the technical and collaborative efforts that went into producing iconic works such as Jasper Johns’s Numerals, Claes Oldenburg’s Giant Ice Bag, and Frank Stella’s Protractor series, while also creating intimate portraits of the individual artists as the driving forces behind them. He captured artists such as Roy Lichtenstein, Robert Rauschenberg, Robert Irwin, Richard Serra, John Altoon, and Sam Francis at work both at Gemini and in their own studios. Also present in many of the photographs are staff members of Gemini, including Kenneth Tyler and Stanley Grinstein.
An equally important part of the collection are Lubliner’s photographs of social events that were held by Los Angeles’s prominent art collectors and dealers. Accomplished and rising artists alike mingled and celebrated with the art world’s movers and shakers, such as Leo Castelli, Betty Asher, and Maurice Tuchman, establishing partnerships that would help define their careers.
EDUCATION
1962 MFA Degree, Otis Art Institute, Los Angeles, Ca
Received a California State Teaching Credential
EXHIBITION HISTORY, SOLO
2013 The Automotive Landscape, St. Mary’s College Art Gallery, Moraga, CA
2011 Anxious Landscape, Richmond Art Center, Richmond, CA.
2011 Pacific Party Time, Craig Krull Gallery and Getty Foundation, Los Angeles, CA
2010 Garden of Arbitrary Volition, Togonon Gallery, San Francisco, CA
2008 Tableaus, City Hall Rotunda, Walnut Creek, CA
2007 Portraits of American Artists, The 8 Gallery, San Francisco, CA
2003 Significant Places, Fresno Museum of Art, Fresno, CA
2003 Significant Places, Bedford Gallery, City Council Chambers, Walnut Creek, CA
2001 Significant Places, Point of View, College of Marin, Kentfield, CA
2001 Osceola Gallery Emeryville, CA
1999 Sixteen Tableaus, Berlex Corporation. The Richmond Art Museum
1995 Sixteen Tableaus, The Collectors Gallery, Oakland Museum of California Oakland, CA
1995 Sixteen Tableaus, University of Alabama at Tuscaloosa 1988 Introductions
1988, Vision Gallery, San Francisco, CA 1988 Mitzie Landau Gallery, Solo Exhibition, Los Angeles, CA
1975 Automotive Research, The Comsky Gallery, Los Angeles, CA
EXHIBITION HISTORY, GROUP
2014 Pilot Project at the Richmond Art Center Annual Members Show, June 14 to August 22
2013 Me Two, Self portrait, Syracuse University permanent collection, Syracuse, NY
2009 Seduction of Duchamp, Slaughterhouse Space, Healdsburg, CA
2009 Glimpses in Time, National Competition, Joyce Gordon Gallery, Oakland CA
2009 Anxious Landscape, Togonon Gallery, San Francisco, CA
2008 Banned and Recovered, African American Museum, Oakland, CA
2006 The 8 Gallery, Inaugural exhibition, San Francisco, CA
2006 Rush Creek Editions Gallery, Inaugural exhibition, Santa Fe, NM
2006 Transmissions Gallery, Berkeley CA
2005 The Bedford Gallery, Dean Lesher Center, Walnut Creek, CA
2003 Grabado sin Fronteras, Kala Art Institute, Berkeley, CA , Mission Cultural Center, San Francisco, CA and Estamperia of Quito Ecuador.
2002 Crocker Art Museum, Crocker-Kingsley 73rd Biennial Exhibition Sacramento,CA
1997 Oakland Museum of California, “In Front of the Lens” Photographers Portraits and Self Portraits, Oakland, CA
1996 Photographing The L.A. Art Scene 1955-1975, Group exhibition at The Craig Krull Gallery, Los Angeles
1994 Living in Balance, Richmond Art Center, Richmond, CA
1993 36th Annual Chautauqua National Exhibition of American Art, Chautauqua, N.Y.
1993 Third Annual Juried Exhibition, Sid Jacobson Jewish Community Center, East Hills, N.Y.
1993 4th Annual Art Equinox, Paris Gibson Square Museum of Art, Great Falls, Montana.
1993 Portraits in Black and White, ZYZZYVA benefit, Edith Caldwell Gallery, San Francisco, CA
1993 Long Beach Arts 89th Open Exhibition, Long Beach, CA
1993 Fort Worth Arts Festival, Fort Worth, TX 1989 A Special Photographers Co., Group Exhibition, London, GB
1988 The Print Club, 64th Annual International Competition, Philadelphia, PA
1985 SNAP Photographic Competition, San Francisco Arts Commission Gallery San Francisco, CA
1981 L.A. As Seen By L.A. Artists, Invitational Exhibition, Los Angeles Municipal Art Gallery, Los Angeles, CA
1981 Architecture de Tour, Centre George Pompidou, Paris, France
1967 California Dreamin’, Los Angeles County Museum, Barnsdall Park. Los Angeles, CA
1980 Otis Art Institute Alumni Invitational, Otis Art Institute, Los Angeles, CA
1971 Art and Technology, Photographic documentation of the U.S. Arts entry at the Osaka Worlds Fair, sponsored by The Los Angeles County Museum of Art
AWARDS AND GRANTS
2006 Vallejo Artist’s Guild, Vallejo, CA – First and second cash prizes
1997 Miranda Leonard Purchase Grant, Gift of four photographs to San Francisco Museum of Modern Art.
1994 California Exposition & State Fair, AWARD, Sacramento, CA
1975 Ohio Silver Gallery National Open Exhibition, PURCHASE AWARD, Ohio Silver Gallery, Los Angeles, CA
1962 All City Competition, AWARD, LA County Museum of Art, Barnsdall Park, Los Angeles, CA
PUBLIC AND PRIVATE COLLECTIONS
The Lafayette Library and Learning Center, Lafayette, CA.
