Photographic Paper Color Photography
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Style: Contemporary
Medium: Photographic Paper
Cacti - large format photograph of iconic desert cactus landscape 48" x 72"
Located in San Francisco, CA
large scale photograph of sunny cactus landscape, from a series of highly detailed large format nature observations,
an homage to the photo realistic ...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, Archival Ink, Giclée, Archival Pigment
IRIS III - unique abstraction of colors in circular glass frame (45" diameter)
By Frank Schott
Located in San Francisco, CA
a mesmerizing sea of light blue and acqua color tones
from an ongoing photography project since the late 1990s, capturing the details of the human iris and a pupil's unique abstracti...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Plexiglass, Archival Ink, Archival Paper, Photographic Paper, Photograph...
Golden - large format photograph of conceptual iconic object in urban landscape
By Frank Schott
Located in San Francisco, CA
GOLDEN by Frank Schott
from a series of photographic observances - environmental still life capturing found objects in urban cityscapes
40 x 32 inches (102 x 81cm)
signed edition ...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
Seascape XVIII - large format photograph of monochrome water surface
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes
Seascape ...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Archival Ink, Photographic Paper, Giclée, Archival Pigment
Springtime (Suburbia) - Contemporary, Polaroid, Analog, Photography
Located in Morongo Valley, CA
Springtime (Suburbia) - 2004
20x24cm,
Edition of 10,
Archival C-Print based on the Polaroid,
Signed on verso with Certificate,
Artist inventory number: 18251.
Not mounted.
Thi...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Silence then (Sidewinder) - Polaroid, Contemporary, 21st Century, Nude, Color
Located in Morongo Valley, CA
Silence then (Sidewinder), 2005
Edition of 1/10, 40x50cm,
digital C-Print based on an expired Polaroid.
Signature label and Certificate.
Not mounted.
Stefanie Schneider: A German ...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Memory of a Dream (29 Palms, CA) - Polaroid, 21st Century, expired, Contemporary
Located in Morongo Valley, CA
Memory of a Dream (29 Palms, CA) - 2006
38x36cm,
Edition 2/10.
Archival C-Print, based on the Polaroid.
Certificate and Signature Label.
Artist inventory Number 3602.
Not mounted....
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Winter Moon Rising - large scale photograph of abstract nocturnal California sky
By Frank Schott
Located in San Francisco, CA
Winter Moon Rising by Frank Schott
60 x 48 inches / 152cm x 122cm
signed edition of 7
40 x 32 inches / 102cm x 81cm
signed edition of 25
archival quality fine art pigment print
li...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, Archival Pigment, Giclée, Archival Ink, Archival Paper
Tape Collection, All That Glitters is Golden - Pop Art Photography
Located in Cambridge, GB
All That Glitters is Golden, from the Heidler & Heeps Tape Collection.
The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Outback Dreams (29 Palms CA)
Located in Morongo Valley, CA
Outback Dreams - 29 Palms, CA - 2010
50x130cm.
Archival C-Print, based on the 3 original Polaroids.
Signature label and certificate.
Artist Inventory # 1933.
Not mounted.
THE G...
Category
1990s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Springtime (Suburbia) - Contemporary, Polaroid, Analog, Photography
Located in Morongo Valley, CA
Springtime (Suburbia) - 2004
50x60cm,
Edition of 10,
Archival C-Print based on the Polaroid,
Signed on verso with Certificate,
Artist inventory number: 18251.
Not mounted.
Thi...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Ballad (Bombay Beach) - Contemporary, Polaroid, Women
Located in Morongo Valley, CA
Ballad (Bombay Beach) - 2023
40x50cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the Polaroid.
Signature label and certificate.
Artist inventory PL2023-08.
N...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Trailer Bathroom, Bisbee, Arizona - Interior color photography
Located in Cambridge, GB
Trailer Bathroom, interior photography by Richard Heeps part of his Dream in Color series. The artwork has a gorgeous soft pink color palette and a vintage style with a hint of flami...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Almost Paradise (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Almost Paradise (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 894.
Signature label and Certificate.
Not mounted.
For sale is a piece from the Wastelands series.
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon.
They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up.
That’s when the shooting started…
Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila.
Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty.
She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world.
Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy.
That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Forlorn - Contemporary, Nude, Women, Polaroid, 21st Century
Located in Morongo Valley, CA
Forlorn - 2021
50x50cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Artist inventory PL2021-1032.
