Thurston Hopkins

"Jamaican Spectators" by Thurston Hopkins

1953

"Street Games" by Thurston Hopkins A young child wearing an Indian headdress hides in a coal hole as he takes aim under the watchful eye of a friend....

"Sharing A Chair" by Thurston Hopkins 12th February 1955: A young couple getting to know each other at the Manchester University Student Union Fresher's Ball. Unframed Paper Size: ...

Couple At Party (1955) - Silver Gelatin Fibre Print (Photo by Thurston Hopkins/Getty Images) A debutante at a 'Coming-Out Ball' for British actress Anna Massey in Highgate, north L...

"Couple At Party" by Thurston Hopkins A debutante at a 'Coming-Out Ball' for British actress Anna Massey in Highgate, north London. Picture Post - 7881 - A Deb Among the Stags - pub...

Waiting for Fidel Castro, 1959 by American photographer Burt Glinn is a series of (2) photos, each photo is 9.5" x 12” - they are gelatin silver RC press prints, authenticated by the...

Hanna Seidel (1925 to 2005) lived and worked in Argentina for many years. She was a world traveller, journeying to South America in the 1950s and to Central America, Japan, India, an...

Residents of Deerfield, IL learned a housing developer planned to sell homes in the village to black and white buyers. Many residents opposed integration and sought reasons to halt the development. A smaller group, the Deerfield Citizens for Human Rights, formed in support of the development. In the weeks that followed, Deerfield residents passed a park referendum to condemn the developer’s land. The crisis in Deerfield became a national story, attracting the attention of Martin Luther King Jr., James Baldwin, and Eleanor Roosevelt. The activists rallied and sang freedom songs at dusk on May 18, 1963 captured here by Art. After years of demonstrations and legal battles, the land became parks that stand today. This artwork is not framed. Please contact the gallery for framing information. Art Shay Deerfield Rally, 1963 silver gelatin print 16h x 20w in 40.64h x 50.80w cm ASY15079 “Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20th century.” Ellen & Richard Sandor, Renowned photo collectors “I’ve admired Art Shay’s work for almost forty years, and he keeps getting better. He can do anything with a camera, but what he mostly does is capture real moments and transform them into visual poetry. His work continues to be an inspiration to me.” William Friedkin, Director of French Connection “Art Shay is one of our finest photographers. His work over the past fifty years has artfully captured the beauty, humor, and pathos of America.” Studs Terkel “Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of playboy magazine.” Hugh Hefner “Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.” Tony Fitzpatrick, Chicago Artist “Art Shay is America’s Cartier-Bresson.” Thomas Dyja, author of The Third Coast “Chicago’s Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head, and a warm heart. What is it about Chicago that keeps giving us men like this?” Russell Banks, Novelist “The best images of Simone de Beauvoir and her times have been passed down to us by Henri Cartier-Bresson, Gisele Freund, Robert Doisneau, Georges Brassai, and in America, the Chicago-based Art Shay, all world-class photographers.” Christophe Loviny, Art Editor, Paris “Art Shay is the best photo-journalist Chicago ever produced.” Arthur Siegel, photographer; IIT Institute of Design President “I have one of Art Shay’s pictures over my desk. It reminds me every morning of my Chicago roots. Arts photos, like me, have the Chicago accent, which may be to say he’s telling you the truth. I think it takes a realist to see the humor in things. I know it takes a realist to see the depths of tragedy. Art’s work is so real it feels like a Madison Street guy tapping me on the forearm.” David Mamet

The photograph captures and translates the American South of the 1960s. Southern State, 1964 by Leonard Freed, is an 11” x 14” gelatin silver photograph from the photographer's Black...