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Weegee
Waterski Jumper

1950

$3,500
£2,645.57
€3,040.23
CA$4,873.73
A$5,421.82
CHF 2,842.19
MX$66,253.36
NOK 36,191.71
SEK 34,069.49
DKK 22,694.13
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About the Item

Arthur Felling, better known as Weegee (1899-1968) is America's premiere photojournalist and one of the last century's most influential photographers. He would become famous, beyond New York and news circles, after the publication of his photo books Naked City (1945) and Weegee's People (1946). Weegee's images of New York City crime, disaster, and tragedy are frequently iconic and highly influential. Less well-known, however, is the work he focused on during the last twenty years of his life: known as the 'distortions' period. In the late 1940s, Weegee began experimenting with photographic manipulation both in the darkroom and using an array of filters, many of which were his own invention, on his camera. Weegee created distortions of a wide range of subjects; celebrities, architecture, circus life, and nudes. Of course, one of the overarching themes of his work was the idea of spectacle. In this evocative distortion, the photograph has been split directly down the center and reflected. It's impossible to tell which side of the image is the original and which side is the reflection. The dynamic image features two waterskiers, one suspended in the air mid-jump, while the other touches down, prompting a spray of water upon impact. This brief moment of daring motion is distorted into an almost perfectly symmetrical image, with limbs and perspective lines converging at the center for an almost Op Art effect. Weegee’s photography can be found in scores of museums and private collections worldwide: the J. Paul Getty Museum, Los Angeles; Museum of Modern Art, New York; San Francisco Museum of Modern Art; Museum of Modern Art, Oxford; Museum of Contemporary Art, Los Angeles; International Center of Photography, New York and more. Questions about this piece? Contact us. Untitled "Waterski Jumper" USA, 1950 Gelatin silver print Stamped verso 8.25"H 4.75"W (work) 14.5"H 10.5"W (framed) Framed with museum glass Detailed condition report by request. Overall very good condition
  • Creator:
    Weegee (1899-1968, American)
  • Creation Year:
    1950
  • Dimensions:
    Height: 8.25 in (20.96 cm)Width: 4.75 in (12.07 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Very good condition.
  • Gallery Location:
    Toronto, CA
  • Reference Number:
    Seller: 07-231stDibs: LU215212705592

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Weegee "A Trip to Mars"
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While many first associate Weegee (aka Arthur Fellig) with New York City crime scenes, perhaps a broader and more consistent theme is that of spectacle and/or urban entertainment. The origins of his nick-name and reputation date back to the 1930s when he became the first New York City press photographer to obtain permission to install a police radio in his car. Following the city's first responders and documenting their duties, Weegee had unprecedented access to New York’s fires, crimes, debaucheries and of course, murders. During the first decade of his career these unflinching urban tragedy or crime images paid Weegee's bills, but as he became more financially independent he was more inspired to pursue photographs on his own agenda. While his oeuvre is vast, Weegee was especially drawn to entertainment: nightlife, circuses, the theatre, showgirls, city thrills, the cinema etc. Some of Weegee's most dynamic and tender (and under-appreciated!) images are related to simply having fun (in a crowd). He was not confined to one neighbourhood or demographic. He captured action, faces and events from Coney Island to the Bowery and Greenwich Village, to Times Square and Harlem. In “A Trip To Mars,” Weegee depicts a multi-generational group crowding around a large telescope...
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Weegee "Sailor and Girl Kissing"
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Weegee (1899-1968) was equally fascinated and inspired by cinema and all of its tangents, from Hollywood movie stars to ordinary civilians going to the movies. While Weegee is typically associated with crime/disaster images, the broad theme of "entertainment" is a major component of his oeuvre. An interesting and provocative sub-genre of his cinema-related work are his images of couples (often heavy-petting) in movie theatres. Recent scholarship has established that many of Weegee's supposed clandestine images were actually staged or arranged with friends or co-operative strangers. Nevertheless, Weegee created these photographs in the dark with an array of clever techniques including infrared film, filtered flashbulb and triangular prism lens. Employed in shots such as this one, the prism lens would allow the artist to “see around corners,” useful at times when his subjects were in compromising locations. These images of kissing couples, Weegee wrote in 1959, were “his best seller, year in and year out.” "Sailor and GIrl at the Movies...
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Innovative, provocative, inimitable - these are just a few of the words to describe America's boldest photographer. Arthur Fellig, better known as Weegee (1899-1968) was a ground-breaking, successful (and notorious) photojournalist. His images shot on the streets of New York City are iconic and influential. In the 1930s he became the first New York City press photographer to obtain permission to install a police radio in his car. This allowed him to follow the city's first responders and to document their duties; responding to fire, crime, debauchery and of course, murder. By the early 1940s Weegee was experiencing fatigue with crime reportage. Ironically, this was also the point when he finally began experiencing professional validation and acclaim, to the point of being a minor celebrity. Notably in 1941 he was included in The MoMA's seminal "50 Photographs by 50 Photographers" (curated by Edward Steichen). The museum would also acquire five Weegee photographs...
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