Terry Fincher

"Old Fashioned Model" by Terry Fincher

1966

Elegant Lady - Limited Edition Oversize Silver Gelatine Print A model wearing a backless evening dress, 30th January 1962. (Photo by Jamie Hodgson / G...

"Brimful Of Fashion" by William Vanderson Fashion model Brenda Harper wearing a Feather Crown on a black velvet Breton shape with a jewel pin at the Pa...

"Elegant Daywear" by Popperfoto A young woman modelling an outfit consisting of a three-quarter-length dress, high heeled shoes, hat and gloves, 1957. Unframed Paper Size: 40" x 30'...

'Sophia Loren' Limited Edition Silver Gelatin Print Italian sex symbol and actress, Sophia Loren, 1966 / Everett Collection. Large silver gelatin fibre print - limited gallery e...

This photograph is an Edition of 20. All editions are signed by the photographer. This photograph is framed.

In the series “Comedy of Double Meaning’ Japanese photographer Hiroshi Watanabe photographs members of a Venetian theatrical troupe, the Pantakin Company, dressed as Pulcinella, Inna...

Men, Women, and Drag, draws inspiration from his diverse roles as a photographer, poet, and activist. His work often intersects with themes of identity, social justice, and cultural commentary. O’Brien's photographss highlig his ability to capture the human experience with depth and nuance. His involvement in activism, particularly with HIV/AIDS awareness and support, further informs his artistic perspective, making his work both impactful and deeply personal. Michael James O’Brien draws inspiration from his diverse roles as a photographer, poet, and activist. His work often intersects with themes of identity, social justice, and cultural commentary. O'Brien produced a diverse body of photographic work, from still lifes and portraits to art documentation. He still uses film and works in medium and large formats. His themes are not classical, the artist prefers to portray extraordiary beuty, transgender people and still lifes. The artist's images have a sense of discovery and loss; absence and presence. From the Series Girlfriend Printed on Hahnemuhle fine art photo rag paper Dimension for each print is 22 in. H x 17 in. W (The overall size composition of the entire portfolio is: 66 in. H x 51 in. W) Limited Edition of 10 + 2AP All these portraits were made on tri-x BW film with a Pentax 6 x 7 photographed in Natural Light. 1. Lavinia (Girlfriend), NYC, 1992 “I came to Manhattan with just a handbag” - Lavinia Co-op 2. Ebony Jet (Girlfriend), NYC, 1992 “We’re all born naked, everything else is drag” - RuPaul Charles 3. Miss Guy (Girlfriend), NYC, 1992 “You’ve got your mother in a whirl; she’s not sure if you’re a boy or a girl.” - David Bowie, Rebel, Rebel 4. Ming Vauze (Benjamin Liu) NYC, 1992 “Impersonation is the supreme act of creation.” - Yukio Mishima...

"Moda" is one of Rosie Emerson's newest pieces from her fashion inspired photographic series. This is a photopolymer etching with embossing on paper, framed in a custom box black frame. This is an edition of 12, and each piece is slightly different because they are each hand-made. Moda, Ed 2/12 Photopolymer etching with embossing on paper, framed Artwork: 22" x 10" inches / 55 x 25 cm Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s screen-prints use unusual materials including charcoal powder, ash and saw dust to shift the focus of printmaking from accuracy and replication to the creation of unique, hand-finished prints with subtle texture. She explains ‘By combining photography with painting it allows me to balance energy and precision, and create something, which despite hours of planning will still surprise me in its results.’ Her recent Cyanotype works enable her to montage objects with real size photographic negatives. Using UV light from the sun to expose objects and images directly on to the sensitized surface, the works are often hand painted or gilded with gold leaf. Emerson describes ‘the technique itself has an element of magic about it, it also a wonderful discovery to be able to combine painting, collage and photography in this way’’. Emerson’s work is widely collected and exhibited both in the UK as well as internationally, through galleries, art fairs and museums. She has also worked with brands and individuals including Harvey Nichols, The Ivy Club, Sony, Triumph Underwear, Redbull, P&O Cruises, and Annoushka jewelry...