Francois Dischinger

Mies van der Rohe Farnsworth House, Barcelona Stools by Francois Dischinger

Yoshinori MIZUTANI (*1987, Japan) Moonlight 07, 2014 Archival pigment print on Hahnemuhle Fine Art Baryta paper 84 x 63 cm (33 1/8 x 24 3/4 in.) Edition of 4 plus 2 artist's proofs print only Yoshinori Mizutani's (*1987, Japan) works suggest new expressive possibilities that mix the domestic traditions of personal and street photography with those of foreign conceptual photography. Mizutani graduated from the Tokyo College of Photography in 2012. He has won a number of prestigious awards including Japan Photo Award in 2013 as well as Foam Talent Call and Lens Culture Emerging Talents Top 50 in 2014. His series Tokyo Parrots was on view at this years Bienne Festival of Photography in Bienne/Switzerland. His foray into photography is fairly recent, he started 5 years ago. Nonetheless, his photographs do demonstrate an innate understanding of how forms, colours, textures and depth translate to the pictoral plane. He is working with a visual vocabulary that has been well established by the work of many photographers active today. Mizutani’s work serves as a good gauge of the visual tropes and photographic styles that are prevalent among young photographers in Tokyo. „The themes of my work are the everyday and the familiar. What is familiar to me, however, could be new to the viewer. It could also be revelatory or something previously overlooked. It is the viewers’ varied responses to and interpretations of images, which makes photography interesting." – Yoshinori Mizutani About Moonlight: Using strobe light...

Please bear in mind that all prints are produced to order and lead times are expected between 15-20 days. Wisley 7 is a vibrant Archival Pigment Print available in an Edition of 10...

Please bear in mind that all prints are produced to order and lead times are expected between 15-20 days. Wisley 7 is a vibrant Archival Pigment Print available in an Edition of 10...

Mitchell Funk captures a timeless image of New York scene in a fresh way. The unorthodox composition leaves the center of the picture vacant, leaving the two subjects on the extreme edges of the picture plane. The old State Island...