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Nicoletta MunroeRaspail Red, Paris Metro Series1998
1998
About the Item
these are original (signed with initials) proof prints
c-print on Fuji crystal archive paper. there is some minor wear to the surface but it cannot be photographed and will probably not be visible when framed
The National Museum of Women in the Arts presents P(art)ners: Gifts
from the Heather and Tony Podesta Collection, an exhibition of 28
contemporary photographs and sculptures drawn from the more than 300
works the couple has donated to the museum. P(art)ners demonstrates
the Podestas' shared collecting vision and honors their participation
in the inaugural TEDWomen conference in Washington D.C.
The Podestas' collaborative collecting practice inspired the NMWA
staff to hand them the curatorial reins for this exhibition. The two
have articulated the themes for P(art)ners and selected the works.
Images of the female body or allusions to it (such as seen in G-Force
Dive, a witty sculpture by E.V. Day (American, b. 1967) made from
women's thong underwear stretched into the shape of fighter jets) present
multiple views of contemporary feminine identity.
These works exploring the female body are paired with photographs of
architecture. Although they are built by and for people, the interior
spaces lack human presence and appear surprisingly abstract. The
Podestas note that images of constructed environments complement those
of the human figure: "They are what remain of us when we're not
there."
Heather and Tony Podesta each head their own government relations firm
in Washington, D.C., but they travel to contemporary art fairs and
biennials around the world to discover outstanding new artists.
P(art)ners features a striking series of photographs about travel by
Nicoletta Munroe (American, b. 1968). For her "Paris Métro" series,
Munroe, who has also worked as an art director in Hollywood, shot the
brightly colored seats on the platforms of Paris's subway system. The
rows of seats seem to stand in for the people who fill the stations
each day.
SURVIVAL L.A. A Group Show with Lisa Adams, SE Barnet, Kaucyila
Brooke, Kathy Chenoweth, Martin Durazo, Kathleen Johnson, Hillary
Mushkin, Nicoletta Munroe, Susan Otto, Christopher Pate, Steve Roden,
Thaddeus Strode and Jody Zellen
Raid Journal essays by: Holly Myers and Gordy Grundy
UnNaturally features over 40 visually stunning works by fifteen
artists who employ artificial materials to create simulations of
nature that explore the frequently blurred boundary between culture
and our environment, raising provocative questions about the mediated
environment in which we live. UnNaturally plays on our nostalgia for
an idealized pre-industrial past in which human beings and nature
coexisted harmoniously in an unspoiled landscape.
Artists includes Chris Astley, Gregory Crewdson, Jacci Den Hartog,
Allan deSouza, Keith Edmier, Iñigo Manglano-Ovalle, Jason
Middlebrook,Nicoletta Munroe, Roxy Paine, Michael Pierzynski, Marc
Quinn, Michelle Segre, Alyson Shotz, Frances Whitehead and Clara
Williams. New works byRoxy Paine, courtesy of James Cohan Gallery, New
York, are included for the USF CAM premier.
I Can t Go On I ll Go On Low s First-Year Anniversary Exhibit
Features New Work By Artists Who ve Had Solo Shows At The Gallery:
Nobuyoshi Araki Nicoletta Munroe Mark Gonzales Takashi Homma Fiering &
Luem And Dean Sameshima.
- Creator:Nicoletta Munroe (1968, American)
- Creation Year:1998
- Dimensions:Height: 5.26 in (13.37 cm)Width: 17 in (43.18 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:minor surface wear, minor kink upper edge.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38210550832
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This is a proof print. signed and marked bat (for bon a tirer or good to print)
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Birds, Cibachrome Photograph Print, Signed Conceptual Art
By Brenda Zlamany
Located in Surfside, FL
This is a proof print. signed and marked bat (for bon a tirer or good to print)
This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird.
Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA)
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Select Museums:
Museum of Contemporary Art, Taipei;
the National Portrait Gallery of the Smithsonian Institution;
the National Museum, Gdansk;
Museum voor Schone Kunsten, Ghent.
Select Collections:
Cincinnati Art Museum;
Deutsche Bank;
the Museum of Modern Art, Houston;
the Neuberger Museum of Art;
the Virginia Museum of Fine Art;
the World Bank;
the Yale University Art Gallery.
Select Commissions
the World Bank,
Memorial Sloan-Kettering Cancer Center
the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer)
Select Grants and Awards:
Fulbright Fellowship (2011),
Pollock-Krasner Foundation grant (2006–07),
New York Foundation for the Arts Artists’ Fellowship in Painting (1994).
MacDowell Colony (1995, 1992, 1986)
Yaddo (1997).
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Birds, Cibachrome Photograph Print, Signed Conceptual Art
By Brenda Zlamany
Located in Surfside, FL
This is a proof print. signed and marked bat (for bon a tirer or good to print)
This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird.
Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA)
Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine.
Select Museums:
Museum of Contemporary Art, Taipei;
the National Portrait Gallery of the Smithsonian Institution;
the National Museum, Gdansk;
Museum voor Schone Kunsten, Ghent.
Select Collections:
Cincinnati Art Museum;
Deutsche Bank;
the Museum of Modern Art, Houston;
the Neuberger Museum of Art;
the Virginia Museum of Fine Art;
the World Bank;
the Yale University Art Gallery.
Select Commissions
the World Bank,
Memorial Sloan-Kettering Cancer Center
the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer)
Select Grants and Awards:
Fulbright Fellowship (2011),
Pollock-Krasner Foundation grant (2006–07),
New York Foundation for the Arts Artists’ Fellowship in Painting (1994).
MacDowell Colony (1995, 1992, 1986)
Yaddo (1997).
For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making.
Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp...
Category
1990s Conceptual Color Photography
Materials
C Print
Birds, Cibachrome Photograph Print, Signed Conceptual Art
By Brenda Zlamany
Located in Surfside, FL
This is a proof print. signed and marked bat (for bon a tirer or good to print)
This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird.
Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA)
Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine.
Select Museums:
Museum of Contemporary Art, Taipei;
the National Portrait Gallery of the Smithsonian Institution;
the National Museum, Gdansk;
Museum voor Schone Kunsten, Ghent.
Select Collections:
Cincinnati Art Museum;
Deutsche Bank;
the Museum of Modern Art, Houston;
the Neuberger Museum of Art;
the Virginia Museum of Fine Art;
the World Bank;
the Yale University Art Gallery.
Select Commissions
the World Bank,
Memorial Sloan-Kettering Cancer Center
the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer)
Select Grants and Awards:
Fulbright Fellowship (2011),
Pollock-Krasner Foundation grant (2006–07),
New York Foundation for the Arts Artists’ Fellowship in Painting (1994).
MacDowell Colony (1995, 1992, 1986)
Yaddo (1997).
For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making.
Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow...
Category
1990s Conceptual Color Photography
Materials
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