Not ...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Zeppelin (framed) - monumental photograph of iconic pioneering airship in hangar
Located in San Francisco, CA
large format photograph of iconic zeppelin in aircraft hangar
Zeppelin by Christian Stoll ( framed )
"Modern Gallery Frameless"
48 x 69 inches (122c...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, Plexiglass, Archival Paper, Giclée, Archival Pigment
Vaschette - large scale photograph of Mediterranean beach scene (artist framed)
Located in San Francisco, CA
large format original photograph of the iconic Mediterranean rock pools of Calafuria Vaschette in Tuscany by iconic Italian photographer Massimo Vitali, renowned for his grand scale ...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Plexiglass, Wood, Photographic Film, Archival Paper, Photographic Paper
Harvest Moon by Barry Cawston 120cm x 100cm C-type Print w/Acrylic Face-Mount
Located in Coltishall, GB
A moonlit mystic forest.
–
Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt, lost in the detail as if listening to the...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
C Print, Photographic Paper
Jhonny. From The series Buscando Mamá. Photo Collage
Located in Miami Beach, FL
The root of these unique photographic works by the artist Celso Castro occurred when the artist returned from Italy to live back in Colombia in 1987.
Castro wanted to produce from t...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, Color
Jimi Hendrix Palm Trees - Contemporary, Landscape, Polaroid, Photograph, Expired
Located in Morongo Valley, CA
'Jimi Hendrix Palm Trees' (Stranger than Paradise) - 2016
20x20cm,
Edition of 10,
Archival C-Print, based on a Polaroid,
Certificate and Signature label,
Not mounted.
"Jimi He...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, C Print, Color, Polaroid
Self-Portrait - Contemporary, Polaroid, Color, Portrait
Located in Morongo Valley, CA
Self-Portrait - 2020,
Part of the series shot during the second UK lockdown.
Edition of 10. 20x20cm.
Digital C-Print based on a Polaroid.
Not mounted.
Leanne Surfleet is an analo...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Untitled 03 (Saigon) - analog, 58x56cm
Located in Morongo Valley, CA
Untitled 03 (Saigon) - 2003
58x56cm,
Edition of 5.
Analog C-Print, hand-printed by an artist on Fuji Crystal Archive Paper,
matte surface, based on the Polaroid.
Artist invento...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Untitled (Traintracks) - based on a Polaroid
Located in Morongo Valley, CA
Untitled (Traintracks) - The last Picture Show - 2004
50x50cm. Edition of 5, plus 2 Artist Proofs.
Archival C-Print, based on a Polaroid.
Signature label and Certificate.
Artist ...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Carcavelos Pier Paddle (framed) - large scale photograph of summer beach scene
Located in San Francisco, CA
large format photograph of a summer beach scene along Portugal's Atlantic coast by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure
Carcavelos Pier Paddle (2016)
61.25” x 81.68” / 155.60 cm x 207.46 cm
limited edition of 6 + 2AP (signed, titled and dated on certificate of authenticity)
original archival photography print with diasec (acrylic glass) face mount in contemporary white lacquered gallery frame
Each limited edition original Massimo Vitali photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility
Disclaimer of authenticity:
although it is possible to acquire (small size) single page offset prints from the book "A Portfolio of Landscapes and Figures" (published by Steidl) in the secondary market, the artist studio strongly dissuades collectors from purchasing these single page prints outside of the context and authenticity of the complete portfolio.
About the artist:
Massimo Vitali was born in Como, Italy, in 1944.
He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief that photography had an absolute capacity to reproduce the subtleties of reality led to a change in his career path.
Vitali worked in cinematography for film and television before beginning a fine art practice in 1995.
Over the next two decades, he would gain recognition for his highly detailed, epic-scale panoramas — sociopolitical observations of the natural habitat of humankind at leisure. Vitali’s iconic series of beach panoramas, captured from a distance with an elevated large-format camera platform, began in the light of drastic political changes in Italy.
Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization.
Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and Entering A New World.
Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato.
Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany).
