Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

E. Brady Robinson
Cricket Taplin, Art Collector. Cricket Taplin Art Collection, Sagamore Hotel

2014

About the Item

Art Desks by E. Brady Robinson features photographs of the desks and working spaces of artists, curators, art dealers and critics throughout the East Coast. This project explores the idea of desk as portrait combined with the social experiment of navigating the art world. E. Brady Robinson received her BFA in photography from The Maryland Institute, College of Art in Baltimore, Maryland and her MFA in photography from Cranbrook Art Academy in Bloomfield Hills, Michigan. Her photographs have been exhibited nationally at the FotoWeekDC, Atlanta Celebrates Photography and Addison/Ripley Fine Art. Select collections include: Corcoran Gallery of Art, Orlando Museum of Art and Spanish Cultural Center in Santo Domingo, DR.
  • Creator:
  • Creation Year:
    2014
  • Dimensions:
    Height: 10 in (25.4 cm)Width: 15 in (38.1 cm)
  • Period:
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: G140203326271

More From This Seller

View All
Kahir
By Richard Meier
Located in New York, NY
Richard Meier Kahir, 2011 Silkscreen Collage (mix media), sheet size: 30" x 30" signed numbered dated in pencil by the artist edition of 50 Richard Meier, (b.1934) most know...
Category

2010s Contemporary Figurative Prints

Materials

Mixed Media, Screen

Taberbacle
By Richard Meier
Located in New York, NY
Richard Meier Taberbacle, 2011 Silkscreen Collage (mix media), sheet size: 30" x 30" signed numbered dated in pencil by the artist edition of 50 Richard Meier, (b.1934) most...
Category

2010s Contemporary Mixed Media

Materials

Mixed Media, Screen

Iglio
By Richard Meier
Located in New York, NY
Richard Meier Iglio, 2011 Silkscreen collage with hand-coloring and photography sheet size: 30" x 30" signed numbered dated in pencil by the artist edition of 50 Richard Meie...
Category

2010s Contemporary Nude Prints

Materials

Mixed Media, Screen

Kenny Scharf, Sajippe Kraka Joujesh
By Kenny Scharf
Located in New York, NY
SAJIPPE KRAKA JOUJESH Year: 1998 Medium: Silkscreen Size: 39 x 46 inches (99 x 117 cm) Edition: 150 Price: $4,000 Kenny Scharf was born in 1958, in Hollywood, California. The artis...
Category

1990s Pop Art Landscape Prints

Materials

Screen

Robert Rauschenberg 'Core'
By Robert Rauschenberg
Located in New York, NY
C.O.R.E. 1965 Lithograph Signed and numbered edition of 200 36 X 24 inches Robert Rauschenberg’s work reflects a methodology between the approaches of structuralism and post-...
Category

21st Century and Contemporary Pop Art Abstract Prints

Materials

Lithograph

Horse Tag
By Versaweiss
Located in New York, NY
Versaweiss Horse-tag, 2016 Archival pigment print on archival mat paper 100 x 120 cm Edition of 5 Don’t Kill Bambi: The studio 54 phenomenon repositioned at times of crisis ...
Category

2010s Contemporary Animal Prints

Materials

Archival Pigment

Horse Tag
Price Upon Request
Free Shipping

You May Also Like

Lady Macbeth as Regal monarch immobilised in Marble with her reigning in Blooms
Located in London, GB
Katie Eleanor, ‘Your Hand, Your Tongue III’, 2017 Hand-coloured portrait of a regal monarch, immobilised in marble, her reigning celebrated the blooms she becomes entwined in. The characterisation is inspired by visual depictions of Lady Macbeth, in particular, John Singer Sargent’s 1889 portrait of actress Ellen Terry. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Your Hand, Your Tongue’, 2017 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...
Category

2010s Romantic Color Photography

Materials

Photographic Film, Watercolor, Photographic Paper, Archival Pigment

#2, Tree Huggers from the Future, 'Funky eco-tourist levitating in the forest'
Located in London, GB
UNTITLED #2, 2021 Archival Pigment Print, Framed; white frame with antireflective art glass 30 x 46 cm Edition of 10 + 2 AP Other dimensions from a smaller editions also available Series: Tree Huggers from the Future Signed on verso About: "On a recent walk in my favourite area of woodland I came across a group of time travelling eco tourists, appearing one by one from a brilliantly bright space suspended over a small pond. They had come back to our time to study trees and invited me to document their research. Apparently they knew I would say yes. Twice now our trips have coincided, almost as if they knew where and when I would be going on holiday, and I must admit, I hope our paths cross again, as I find them strangely photogenic." - George McLeod...
Category

2010s Futurist Color Photography

Materials

Archival Pigment

Regal monarch immobilised in marble with her reigning celebrated the blooms
Located in London, GB
Katie Eleanor, ‘Your Hand, Your Tongue’, 2017 Hand-coloured portrait of a regal monarch, immobilised in marble, her reigning celebrated the blooms she becomes entwined in. The characterisation is inspired by visual depictions of Lady Macbeth, in particular, John Singer Sargent’s 1889 portrait of actress Ellen Terry. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Your Hand, Your Tongue’, 2017 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...
Category

2010s Romantic Color Photography

Materials

Archival Pigment, Photographic Paper, Watercolor

In a Search Of... Print on Museum Glass with 23.4 carat Rose Gold leaf
Located in London, GB
"An image taken in Pushkar during what was to be a memorable trip and the last link with normality before the pandemic took hold. We travelled around India, the days becoming more and more precious as we got the sense of Covid's restrictive net closing in around the world. The image was finished some months later, while fully in the grasp of a second lockdown. The addition of gold leaf symbolised for me a sense of hope and the spiritual energy with which I will always associate India, and especially Pushkar." - Valda Bailey...
Category

2010s Contemporary Color Photography

Materials

Gold, Gold Leaf

Otherworldly lovers, immobilised in marble, Dancing in blooming Garden
Located in London, GB
Handcoloured portrait of otherworldly lovers, immobilised in marble, dancing in blooming meadows. A whimsical tale of adoration, Ursa and her spiritual partner take visual cues from Titania and Bottom in Dieterle and Reinhartd’s 1936 interpretation of A Midsummer Nights Dream. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: URSA LOVES YOU, 2017 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...
Category

2010s Romantic Figurative Prints

Materials

Photographic Film, Watercolor, Photographic Paper, Archival Pigment

"Almost Human Pt. 1" Photography 40" x 40" inch Edition 1/3 by Brendan North
Located in Culver City, CA
"Almost Human Pt. 1" Photography 40" x 40" inch Edition 1/3 by Brendan North Available sizes: Edition of 15: 18" x 18" inch Edition of 7: 30" x 30" inch Edition of 3: 40" x 40" inc...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Paper, Digital

Recently Viewed

View All