Fernando Natalici

Roxy Burlesque, Times Square photo, New York, 1978

Printed later

In 1978, photographer Fernando Natalici, the creative mind behind the graphic design for iconic venues like CBGB and the Mudd Club, spent four hours shooting the seedy scenery of Tim...

Fernando Natalici Times Square New York City 1978: set of 6 works: In 1978, photographer Fernando Natalici, the creative mind behind stunning graphic design for iconic venues such a...

New York Walk by Fernando Natalici: Downtown Manhattan 1984. A metal arrow points to an unknown store on the left of this New York City street. A view of the iconic Manhattan architecture stands out just behind the silhouette. A glimpse into, not only the New York of 'then', but the infamous buildings that remains in the city today...

Fernando Natalici The Foreigner New York 1978: A vintage original film still shot on the set of the seminal 70's Manhattan art scene film, "The Foreigner," by celebrated downtown pho...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin Rice. For decades, Robin has exhibited a wide variety of photographers at the gallery but never her own work. As the show’s title denotes, “It’s About Time.” The opening reception will be held on Wednesday, January 23rd from 6pm to 8pm. The exhibit runs through March 17, 2019. While her photography spans five decades and multiple continents, Rice maintains a cohesive, candid voice that carries throughout all of her work. Observing the world around her in a cinematic way, she possesses an uncanny ability to recognize and capture moments of beauty and the spontaneity of the human spirit. By evoking a wonderstruck sensibility, Rice expresses a deep-rooted love for both people and landscapes using her distinct bohemian style. In this salon-style retrospective, Rice uses an “old school” approach and shoots with her Nikon on Tri-X film. When creating her art, she insists, “the camera has a mind of its own.” The scenes captured in her photography are unedited and thus born purely from the magic of the in-camera composition. In the invitational image, “Tree Farm, Long Lane, East Hampton, NY”, 1999, a naked woman wearing nothing but a large straw hat is captured from behind, centered between a long line of trees on either side, as she bikes down the lane. In another image, “Bubbles, Piazza Rondanini, Roma”, 1995, friends linger before a vine-covered building, extending their arms up in joyful wonder, catching bubbles descending from above. Receiving her first camera at the age of 11, she has since been an avid fine art photographer. After moving from Philadelphia to New York in 1976, Rice was immediately swept up in the electrifying, fast-paced art world of the city. In 1977, Disco...

New York: Bright Lights, Big City, 2018 by Roberta Fineberg is a 20" x 16" signed archival pigment print on baryta paper in an edition of 5. The contemporary color landscape photogra...

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