__________________________
SOLO EXHIBITIONS
2021
'PienoVuoto'
Forte di Belvedere, Florence
2020
'Human Constellations'
Museo Ettore Fico, Turin
2019
Massimo Vitali: Short Stories'
Mazzoleni, London
2018
'Coastal Colonies'
Spiral, Tokyo
2017
‘Disturbed Coastal Systems’
Benrubi Gallery (New York, USA)
2016
‘Landscapes with Figures’
Guido & Schoen Arte Contemponania (Genoa, Italy)
2016
‘Massimo Vitali’
Crown Gallery (Knokke-Zoute, Belgium)
2016
‘Massimo Vitali’
Ronchini Gallery (London, UK)
2015
‘New Prints’
Hilger Next (Vienna, Austria)
2014
‘Massimo Vitali’
Studio La Citta (Verona, Italy)
2014
‘Into The White’
Erich Lindenberg Art Foundation (Porza, Switzerland)
2014
‘Sempre più pallide. Towards Achrome’
Palazzo Tadea (Spilimbergo, Italy)
2013
‘Between Normalities’
Bonni Benrubi...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Plexiglass, Wood, Photographic Film, Archival Paper, Photographic Paper
H2O VI - large format photograph of sun reflections - Homage to David Hockney
Located in San Francisco, CA
large format Panorama photograph of sun reflections on pool water surface, mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to th...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
H2O VI - large format photograph of sun reflections - Homage to David Hockney
Located in San Francisco, CA
large format Panorama photograph of sun reflections on pool water surface, mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to th...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
NASA Apollo 12, Color Photograph of Astronaut Pete Conrad Jr with Flag on Moon
By Nasa
Located in New york, NY
Photographed by fellow astronaut Alan Bean, NASA Apollo 12 astronaut and commander Pete Conrad Jr poses with the American flag after he and Bean planted it o...
Category
1960s Contemporary Photographic Paper Color Photography
Materials
Photographic Film, Photographic Paper
Forgiveness Then (Sidewinder) - 21st Century, Polaroid, Contemporary
Located in Morongo Valley, CA
Forgiveness Then (Sidewinder) - 2005
24x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print based on the Polaroid.
Signature label and certificate.
Artist Inventory 3364....
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Shanghai #2. Nude Color Photograph
By David Jay
Located in Miami Beach, FL
Through David Jay’s photography, context evaporates, and we as the viewer are left to engage the subjects, trade places, and for a moment, live behind their eyes. We recognize our sh...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, Archival Pigment, Color
Nizza - large format photograph of summer beach scene in South of France
By Frank Schott
Located in San Francisco, CA
observation of a Mediterranean beach scene in Nice, France, on a hazy summer day
Nizza by Frank Schott
25.5 x 40 inches (65 x 102cm)
edition of 25
signed
48 x 75.5 inches (122 x ...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, Archival Pigment, Archival Paper, Giclée, Archival Ink
Star Wars ( R2-D2 ) - large format photograph of the original iconic droid robot
Located in San Francisco, CA
large scale still life photograph of the original iconic droid robot from the classic Star Wars movies
60 x 48 inches (152 x 122cm)
signed edition of 7
40 x 32 inches (102 x 81cm...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
LA Parking - large scale photograph of midcentury urban architectural element
By Frank Schott
Located in San Francisco, CA
LA Parking by Frank Schott
a burst of red in an urban landscape of striking minimalism, from a series of photographs capturing the mid century modern architecture and architectural e...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
Josefa - Square limited edition nude art print, Figurative Color photo
Located in Sant Cugat del Vallès, Barcelona
An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Josefa ‘ who was captured on film in 19...
Category
1980s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, Color, Giclée, Pigment, Archival Pig...
Ruben. From The series Buscando Mamá. Photo Collage
Located in Miami Beach, FL
The root of these unique photographic works by the artist Celso Castro occurred when the artist returned from Italy to live back in Colombia in 1987.
Castro wanted to produce from t...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, Color
So Still (Sidewinder) - Contemporary, 21st Century, Polaroid, Figurative, Nude
Located in Morongo Valley, CA
So Still (Sidewinder), 2005
Edition 2/5,
128x130cm,
Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original Polaroid.
Certificate and signat...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Metal
Joshua Tree Portrait Mojave Desert California Landscape Photograph
Located in Cambridge, GB
Joshua Tree American Desert photograph from Richard Heeps' series, Dream in Colour. The iconic Joshua Tree stands proudly silhouette against the magical rich layered hues of the dese...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Carlos. From The series Buscando Mamá. Photo Collage
Located in Miami Beach, FL
Carlos, 2001 by Celso José Castro Daza
From The series Buscando Mamá
One of a kind photo collage
Sheet Size: 39.5 in. H x 27.5 in. W
2001
Unframed
The root of these unique photograp...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, Archival Pigment
Fifty Shades
Located in Morongo Valley, CA
Fifty Shades - 2017,
Edition of 7 plus 2 Artist Proofs.
Digital C-print, based on an original Polaroid.
Signed on the back and with certificate.
Artist inventory PL2017-333.
