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Willy RonisNu Provencal, Iconic French Black and White Nude Photography1949
1949
About the Item
Nu Provencal, Gordes, 1949 by French photographer Willy Ronis is an Iconic contemporary black and white nude photograph. A gelatin silver print, measuring 12" x 9" (image and sheet size), titled, dated, and stamped with initials WR in graphite on the back. Printed c.1990.
Provenance: Private collector
Artist’s Bio:
Interested in “ordinary people" Willy Ronis was among a group of postwar (WWII) photographers who spent their careers roaming the streets, photographing people in love, at work, and at play. Like his colleagues Robert Doisneau, Henri Cartier-Bresson, and Brassaï, Ronis was a central figure in the “humanist photography” movement, which celebrated poetry in everyday life. He was the first French staff photographer for LIFE Magazine, with work included in Edward Steichen’s “Five French Photographers” (1951) and “The Family of Man” (1955) exhibitions. Works are widely collected by museums: Centre Pompidou, The Metropolitan Museum of Art, Art Institute of Chicago, Moderna Musee, among others.
- Creator:Willy Ronis (1910-2009, French)
- Creation Year:1949
- Dimensions:Height: 12 in (30.48 cm)Width: 9 in (22.86 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New york, NY
- Reference Number:Seller: 99Prints1stDibs: LU746315929252
Willy Ronis
Claiming interest in “ordinary people with ordinary lives,” Willy Ronis was among the foremost postwar French photographers, who spent his career roaming the Parisian streets capturing people in love, at work, and at play in lyrical black-and-white images. Like his colleagues Robert Doisneau, Henri Cartier-Bresson, and Brassaï, he was a central figure in the “humanist photography” movement, celebrating the poetry in the everyday in warm, witty images. “I have never sought out the extraordinary or the scoop,” he once said. “The beauty of the ordinary was always the source of my greatest emotions.” Ronis honed his sense of proportion and composition working in his parents’ photography studio. He holds the distinction of being the first French staff photographer for LIFE Magazine, and his work was included in Edward Steichen’s seminal “Five French Photographers” (1951) and “The Family of Man” (1955) exhibitions.
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