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President Richard Nixon - Vintage Photo - 1960s

1960s

Aristotele Onassis - Vintage b/w Photo realized in the 1960s. Good conditions. With the handwriting on the rear.

Women Manifestation - Vintage b/w Photo realized in the 1970s. Copyright by Giancolombo News Photo. In the photo: Women Manifestation for the divorce right in piazza Repubblica of R...

Akio Morita - Vintage b/w Photo realized in the 1970s. With the handwitting on the rear. Good conditions.

Refugee Children- Vintage b/w Photo realized by Peter Tatiner in 1980. Copyright by Agenzia Gamma, Paris. In the photo: Border Cambodia Thailand Refugee children on 28 January 1980,...

Susan Hacker -Israel Museum, Sculpture Garden, Jerusalem, Israel, 1979 Silver Gelatin black/white photograph, printed in 1983, hand signed, titled (Jeru...

Capucine, 1957 Fiber print 40x30 inches Estate stamped and numbered edition of 150 1957: French actress Capucine, (Germaine Lefebvre) (1933 - 1990) fanning herself at a New Years Ev...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Man Walking Past Parking Lot is a Black and White Photographic Print on Hahnemuhle Paper in an Edition of 10 in this size of 24" x 34". States of America is the photographic legacy of one of the UK’s leading photographic talents whose untimely death in 1991 ended prematurely the highly promising career of a distinctive and powerful photographic voice. Michael Ormerod was born in Cheshire in 1947. He lived in Newcastle, but spent many years travelling America. Fascinated by the American image, and following in the footsteps of Robert Frank, Ormerod took to the American West to find a washed out dream of capitalism. His images capture a strange juxtaposition of an American beauty tainted by a hidden sense of menace and corruption. The photographs are understated, but show an unseen America, where the industrial heartland is decaying, highways stand empty and towns are deserted. The subjects of Ormerod’s work are the disenfranchised. A teenager cycles through her neighbourhood wearing a Halloween-style hockey mask, a Native American man stands in a graveyard, their expressions are unreadable. The work subverts traditional American icons. A white picket fence is staved in, a huge billboard for Miss Teen Dakota USA stands next to an empty highway. Inverting the famous Hollywood sign, Ormerod photographs a Texaco sign...