Not...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, C Print, Color, Polaroid
Tape Collection, AILA Blue - Contemporary Pop Art Color Photography
Located in Cambridge, GB
AILA Blue, from the Heidler & Heeps Tape Collection - The B Sides.
The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal pas...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Village - heated Pool (The Last Picture Show), analog, mounted
Located in Morongo Valley, CA
Village Motel - Heated Pool (The Last Picture Show) - 2005
58x56cm,
Edition of 5,
analog C-Print, hand-printed by the artist on Fuji Chrystal Archive Paper,
based on the Polaroid...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Metal
Seascape XVII - large format photograph of a mesmerizing ocean surface
By Frank Schott
Located in San Francisco, CA
from a series of large scale photographs capturing a mesmerizing color palette of classic blue ocean
SEASCAPE XVII by Frank Schott
72.5 x 58 inches / 184cm x 147cm
signed edition...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
Warrior - El Mono 2. From The series Buscando Papá. Photo Collage
Located in Miami Beach, FL
Warrior - El Mono 2, 2002 by Celso José Castro Daza
From The series Buscando Papá
One of a kind photo collage
Sheet size: 39.5 in. H x 27.5 in. W
Unframed
Signed, titled and dated b...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper
Heresy
Located in Morongo Valley, CA
Heresy - 2020,
20x20cm,
Edition of 7 plus 2 Artist Proof.
Archival Print, based on the Polaroid.
Signature label and certificate.
Artist inventory PL2020-906.
Not mounted.
K...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Renée's Dream - The Boys (Days of Heaven) - Landscape, Horse, Boys
Located in Morongo Valley, CA
Renée's Dream - The Boys (Days of Heaven). Part of the 29 Palms, CA project. - 2006,
20x24cm,
Edition of 10, plus 2 Artist Proofs,
archival C-Print, based on the Polaroid.
Signatu...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Blue House (29 Palms, CA)- triptych - analog, Polaroid, Contemporary
Located in Morongo Valley, CA
Blue House (29 Palms, CA) - 1999
20x20cm each, 20x68cm installed with gaps,
Edition of 10, plus 2 Artist Proofs.
3 Archival C-Prints, based on the 3 original Polaroids.
Signature...
Category
1990s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Topiary I - large format photograph of ornamental shaped tree
By Frank Schott
Located in San Francisco, CA
from a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism
Topiary I by Frank Schott ...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
Starling by Mark Harvey 20" x 20" C-type Photographic Print Only
Located in Coltishall, GB
Working with these gregarious birds, they would always arrive in huge numbers and create a great commotion in the process. I really wanted to isolate a single bird away from the clam...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, C Print
Seascape III - large format photograph of monochromatic blue horizon and sea
By Frank Schott
Located in San Francisco, CA
from a series of photographic works capturing the sea blue color palette of the ocean
Seascape III by Frank Schott
48 x 64 inches / 122cm x 163cm
signed edition of 7
30 x 40 inche...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, Archival Pigment, Archival Ink, Archival Paper, Giclée
Stratosphere I - large format photograph of abstract liquid water cloudscapes
Located in San Francisco, CA
large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the bo...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
Shiver - Contemporary, Nude, Women, Polaroid, 21st Century
Located in Morongo Valley, CA
Sugar on my soul - 2021 -
24x20cm, Edition of 7 plus 2 Artist Proofs,
digital C-Print based on a Polaroid,
Signed on the back and with certificate. Artist inventory PL2021-1053.
...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
First Kiss (Till Death do us Part)
Located in Morongo Valley, CA
First Kiss (Till Death do us Part) - 2005
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on a Polaroid.
Certificate and Signature label.
Artist Inventory ...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Wild Child (Chicks and Chicks and sometimes Cocks)
Located in Morongo Valley, CA
Wild Child (Chicks and Chicks and sometimes Cocks) - 2019 -
20x20cm,
Edition of 10 plus 2 Artist Proofs.
digital C-Print, based on a Polaroid
Artist inventory 22252.
Signature l...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Polaroid, Color, C Print, Photographic Paper
Togetherness - Large Scale Cyanotype Style Film Photographic Print Framed
By Pia Clodi
Located in Zürich, CH
Not one to shy away from human representation, Pia Clodi’s more portraiture-like works continually offer the sitter an air of anonymity, and as such the viewer has the opportunity to...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Photographic Film, Photographic Paper, Carbon Pigment, Polaroid
Living in a Dream (Till Death do us Part) - Contemporary, Polaroid, Women
Located in Morongo Valley, CA
Living in a Dream (Till Death do us Part) - 2005
20x20cm,
Edition of 10,
Archival C-Print print, based on the Polaroid.
