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Natalie LennardThe Whitechapel Woman- Framed Photograph of Birth Scene (Green+Blue+Red)2017
2017
$3,400
$4,25020% Off
£2,599.48
£3,249.3520% Off
€2,994.08
€3,742.6020% Off
CA$4,764.44
CA$5,955.5520% Off
A$5,319.05
A$6,648.8120% Off
CHF 2,787.10
CHF 3,483.8820% Off
MX$65,110.42
MX$81,388.0220% Off
NOK 35,396.24
NOK 44,245.3020% Off
SEK 33,374.16
SEK 41,717.7020% Off
DKK 22,345.10
DKK 27,931.3820% Off
About the Item
Every image in Birth Undisturbed is available to purchase as a limited edition, numbered photographic artwork. Available in 13x19, 35x47, 47x62, 59x75 as well. Inquire for more pricing and follow our storefront at Gallery 1202 for more work by Lennard.
"The Whitechapel Woman" is part of international artist, Natalie Lennard's series Birth Undisturbed.
“For the first time... I had been refused when offering chloroform... later I asked her why... shyly she turned from the window that burst the first light of dawn and said: ‘It didn’t hurt. It wasn’t meant to, was it, doctor?’" A chance phrase by a woman in a hovel in Whitechapel in 1911, that childbirth wasn’t meant to be painful, led the young Dr. Grantly Dick-Read to explore that in the absence of fear, the body's natural endorphins can replace the stress hormones that cause pain in childbirth. He went on to write the most influential book on childbirth of the last century, 'Childbirth Without Fear' in 1942, with the passage describing the encounter becoming famously enshrined in birth philosophy. “The window was broken, rain pouring in, the bed had no proper covering… the room was lit by one candle stuck in the top of a beer bottle on the mantelshelf, my patient covered in sacks… a neighbor had brought in a jug of water and a basin”. Dick-Read’s cinematic account for the first time is here visualized, re-enacted at Dennis Severs’ House, a ‘living museum’ of Victorian London. With inspiration from the composition of painting ‘The Doctor’ (1890) by Sir Luke Fildes, and other references, the Whitechapel woman is brought back to life - she whose humble influence unknowingly catalyzed a doctor’s insistence of listening to women at their bedside. “It is as great a crime to leave a woman alone in her agony and deny her relief from her suffering, as it is to insist upon dulling the consciousness of a natural mother who desires above all things to be aware of the final reward of her efforts, whose ambition is to be present, in full possession of her senses, when the infant she already adores greets her with its first loud cry and the soft touch of its restless body upon her limbs.” ― Grantly Dick-Read
- Creator:
- Creation Year:2017
- Dimensions:Height: 28 in (71.12 cm)Width: 35 in (88.9 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:
- Gallery Location:Gilroy, CA
- Reference Number:Seller: NL-5-20171stDibs: LU129827695902
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Every image in Birth Undisturbed is available to purchase as a limited edition, numbered photographic artwork. Available in 13x19, 35x47, 47x62, 59x75 as well. Inquire for more pricing and follow our storefront at Gallery 1202 for more work by Lennard.
"The Whitechapel Woman" is part of international artist, Natalie Lennard's series Birth Undisturbed.
“For the first time... I had been refused when offering chloroform... later I asked her why... shyly she turned from thw window that burst the first light of dawn and said: ‘It didn’t hurt. It wasn’t meant to, was it, doctor?’" A chance phrase by a woman in a hovel in Whitechapel in 1911, that childbirth wasn’t meant to be painful, led the young Dr Grantly Dick-Read to explore that in the absence of fear, the body's natural endorphins can replace the stress hormones that cause pain in childbirth. He went on to write the most influential book on childbirth of the last century, 'Childbirth Without Fear' in 1942, with the passage describing the encounter becoming famously enshrined in birth philosophy. “The window was broken, rain pouring in, the bed had no proper covering… the room was lit by one candle stuck in the top of a beer bottle on the mantelshelf, my patient covered in sacks… a neighbour had brought in a jug of water and a basin”. Dick-Read’s cinematic account for the first time is here visualised, re-enacted at Dennis Severs’ House, a ‘living museum’ of Victorian London. With inspiration from the composition of painting ‘The Doctor’ (1890) by Sir Luke Fildes...
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