The National Portrait Gallery, The Smithsonian Institution, Washington, DC
Crocker Art Museum, Sacramento, CA
The Bancroft Library, Berkeley, CA
San Francisco Museum of Modern Art
San Francisco Arts Commission
Oakland Museum of California
The Los Angeles County Museum of Art
The Fresno Museum of Art
The California Museum of Photographic Arts, San Diego, CA.
David Packard...
Category
20th Century Black and White Photography
Materials
Black and White, Silver Gelatin
Vintage Silver Gelatin Photogapher Nona Hatay
Located in Surfside, FL
Hatay is a visual artist, a healer and a former Rock and Roll photojournalist.
Born in Scotland of a Hungarian physicist/inventor and an English art dealer, she grew up in an international environment. Her father encouraged original thinking and experimentation; her mother nourished her creativity and her intuitive skills. Leaving her home in Schaffhausen, Switzerland, for Munich, Germany, she apprenticed to Bauhaus photographer Frl. Berthe Himmler. The next step was New York City where Hatay began to freelance in all aspects of photography.
It was when she photographed Jimi Hendrix at Madison Square Garden on May 18, 1969 and was inspired by his music that she got a chance to spread her wings artistically. She was initially inspired by his energy, his vision and his originality. "Jimi Hendrix was absolutely amazing - it is not possible to put words to the Experience. He was, and still is, unique. I didn't know at the time I photographed him that he was interested in his music being a healing power. I learned a lot about this aspect of Hendrix about ten years later when I met people who knew him. When they heard how much I was interested in the healing aspects of his music, they shared their stories with me. I used some of this information in my two books, Jimi Hendrix, The Spirit Lives On and Jimi Hendrix, Reflections and Visions".
Nona's experimental techniques were used in her photographs on many other Rock stars, such as Tina Turner, James Brown, and Frank Zappa.
She had a major exhibit of her work in Paris.
ORIGINAL PHOTO ART
one of a kind - experimental & hand painted...
Category
20th Century American Modern Figurative Photography
Materials
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Vintage Silver Gelatin Rock and Roll Photogapher Nona Hatay Punk Scene
Located in Surfside, FL
Hatay is a visual artist, a healer and a former Rock and Roll photojournalist.
Born in Scotland of a Hungarian physicist/inventor and an English art dealer, she grew up in an international environment. Her father encouraged original thinking and experimentation; her mother nourished her creativity and her intuitive skills. Leaving her home in Schaffhausen, Switzerland, for Munich, Germany, she apprenticed to Bauhaus photographer Frl. Berthe Himmler. The next step was New York City where Hatay began to freelance in all aspects of photography.
It was when she photographed Jimi Hendrix at Madison Square Garden on May 18, 1969 and was inspired by his music that she got a chance to spread her wings artistically. She was initially inspired by his energy, his vision and his originality. "Jimi Hendrix was absolutely amazing - it is not possible to put words to the Experience. He was, and still is, unique. I didn't know at the time I photographed him that he was interested in his music being a healing power. I learned a lot about this aspect of Hendrix about ten years later when I met people who knew him. When they heard how much I was interested in the healing aspects of his music, they shared their stories with me. I used some of this information in my two books, Jimi Hendrix, The Spirit Lives On and Jimi Hendrix, Reflections and Visions".
Nona's experimental techniques were used in her photographs on many other Rock stars, such as Tina Turner, James Brown, and Frank Zappa.
She had a major exhibit of her work in Paris.
ORIGINAL PHOTO ART
one of a kind - experimental & hand painted...
Category
20th Century American Modern Figurative Photography
Materials
Silver Gelatin
Gerardine Fararro
By Fred McDarrah
Located in Surfside, FL
Geraldine Ferraro is a lawyer and former congresswoman from the state of New York.
Category
20th Century Black and White Photography
Materials
Silver Gelatin
French Contemporary Collotype Photograph Black White Photo Andre Naggar
By Andre Naggar
Located in Surfside, FL
Photos pictured of information cards after the images of the black and white photos are not included.
La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...
Category
1990s Contemporary Black and White Photography
Materials
Photogravure
French Contemporary Collotype Photograph Black White Photo Andre Naggar
By Andre Naggar
Located in Surfside, FL
Photos pictured of information cards after the images of the black and white photos are not included.
La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...
Category
1990s Contemporary Black and White Photography
Materials
Photogravure
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Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s.
Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society.
Biography
Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1]
In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model.
Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2]
From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows.
In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2]
Arimondi moved to New York in 1979 and continued to build his photography portfolio.
Portrait of Bearded Man, New York City, 1979
Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001.
The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3]
Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years.
He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS.
Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork.
Art
Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue.
Marlboro Man Nude, New York City,1980.
He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer.
Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6]
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