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Rebecca Skinner"Rest", contemporary, black, white, silk mill, industrial, chair, photograph2016
2016
$500
£384.63
€446.45
CA$705.12
A$789.85
CHF 414.86
MX$9,604.35
NOK 5,253.47
SEK 4,986.95
DKK 3,332.03
About the Item
Rebecca Skinner’s “Rest” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 18 x 12 inch black and white photo is of a vintage chair with wooden spools and thread resting in the seat. With satin finish, the image is infused directly into metal making it waterproof and easy to clean. This frameless metal print is wired and ready to hang. The artist’s signature and edition number is located on the back. With breathtaking depth and amazing detail “Rest” makes an excellent addition to your home or office. Edition of 5.
This image is also available upon request as an acid-free, archival, paper print. Traditional prints are done on Hahnemuhle Photo Rag Baryta Paper featuring a 100% cotton base with a very finely textured gloss surface finish.
Abandoned buildings serve as the focus of Boston-based Rebecca Skinner’s most recent series of photographs. Skinner studied at the Rhode Island School of Design, RI. Artscope, BostonVoyager and Upworthy are just a few publications that have featured her widely shown work. Skinner is represented by Fountain Street Gallery in Boston, MA.
- Creator:Rebecca Skinner (1974, American)
- Creation Year:2016
- Dimensions:Height: 18 in (45.72 cm)Width: 12 in (30.48 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Natick, MA
- Reference Number:Seller: Skinner_Rest1stDibs: LU50036712932
Rebecca Skinner
Rebecca Skinner photographs abandoned spaces throughout the United States. She is a modern-day urban explorer seeking unique neglected structures and desolate places. Her subject matter ranges from large, cavernous spaces to minute details such as peeling paint and rust. Her locations are often dangerous to photograph in, whether because of rotten floors, falling plaster or asbestos (requiring a respirator), so she never goes alone. Skinner brings to her work a strong ethic of leaving a location exactly as found. She does not stage her photographs—there is a story there to be told and she does not alter it. She uses natural light and a tripod for the images. Texture, color and light all play important parts in her image making. Skinner is a core artist member of Fountain Street Gallery in Boston and a graduate of Rhode Island School of Design. Artscope and Upworthy are among the publications that have featured her work.
About the Seller
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