Ruth Orkin

American Girl in Italy

1951

Signed, titled, and dated in pencil on mount margin. Vintage gelatin silver print Born in Munkacs, Hungary, John Albok learned photography as a boy. He came to the U.S. in 1921 find...

Signed, titled, and dated. American street photographer Don Donaghy (1936 - 2008, b. Philadelphia, Pennsylvania), was a fourth-generation native of Philadelphia. He studied commerci...

The Pine Camp Military area near Watertown, NY, August by Jack Delano is a 13.38 x 17.75 inch silver gelatin print. This photograph features a group of children and adults surroundin...

Signed, titled, dated and stamped. Vintage gelatin silver print Born in Munkacs, Hungary, John Albok learned photography as a boy. He came to the U.S. in 1921 finding work almost...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. “In the 1950s few photographers, particularly men, chose their models from their own families. Meatyard, however, found inspiration in his three offspring. This was perhaps due to his interest in Ben Shahn’s postwar paintings of Italian children playing among the ruins of war; the dolls, puppets, and children in Rainer Maria Rilke’s poetry...

Worker Drinking (Thirst), 1950's black and white photograph by Yakov Khalip Worker Drinking (Thirst) 1950 Signed, titled, and dated in pencil, verso Other various inscriptions and...

Huntsville, Texas, 1968 / Printed 2011 Ferguson is a prison for young men, ages 17-21. Gelatin silver print Signed and dated in pencil, verso 11 x 14 inches, sheet This photograp...

Vintage gelatin silver print Signed in black ink, recto Credit stamped and numbered, verso of mount This photograph is offered by ClampArt, located in New York City. An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...