Certificate and Signature label, artist Inventory No. 9781.
Not mounted.
on offer is a piece from the movie "Till Death do us Part"
Stefanie Schneider’s Till Death Do Us Part
or “There is Only the Desert for You.”
BY DREW HAMMOND
Stefanie Schneider’s Til Death to Us Part is a love narrative that comprises three elements:
1.
A montage of still images shot and elaborated by means of her signature technique of using Polaroid formats with outdated and degraded film stock in natural light, with the resulting im ages rephotographed (by other means) enlarged and printed in such a way as to generate further distortions of the image.
2.
Dated Super 8 film footage without a sound track and developed by the artist.
3.
Recorded off-screen narration of texts written by the actors or photographic subjects, and selected by the artist.
At the outset, this method presupposes a tension between still and moving image; between the conventions about the juxtaposition of such images in a moving image presentation; and, and a further tension between the work’s juxtaposition of sound and image, and the conventional relationship between sound and image that occurs in the majority of films. But Till Death Do Us Part also conduces to an implied synthesis of still and moving image by the manner in which the artist edits or cuts the work.
First, she imposes a rigorous criterion of selection, whether to render a section as a still or moving image. The predominance of still images is neither an arbitrary residue of her background as a still photographer—in fact she has years of background in film projects; nor is it a capricious reaction against moving picture convention that demands more moving images than stills. Instead, the number of still images has a direct thematic relation to the fabric of the love story in the following sense. Stills, by definition, have a very different relationship to time than do moving images. The unedited moving shot occurs in real time, and the edited moving shot, despite its artificial rendering of time, all too 2009often affords the viewer an even greater illusion of experiencing reality as it unfolds. It is self-evident that moving images overtly mimic the temporal dynamic of reality.
Frozen in time—at least overtly—still photographic images pose a radical tension with real time. This tension is all the more heightened by their “real” content, by the recording aspect of their constitution. But precisely because they seem to suspend time, they more naturally evoke a sense of the past and of its inherent nostalgia. In this way, they are often more readily evocative of other states of experience of the real, if we properly include in the real our own experience of the past through memory, and its inherent emotions.
This attribute of stills is the real criterion of their selection in Til Death Do Us Part where consistently, the artist associates them with desire, dream, memory, passion, and the ensemble of mental states that accompany a love relationship in its nascent, mature, and declining aspects.
A SYNTHESIS OF MOVING AND STILL IMAGES BOTH FORMAL AND CONCEPTUAL
It is noteworthy that, after a transition from a still image to a moving image, as soon as the viewer expects the movement to continue, there is a “logical” cut that we expect to result in another moving image, not only because of its mise en scène, but also because of its implicit respect of traditional rules of film editing, its planarity, its sight line, its treatment of 3D space—all these lead us to expect that the successive shot, as it is revealed, is bound to be another moving image. But contrary to our expectation, and in delayed reaction, we are startled to find that it is another still image.
One effect of this technique is to reinforce the tension between still and moving image by means of surprise. But in another sense, the technique reminds us that, in film, the moving image is also a succession of stills that only generate an illusion of movement. Although it is a fact that here the artist employs Super 8 footage, in principle, even were the moving images shot with video, the fact would remain since video images are all reducible to a series of discrete still images no matter how “seamless” the transitions between them.
Yet a third effect of the technique has to do with its temporal implication. Often art aspires to conflate or otherwise distort time. Here, instead, the juxtaposition poses a tension between two times: the “real time” of the moving image that is by definition associated with reality in its temporal aspect; and the “frozen time” of the still image associated with an altered sense of time in memory and fantasy of the object of desire—not to mention the unreal time of the sense of the monopolization of the gaze conventionally attributed to the photographic medium, but which here is associated as much with the yearning narrator as it is with the viewer.
In this way, the work establishes and juxtaposes two times for two levels of consciousness, both for the narrator of the story and, implicitly, for the viewer:
A) the immediate experience of reality, and
B) the background of reflective effects of reality, such as dream, memory, fantasy, and their inherent compounding of past and present emotions.
In addition, the piece advances in the direction of a Gesammtkunstwerk, but in a way that reconsiders this synaesthesia as a unified complex of genres—not only because it uses new media that did not exist when the idea was first enunciated in Wagner’s time, but also because it comprises elements that are not entirely of one artist’s making, but which are subsumed by the work overall. The totality remains the vision of one artist.
