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Philip GatwardBlack Dahlia #3 by Philip Gatward - Black and White Photography2013
2013
About the Item
Black Dahlia #2 is a rich and luxurious Archival Inkjet Print by contemporary photographer Philip Gatward.
It is available in this size of 32" x 32" in an Edition of 10.
Gatward's first personal project, 'Dahlias', focussed on the intricacies of this unusual flower. In this ongoing and varied series, Gatward shoots his subjects, which range from flowers to animals, against the same neutral grey background, which brings out the fascinating symmetry of seeing something seemingly ordinary from very close up.
The stunning contrast of shadow and light, alongside the intense variation in tone, of these images are irresistible. As he studies the beauty and uniqueness of his subjects Gatward compels you to notice the minute details that distinguish them all.
Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days.
- Creator:Philip Gatward (1960, English)
- Creation Year:2013
- Dimensions:Height: 32 in (81.28 cm)Width: 32 in (81.28 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Brighton, GB
- Reference Number:1stDibs: LU722315094712
Philip Gatward was born in Essex in 1960 and has worked as a successful photographer, in the advertising industry for over 20 years. Recent clients include Nike, Conde Nast, Elle Decor, Phillips, Cadbury, Boosey & Hawkes, Coca-Cola, Heineken, V&A, Design Council, Heals, Easy jet, Nat West, CinVen, Premier foods, Compass, Wrangler, SES, Sky, Thorn, Lloyds, DSGI. Philip also works on a variety of personal series’, the first being ‘Dahlias’, which is an ongoing project. The approach to these photographs all shot against the same neutral grey background, brings out the fascinating symmetry of seeing something seemingly ordinary from very close up. The stunning variety and colours of these images are proving irresistible. The second series ‘Italian Greyhounds’ studies the beauty and uniqueness of his subjects. Viewing them together compels you to notice the detail that distinguishes them. 2009 saw the completion of the project ‘Stable’ (a set of studies of white, sliced bread), and work continuing on the folios ‘Pigeon I/ Pigeon II’, an as yet unfinished series of studies of creatures that Phillip considers “strange beauties”. Most recently, in 2010 Philip completed a series of portraits of the tribes of Ethiopia. Shot in South Omo, a region bordering Kenya, the photographs capture “the old and the young, the fierce and the gentle”.
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