Unknown

The American Director John Huston - Vintage Photograph - 1980s

1980s

The American film director and actor John Huston on one of his sets. Vintage Photo. Good condition.

Vintage Black and White Photo. The Actor Georges Sanders and the Actor and Director John Huston.

The Film Director John Huston with his son Tony Huston in the 1960s Vintage Photo. Good condition.

Portrait of Ernst Junger - Vintage Photograph is an original black and white photograph realized by an anonymous artist in the 1980s. Good conditions.

'Director John Huston & Marlon Brando On Set' Director John Huston on left and actor Marlon Brando on right, on the set of Reflections In A Golden Eye, 19...

Edward Steichen, John Durniak, Monroe Wheeler and Edward D. Museum of modern art on Feb 10, 1962 Photographer Fred McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland and Marc Asnin. His mailbox was simply marked "McPhoto." An exhibit of McDarrah’s photos of artists presented by the Steven Kasher Gallery in Chelsea was hailed by The New York Times as “a visual encyclopedia of the era’s cultural scene.” artists in their studios, (Alice Neel, Philip Guston, Stuart Davis, Robert Smithson, Jasper Johns, Franz Kline), actors (Dustin Hoffman, Robert De Niro on the set of “Taxi Driver”), musicians (Janis Joplin, Alice Cooper, Bob Dylan) and documentary images of early happenings and performances (Yayoi Kusama, Charlotte Moorman, Al Hansen, Jim Dine, Nam June Paik). The many images of Andy Warhol include the well-known one with his Brillo boxes at the Stable Gallery in 1964. Woody Allen, Diane Arbus, W. H. Auden, Francis Bacon, Joan Baez, Louise Bourgeois, David Bowie, Jimmy Breslin, William Burroughs, John Cage, Leo Castelli, Christo, Leonard Cohen, Merce Cunningham, William de Kooning, Jim Dine, Mark di Suvero, Marcel Duchamp, Bob Dylan, Federico Fellini, Allen Ginsberg, Robert Indiana, Mick Jagger, Jasper Johns, Kusama, John Lennon, Sol Lewitt, Roy Lichtenstein, Nam June Paik, Elvis Presley, Claes Oldenburg, Yoko Ono, Robert Rauschenberg, Lou Reed, James Rosenquist, Mark Rothko, Ed Ruscha, Robert Smithson, Susan Sontag, Andy Warhol, and others. McDarrah’s prints have been collected in depth by the J. Paul Getty Museum and the National Portrait Gallery, Washington. His work is in numerous public and private collections. Edward Jean Steichen (March 27, 1879 – March 25, 1973) was a Luxembourgish American photographer, painter, and art gallery and museum curator. Steichen's were the photographs that most frequently appeared in Alfred Stieglitz's groundbreaking magazine Camera Work during its publication from 1903 to 1917. Together Stieglitz and Steichen opened the Little Galleries of the Photo-Secession, which eventually became known as '291', after its address. Steichen laid claim to his photos of gowns for the magazine Art et Décoration in 1911 being the first modern fashion photographs ever published. From 1923 to 1938, Steichen was a photographer for the Condé Nast magazines Vogue and Vanity Fair while also working for many advertising agencies including J. Walter Thompson. During these years, Steichen was regarded as the best known and highest paid photographer in the world. In 1944, he directed the war documentary The Fighting Lady, which won the 1945 Academy Award for Best Documentary. From 1947 to 1961, Steichen served as Director of the Department of Photography at New York's Museum of Modern Art. While at MoMA, he curated and assembled exhibits including The Family of Man, which was seen by nine million people. In 1904, Steichen began experimenting with color photography. He was one of the earliest in the United States to use the Autochrome Lumière process. In 1905, Stieglitz and Steichen created the Little Galleries of the Photo-Secession, which eventually became known as 291 after its address. It presented some of the first American exhibitions of Henri Matisse, Auguste Rodin, Paul Cézanne, Pablo Picasso, and Constantin Brâncuși. He worked with Robert Frank even before his The Americans was published, exhibited the early work of Harry Callahan and Aaron Siskind, and purchased two Rauschenberg prints...

Al Goldstein by heralded New York underground photographer Fernando Natalici Silver Gelatin Print, c.1979. 11x14 inches. Hand signed & dated on the verso from an edition of 2. Some minor residue or fading to edges and minor signs of handling; otherwise in very good condition for its age. Al Goldstein: If Hugh Hefner strove to put a sleek, air-brushed image on sexual freedom in the 1960s, rival publisher Al Goldstein was the polar opposite. Unabashedly abrasive and foul-mouthed, the cigar-chomping, a larger than life Goldstein called his explicit magazine Screw. When he co-founded Screw in 1968, the American legal system was embroiled in a battle over what constitutes obscenity. Goldstein never envisioned himself as a champion of free speech, but fought for what he said were his own prurient interests. The porn magazine's scathing, scatological editorials railed against religious leaders and the government for justifying war while imprisoning erotic magazine...

Illustrated in The Andy Warhol Diaries by Andy Warhol. Edited by Pat Hackett, Warner Books, 1991. Henry Geldzahler was the first curator of 20th cen...