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UnknownVintage Portrait of Virna Lisi - Vintage Photographic Print - 1960s1960s
1960s
About the Item
Vintage Portrait of Virna Lisi is a vintage b/w photographic print on single-coated paper realized in 1960s.
Good conditions.
Virna Lisi Born on November 8, 1936, she began her film career as a 17-year-old teen with a co-starring part with the musical drama ... Napoli Canta (1953) (Naples Sings!). Cast initially for her photographic beauty, she gained more experience in such early pictures as Lattera Napoletana (1954)before earning her first top-billed movie lead in PIccola Santa (1954) . Other late 50's/early 60's films that helped steam up her image included Luna Nova (1955), Le diciotenni (1955), La Rossa(1955) Lost souls (1959) (1963) (Don't Tempt the Devil)...The pert and sexy star later made a decorative dent in late 1960's Hollywood as a tempting blue-eyed blonde opposite the likes How to murder your wife(1965), Assault a Queen(1966), and Not with my wife, you Dont (1966). Confined once again to the same type of glamour roles (she turned down the title role of "Barbarella"), she returned to Europe within a couple of years.
- Creation Year:1960s
- Dimensions:Height: 4.73 in (12 cm)Width: 3.55 in (9 cm)Depth: 0.08 in (2 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1224161stDibs: LU65038575482
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About The Artist
Sophia Milligan is a contemporary multidisciplinary artist, exploring discourses on permanence & evanescence; the eternal, cyclical absolutes of birth & death; motherhood & childhood; and ancient immutable connections. With resonating ripples of intuition and instinct Sophia illuminates the presence of the ordinary, creating moments of sublime present.
'Born among the wild cliffs and tempestuous seas of west Cornwall, I grew with the intimate details in the twisting lanes and the intense changing light throughout the turbulent seasons. I formed a primordial connection with a deep instinctual sense of being part of the natural narrative, and wherever in the world I may be, this connectivity underpins my practice. Like the wind sculpted hawthorns and sensual coves of weather worn granite, I have been shaped by the powerful energy entwined in this ancient raw environment.’
‘We are the stories of the journeys that came before. I weave into my work the tales of transitory circumstance; of struggle and survival; of forms and textures holding records of evolutionary millennia. I paint, I draw: with marks, mixtures, photography, words; the raw earth; the restless oceans; the whispered breeze. I work with time, and the immeasurable spaces of experience within, giving subtleties of existence a pause for contemplation. There is beauty in such poignant breaths. All moments are significant, every pebble of now forms the vast mountain of yesterday, and the great realm of tomorrow's possibilities'.
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