In this sense, Till Death Do Us Part reveals a further tension between the central intelligence of the artist and the products of other individual participants. This tension is compounded to the degree that the characters’ attributes and narrated statements are part fiction and part reality, part themselves, and part their characters. But Stefanie Schneider is the one who assembles, organizes, and selects them all.
THE RELATIONSHIP BETWEEN THIS IDEA (above) AND PHOTOGRAPHY
This selective aspect of the work is an expansion of idea of the act of photography in which the artistic photographer selects that which is already there, and then, by distortion, definition or delimitation, compositional and lighting emphasis, and by a host of other techniques, subsumes that which is already there to transform it into an image of the artist’s contrivance, one that is no less of the artist’s making than a work in any other medium, but which is distinct from many traditional media (such as painting) in that it retains an evocation of the tension between what is already there and what is of the artist’s making. Should it fail to achieve this, it remains, to that degree, mere illustration to which aesthetic technique has been applied with greater or lesser skill.
The way Til Death Do Us Part expands this basic principle of the photographic act, is to apply it to further existing elements, and, similarly, to transform them. These additional existing elements include written or improvised pieces narrated by their authors in a way that shifts between their own identities and the identities of fictional characters. Such characters derive partially from their own identities by making use of real or imagined memories, dreams, fears of the future, genuine impressions, and emotional responses to unexpected or even banal events. There is also music, with voice and instrumental accompaniment. The music slips between integration with the narrative voices and disjunction, between consistency and tension. At times it would direct the mood, and at other times it would disrupt.
Despite that much of this material is made by others, it becomes, like the reality that is the raw material of an art photo, subsumed and transformed by the overall aesthetic act of the manner of its selection, distortion, organization, duration, and emotional effect.
* * *
David Lean was fond of saying that a love story is most effective in a squalid visual environment. In Til Death Do Us Part, the squalor of the American desert...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Lampedusa (framed) - large scale photograph of Mediterranean summer beach scene
Located in San Francisco, CA
Large format photograph of a summer beach scene on the Mediterranean island of Lampedusa, from an earlier body of works (2012) by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure
Lampedusa (2012)
61.25” x 81.7” / 156 cm x 207,5 cm
limited edition of 6 + 2AP (signed, titled and dated on certificate of authenticity)
last available edition: AP1
original archival photography print with diasec (acrylic glass) face mount in contemporary white lacquered gallery frame
Each limited edition original Massimo Vitali photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility
Disclaimer of authenticity:
although it is possible to acquire (small size) single page offset prints from the book "A Portfolio of Landscapes and Figures" (published by Steidl) in the secondary market, the artist studio strongly dissuades collectors from purchasing these single page prints outside of the context and authenticity of the complete portfolio.
About the artist:
Massimo Vitali was born in Como, Italy, in 1944.
He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief that photography had an absolute capacity to reproduce the subtleties of reality led to a change in his career path.
Vitali worked in cinematography for film and television before beginning a fine art practice in 1995.
Over the next two decades, he would gain recognition for his highly detailed, epic-scale panoramas — sociopolitical observations of the natural habitat of humankind at leisure. Vitali’s iconic series of beach panoramas, captured from a distance with an elevated large-format camera platform, began in the light of drastic political changes in Italy.
Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization.
Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and Entering A New World.
Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato.
Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany).
__________________________
SOLO EXHIBITIONS
2025 94/22
Zander Galerie, Cologne
2024 Photolux Festival - Il bel paese?
Palazzo Ducale, Lucca, Italy
2023 La Grande Oasi - The way we live, now
OCA, Oasy Contemporary Art, Pistoia
2023
Standing Still
Cortona On The Move, Arezzo, Italy
2022
Massimo Vitali PhotoESPANA
Biblioteca Central Cantabria, Santander
2022
Endless Summer
Edwin Hook Gallery, New York
2022
Massimo Vitali: Leporello 2020
Melbourne
2022
Ti ho visto
Mazzoleni Gallery, Turin
2021
PienoVuoto
Forte di Belvedere, Florence
2021
No Country For Old Men
Visionarea Art Space, Rome
2020
'Human Constellations'
Museo Ettore Fico, Turin
2019
Massimo Vitali: Short Stories'
Mazzoleni, London
2018
'Coastal Colonies'
Spiral, Tokyo
2017
‘Disturbed Coastal Systems’
Benrubi Gallery...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Plexiglass, Wood, Photographic Film, Archival Paper, Photographic Paper
Closer (Sidewinder) - Polaroid, 21st Century, Contemporary
Located in Morongo Valley, CA
Closer (Sidewinder) - 2005
100x58cm,
Edition of 10,
Archival C-Print, based on the 15 original Polaroids.
