Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Ted Russell
Bob Dylan and James Baldwin, 1963

More From This Seller

View All
Mountain Tree, Study 1, Danyang, Chungcheonbukdo, 2011
By Michael Kenna
Located in Santa Monica, CA
Signed, dated and numbered in pencil on mount recto. Signed, titled, dated and numbered in pencil on mount verso with artist's copyright stamp Gelatin silver print Image 8" x 8", Mat...
Category

21st Century and Contemporary Black and White Photography

Materials

Archival Pigment

Jean-Michel Basquiat, Cyan #3, 1984
By Jeannette Montgomery Barron
Located in Santa Monica, CA
Signed in pencil on verso Archival pigment print on Hahnemühle Bright White Paper Paper: 23" x 23"; Image: 20" x 20" Edition 1 of 25
Category

1980s Black and White Photography

Materials

Archival Pigment

JMB Strictly Limited Edition, 2023
By Jeannette Montgomery Barron
Located in Santa Monica, CA
Special Limited Edition book with an 8x10 Archival pigment print on Hahnemühle Bright White 308gsm Edition of 100 Signed and numbered in pencil on recto
Category

2010s Black and White Photography

Materials

Archival Pigment

Jean-Michel Basquiat, Cyan #1, 1984
By Jeannette Montgomery Barron
Located in Santa Monica, CA
Signed in pencil on verso Archival pigment print on Hahnemühle Bright White Paper Paper: 23" x 23"; Image: 20" x 20" Edition 1 of 25
Category

1980s Black and White Photography

Materials

Archival Pigment

Jean-Michel Basquiat, Cyan #2, 1984
By Jeannette Montgomery Barron
Located in Santa Monica, CA
Signed in pencil on verso Archival pigment print on Hahnemühle Bright White Paper Paper: 23" x 23"; Image: 20" x 20" Edition 1 of 25
Category

1980s Black and White Photography

Materials

Archival Pigment

Clustered Trees, Pre-Dawn, Oregon, 2016
By Jeffrey Conley
Located in Santa Monica, CA
Signed and numbered in pencil on recto Archival pigments on Japanese Kozo paper 14 x 18" on 16 x 20" mount Edition of 10
Category

21st Century and Contemporary Black and White Photography

Materials

Archival Pigment

You May Also Like

1953
By David Yarrow
Located in Chicago, IL
1953 Lake Tahoe, California - 2024 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 37" x 58" Unframed 52" x 73" Framed Edition of 12 Large 56" x 87" Unframed 71" x 102" Framed Edition of 12 "Ferrari was a great opportunity, but it demanded scouting for a location that was its aesthetic equal. The more grand the ambitions with a ‘tableaux’, the more vulnerable each of the constituent parts are to a sense of dragging the end photograph lower. Location scouting is an integral part of our working year, as storytelling rarely blossoms in a contextual vacuum. The idea of using tall snow berms to frame the Ferrari and then offering a period James Bond type narrative, was not a new addition to our conceptual idea factory. It had been knocking around the edges for some time, but we simply did not know exactly where to find narrow roads shouldered by walls of snow 10 foot high. Weather patterns do not give the filmmaker the luxury of forward planning in something so specific and we need to plan well in advance. What we did know is that these visuals tend to occur towards the end of the ski season at high altitude in both Europe and America. It is uneconomic to snowplough small private roads with further winter storms around the corner, but equally, as soon the spring thaw accelerates, the snow berms on ploughed roads lose their height and grandeur. There was some precision required on timing and my intuition suggested that this was a shot for the third week of April, whether the location was in the Alps, the Rockies or the Sierra Nevada Mountain range. We knew we would be filming in America after Easter and our research concluded that the ski area that tends to have the most amount of spring snow in the US is the Sierras. Historically the mountains above Lake Tahoe get dumped on in March and the snow above 7000 ft can still be very deep in mid-April. To shoot in California rather than Colorado was a big call, but we felt it gave us the best chance and the best access. The snow season runs late in Lake Tahoe. Our team based themselves out of the old railroad town of Truckee, California and with the help of some properly informed mountain men...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

1953
Price Upon Request
Nova Car - Marfa Texas - Vintage Car Photograph
By Pico Garcez
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...
Category

2010s Realist Landscape Photography

Materials

Cotton, Archival Paper, Inkjet, Archival Pigment

Pico Garcez 'Black Ship, Bahia Brazil' - Black & White Photograph
By Pico Garcez
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing freedom of look and intuition, seeking aesthetic challenges linked to the observation of the image in subjects such as: solitude, reflections of emptiness and behavior. Awarded by The Art of Intuitive Photography in NY for 4 times, Pico also find his work in the permanent collections of: The Rio Art Museum (MAR), Museum of Modern Art of Bahia (MAM-BA) and Museum of Photography of Fortaleza among other international collections. Having contact with a work of art has to be transformative. This photographic essay by Pico Garcez leads us to this, puts the gaze, sees and sees in constant dispute. The meaning is hidden and this leads us to be co-authors. In Pico's UNCONSCIOUS-NEST, work is not the aesthetics or the colors that speak the most, instead they fog our critical eye, trying to distract us in the central core of which it treats. It is an experience to observe these images. Pico puts us & leaves us in a void where our own inner solitude surfaces - Not having to share with. Where is life, if not ours? We are part of this work for empathy, and in that, Pico was generous - letting us in. UNCONSCIOUS-NEST is not a geographical place, instead it lives in us and everywhere. It shows what we've done for ourselves - it's a pool without a ledge. – “I can but I will not ... - I am here! I want to die and die where I've touched my heart.” Black and White Ship Photography...
Category

2010s Realist Landscape Photography

Materials

Cotton, Archival Paper, Inkjet, Archival Pigment

Lemmy Kilmister of Mötorhead, Shoreline Amphitheater, Mountain View, CA, 2008
Located in Toronto, ON
12.5” x 19” Unframed Limited Edition Archival Pigment Print of 150 Hand Signed by Jerome Brunet
Category

21st Century and Contemporary Black and White Photography

Materials

Archival Pigment

John Lennon
By Harry Benson
Located in Toronto, ON
11" x 14" Framed Archival Pigment Print Hand Signed by Harry Benson
Category

Late 20th Century Black and White Photography

Materials

Archival Pigment

James?
By David Yarrow
Located in Chicago, IL
James? St. Moritz, Switzerland - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Availab...
Category

21st Century and Contemporary Black and White Photography

Materials

Archival Pigment

James?
Price Upon Request

Recently Viewed

View All