Amanda Marchand

Whooping Crane (Adorama RC, Pearl)

2019

These are lumen collage prints from the larger photographic series "Lumen Notebook," photograms made with black & white photo papers. This work employs three field guides – North Ame...

These are lumen collage prints from the larger photographic series "Lumen Notebook," photograms made with black & white photo papers. This work employs three field guides – North Ame...

These are lumen collage prints from the larger photographic series "Lumen Notebook," photograms made with black & white photo papers. This work employs three field guides – North Ame...

These are lumen collage prints from the larger photographic series "Lumen Notebook," photograms made with black & white photo papers. This work employs three field guides – North Ame...

Josie Morway is a self-taught artist who has been painting most of her life. She is a painter and designer working in Providence, Rhode Island. She has shown her artwork widely, from the DeCordova Museum in Massachusetts to the streets of Juarez, Mexico and Los Angeles. Her paintings are fragmented narratives, inspired by everyday words and phrases that bombard us - old signage...

Virginia Cuppaidge (Australian, b. 1943), "Cerella", Oil on Canvas, 1982, abstract composition, signed, titled, and dated to verso, gold-tone metal frame. Image: 44.5" H x 71.5" W; f...

V by Kim Lim, 1991 Additional information: Medium: woodcut on paper 36 x 32.5 cm 14 1/8 x 12 3/4 in signed and dated in pencil verso Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making. On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...

This contemporary limited edition print by Teodora Guererra features a warm grey and white palette, with layers of neutral colors that almost splash across the composition. This prin...