Artist Inventory Number 3281.
Signature label and certificate.
Not moun...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
49 Via Dezza at Sunset, Milan - Italian Architecture Street Photography
Located in Cambridge, GB
49 Via Dezza at Sunset, Italian street photography from Richard Heeps series, A Short History of Milan.
A Short History of Milan' began in N...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, C Print, Color, Silver Gelatin
Desert Junkyard II
Located in Morongo Valley, CA
Desert Junkyard II (29 Palms, CA) - 1999
58x56cm,
Edition of 10
analog C-Print, hand-printed by the artist
based on the Polaroid
Artist inventory #319.02
Mounted on Aluminum
Dese...
Category
1990s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, C Print, Polaroid
Bath time story V - Contemporary, Nude, Women, Polaroid, 21st Century
Located in Morongo Valley, CA
Bath time story V - 2017
20x20cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on a Polaroid.
Signed on the back and with certificate.
Artist inventory PL2017-1094....
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Happy Donkey
By Anne Menke
Located in Mount Pleasant, SC
Happy Donkey on beach.
Sayulita, Mexico
Photograph signed and numbered by photographer.
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Photographic Paper
Warrior - El Mono. From The series Buscando Papá. Photo Collage
Located in Miami Beach, FL
Warrior - El Mono, 2001 by Celso José Castro Daza
From The series Buscando Papá
One of a kind photo collage
Sheet size: 39.5 in. H x 27.5 in. W
Unframed
Signed, titled and dated by ...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper
Paesaggio Pugliese - Photograph by Vito Difilippo - 2024
Located in Roma, IT
Photograph taken with Polaroid Now+ camera. Unique piece, embossed, signed on the back, and comes with a certificate of authenticity.
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Photographic Paper
Aeroglyph XT1940 - large format photo of light painting in nocturnal landscape
By Reuben Wu
Located in San Francisco, CA
Aeroglyph XT1940 by Reuben Wu, a large scale original photograph from an ongoing photography series, capturing large temporary geometries traced by light carrying drones in ethereal ...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
Manarola Multi Jump (framed) large scale photograph of Mediterranean beach scene
Located in San Francisco, CA
large format photograph of summer beach scene along Cinque Terre coast by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure
Manarola (2020)
61.25” x 81.68” / 155.60 cm x 207.46 cm
limited edition of 6 + 2AP (signed, titled and dated on certificate of authenticity)
original archival photography print with diasec (acrylic glass) face mount in contemporary white lacquered gallery frame
Each limited edition original Massimo Vitali photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility
About the artist:
Massimo Vitali was born in Como, Italy, in 1944.
He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief that photography had an absolute capacity to reproduce the subtleties of reality led to a change in his career path.
Vitali worked in cinematography for film and television before beginning a fine art practice in 1995.
Over the next two decades, he would gain recognition for his highly detailed, epic-scale panoramas — sociopolitical observations of the natural habitat of humankind at leisure. Vitali’s iconic series of beach panoramas, captured from a distance with an elevated large-format camera platform, began in the light of drastic political changes in Italy.
Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization.
Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and Entering A New World.
Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato.
Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany).
__________________________
SOLO EXHIBITIONS
2021
'PienoVuoto'
Forte di Belvedere, Florence
2020
'Human Constellations'
Museo Ettore Fico, Turin
2019
Massimo Vitali: Short Stories'
Mazzoleni, London
2018
'Coastal Colonies'
Spiral, Tokyo
2017
‘Disturbed Coastal Systems’
Benrubi Gallery (New York, USA)
2016
‘Landscapes with Figures’
Guido & Schoen Arte Contemponania (Genoa, Italy)
2016
‘Massimo Vitali’
Crown Gallery (Knokke-Zoute, Belgium)
2016
‘Massimo Vitali’
Ronchini Gallery (London, UK)
2015
‘New Prints’
Hilger Next (Vienna, Austria)
2014
‘Massimo Vitali’
Studio La Citta (Verona, Italy)
2014
‘Into The White’
Erich Lindenberg Art Foundation (Porza, Switzerland)
2014
‘Sempre più pallide. Towards Achrome’
Palazzo Tadea (Spilimbergo, Italy)
2013
‘Between Normalities’
Bonni Benrubi...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Plexiglass, Wood, Photographic Film, Archival Paper, Photographic Paper
California Dusk - large scale photograph of iconic desert landscape sunset
By Frank Schott
Located in San Francisco, CA
California Dusk by Frank Schott
from a series of photographs capturing the Golden State's vast desert landscapes
48 x 72 inches / 122cm x 183cm
edition of 7
signed
27 x 40 inches /...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
She Disappeared into Complete Silence (AD6387) - large scale abstract photograph
By Mona Kuhn
Located in San Francisco, CA
In the series 'She Disappeared into Complete Silence' (2014) Mona Kuhn takes a new direction into abstraction.
