Tom Reed

El ChaltÃCn and Driftwood, Photograph, Archival Ink Jet

2008

El Chaltén (Monte Fitz Roy) in Southern Argentina (Patagonia). I was leaving a high mountain perch where I was photographing rays of light piercing a cloudy sky at dawn. While leavi...

The crystal clear rivers make this the most unique place I have ever slept. Time seems to have stopped. It feels good to be in a place where the human hasn't left his footprint yet. All photos are printed on a EPSON 9900 STYLUS PRO and on Fine Art Hahnemühle Matt FineArt PhotoRag 308 gsm 100% Cotton Paper, which is the best paper to create high quality fine art prints. This combination complies with the highest archival standards according to the very well known Willhelm-Research archival authority. Every print is only printed on demand...

Driftwood at beach. Black and white. Dye sublimation on aluminum. Floats in sleek white contemporary wooden frame. Limited Edition of 10. Matte Finish gives the piece a painting feel. About the Artist: Keith Ramsdell...

Artist: Jack Welpott – American (1923-2007) Title: Variation on Weston Year: 1963 Medium: Gelatin silver print Size: 7.5 x 9.6 inches Mounted size: 13 x 16.25 inches Signature: Initialed and dated in pencil on the mount; signed, titled and dated in ink, his copyright credit stamp on mount verso Edition: unknown. Condition: Very good This exceptional gelatin silver print is by the noted American photographer Jack Welpott (1923-2007) The artwork is initialed and dated in pencil on the mount; signed, titled and dated in ink, his copyright credit stamp on mount verso It is in good condition aside from some uneven toning and a few creases/scuffs on mount. Please see pictures. It is mounted but not framed. Jack Welpott’s photographs are in the permanent collections of the Getty Museum, Museum of Modern Art, New York; Whitney Museum, New York; International Museum of Photography at the George Eastman House, Rochester, New York; Center for Creative Photography, University of Arizona, Tucson; University of New Mexico, Albuquerque; the San Francisco Museum of Modern Art; Bibliotheque Nationale, Paris and the Australian National Gallery among others. Born in Kansas City, Kansas, Jack Welpott (1923-2007) was educated at primary and secondary schools in Missouri, Illinois, and Indiana. He learned about photography as a boy by watching his uncle in the darkroom, and began taking pictures by the time he was twelve. After high school he enrolled in college, but was drafted into the U.S. Army Air Force in 1943. He served in the South Pacific as a radio intercept operator until 1946. In 1949, he earned his BS in Economics from the University of Indiana, Bloomington on the G.I. Bill. He then studied photography under Henry Homes Smith, painting under Leon Golub and Harry Engle, and design with George Rickey receiving his MS in Visual Communication in 1955. Welpott then completed his MFA in photography and painting in 1959, getting to know classmates Jerry Uelsmann and Van Deren Coke in the process. During these years, he also became acquainted with Harry Callahan, Aaron Siskind, and Minor White. Upon graduation, Welpott was hired by John Gutmann to teach photography in the Art Department at San Francisco State College, now San Francisco State University, where he made extensive contributions to the field of photographic education over the next thirty-three years. In the early 1960s there were few photography courses or graduate programs offered so Welpott pioneered individual courses and a graduate program, and taught one of the first history of photography courses at the college level. Don Worth joined the faculty in 1962, adding color photography to the program, long before color photography was widely accepted as an art medium. Welpott was a beloved instructor and was deeply dedicated to the success of his students. His educational goal was to determine the needs of the student, provide constructive criticism, and most importantly, help them develop their own vision. A number of his students have had successful photographic careers including Judy Dater, Leland Rice, John Spence Weir, Michael Bishop, Harvey Himelfarb, and Catherine Wagner. He was a pillar in San Francisco’s photographic community for years, along with Ansel Adams, Ruth Bernard...