Karl Heinrich Lämmel

A girl taking water from a well, 1930 Limited ΣYMO Edition, Copy 1 of 50

1930

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirties, Karl Heinrich Lämmel produced several photographic reports of cities, including Munich and Cologne. Photographs that have yet to be seen and appreciated. Lämmel's pictures show a different view of Germany. His documentation is an unparalleled and intriguing insight into the working and everyday life of the time. Impressive images of cities and their architecture before the destruction of WWII . The print is new, a Premium-FineArt-Print ( Hahnemühle 308g ), it comes in a secure role without passpartout and frame to reduce shipping cost. This sizes are limited to 25 copies per size. Description: Kinder stärken sich an einem Brunnen in der Innenstadt von Heidelberg, Deutschland 1930er Jahre. Children drinking water from a fountain in the old city of Heidelberg, Germany 1930s. Keywords: Deutschland; Deutsches Reich; 3.; III.; Drittes Reich; Alltagsleben; Szenen aus dem Alltag; Menschen; 1930er Jahre; Germany; 3rd; every day life; people; 1930s; Kleinstadt; town; Kinder; children; Wasser; water; drinking; trinken; Brunnen; well...

Silver Gelatine Print by Erich Andres, ca 1955. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirties, Karl Heinrich Lämmel produced several photographic reports of cities, including Munich and Cologne. Photographs that have yet to be seen and appreciated. Lämmel's pictures show a different view of Germany. His documentation is an unparalleled and intriguing insight into the working and everyday life of the time. Impressive images of cities and their architecture before the destruction of WWII . The print is new, a Premium-FineArt-Print ( Hahnemühle 308g ), it comes in a secure role without passpartout and frame to reduce shipping cost. This sizes are limited to 25 copies per size. Description: Impression aus Darmstadt: ein kleines Mädchen trinkt Wasser am Ernst Elias Niebergall Brunnen, Deutschland 1930er Jahre. Impression from Darmstadt: a little girl drinking...

The photographers note regarding this work is "A girl at Samland in East Prussia hanging up flatfishes fro drying, Germany 1930s." This work comes to you as a new Fine Art Print on ...

Worker Drinking (Thirst), 1950's black and white photograph by Yakov Khalip Worker Drinking (Thirst) 1950 Signed, titled, and dated in pencil, verso Other various inscriptions and...

Initialled 'R.M.' lower left. On canvas on stretchers.

untitled (Young Woman Washing) Lithograph, c. 1910 Signed in pencil lower right; signed in the plate lower right (see photo) Image size: 11 x 5-1/8" Sheet size: 18 7/8 x 12 5/8 inches Condition: Very good Aging to the tan paper it is printed on Provenance: Estate of the Artist Borghi & Company, NYC Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel and with Hilla von Rebay to found the artists' association 'Die Krater'. Impressionist at the outset, Bauer's early work reveals Cubist and Expressionist influences. By 1915/16 Bauer had switched to an abstract pictorial idiom, which is markedly influenced by Kandinsky. In the early 1920s Bauer was also preoccupied with Russian Constructivism as well as the Dutch de Stijl group. Bauer's decided preference for non-representational painting culminated in 1929 with the foundation of a private museum, 'Das Geistreich', which he directed as a salon for abstract art. Political developments in Germany forced Bauer to sell some of his work in America from 1932. His agent in America was Hilla von Rebay, who was by now director of the Guggenheim Collection. In 1936 she organized a touring exhibition of non-representational European art that included sixty Rudolf Bauer oil...

Old days Photo - Fountain is a black and white vintage photo, realized in the mid-20th century. Good conditions and aged. It belongs to a historical and Nostalgic album including h...