She turns to a highly austere and restrained reductionist geometry and distilled formal purity, connecting the interior to the exterior, the visible to the hidden. These reflections cause one to linger, as they merge to create a dynamic equilibrium of tension, spaces and rythms.
AD6387 (She Disappeared into Complete Silence)
40" x 30" / 102cm x 76cm
edition of 8 + 2AP
60" x 45" / 152cm x 114cm
edition of 8 + 2AP
limited edition photograph is printed under artist supervision and accompanied by signed artist certificate:
artist signature labels are 8x10 in size
signed, editioned, dated and titled by the artist, and stamped for authenticity
label
__________________
About the artist
Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art.
For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia.
Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena.
Mona Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Stanley/Barker Editions published Kuhn's Bushes and Succulents (2018) with a debut at Musee Jeu de Paume in Paris in 2019. Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road with Steidl accompanies a multi-dimensional museum exhibition in Germany and the US.
Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, the Los Angeles County Museum of Art, The Hammer Museum, the Perez Art Museum in Miami, the Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris, The Whitechapel Gallery and Royal Academy of Arts in London, Musée de l’Elysée in Switzerland, Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Australian Centre for Photography and Taipei Fine Arts Museum in Taiwan.
Mona Kuhn currently lives and works in Los Angeles.
__________________
Solo Exhibitions
2024
Mona Kuhn: Between Modernism and Surrealism, Houk Gallery, New York, NY
2023
Mona Kuhn: Kings Road, Galerie XII...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Photographic Film, Photographic Paper, Silver Gelatin, Giclée
Playing Ball - Polaroid, Color, Women, Portrait
Located in Morongo Valley, CA
Playing Ball - 2020
20x20cm,
Edition of 7 plus 2 Artist Proofs,
Archival C-Print based on the Polaroid.
Signed on the back and with certificate.
Artist inventory PL2020-838.
Not ...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Ballad (Bombay Beach) - Contemporary, Polaroid, Women
Located in Morongo Valley, CA
Ballad (Bombay Beach) - 2023
20x25cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the Polaroid.
Signature label and certificate.
Artist inventory PL2023-08.
N...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Dusk (The Last Picture Show) - analog, Polaroid, Contemporary
Located in Morongo Valley, CA
Dusk (The Last Picture Show) - 2005
Edition 4/5,
38x36cm each, 131x127cm installed including gaps.
9 Analog C-Prints, hand-printed by the artist on Archive Fuji Crystal Paper, based...
Category
Early 2000s Contemporary Photographic Paper Color Photography
Materials
Metal
Vertigo- digital manipulated photograph of a whimsical flying swimming pool
Located in New York, NY
Laurent Chéhere, a French photographer born in 1972 in Paris, makes images of flying houses and other dwellings that are informed by his wanderings in the hidden neighborhoods of Par...
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, Digital
Outtake (29 Palms, CA) - analog, Polaroid, Contemporary
Located in Morongo Valley, CA
Outtake (29 Palms, CA) - 1999
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Signature label and Certificate.
Artist inventory Nu...
Category
1990s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Star me Kitten - Contemporary, Nude, Women, Polaroid, 21st Century
Located in Morongo Valley, CA
Star me Kitten - 2017,
50x50cm.
Edition of 7 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid,
not mounted.
Signature label with certificate.
Artist inventory PL201...
Category
2010s Contemporary Photographic Paper Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Topiary V - large format photograph of ornamental shaped tree
By Frank Schott
Located in San Francisco, CA
from a series of photographic observances capturing the antics of urban gardening's tree trimming and striking art of topiaries' green minimalism
Topiary V by Frank Schott
60 x 44....
Category
21st Century and Contemporary Contemporary Photographic Paper Color Photography
Materials
Photographic Paper, Giclée, Archival Pigment, Archival Ink, Archival Paper
Photographic Paper color photography for sale on 1stDibs.
Find a wide variety of authentic Photographic Paper color photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add color photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Stefanie Schneider, Richard Heeps, Tyler Shields, and Chad Kleitsch. Frequently made by artists working in the Contemporary, Pop Art, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Photographic Paper color photography, so small editions measuring 0.1 inches across are also available