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Stefanie Schneider'Bates Motel' part 2 - Contemporary, Neon, Urban, expired, Polaroid, analog2005
2005
About the Item
'Bates Motel' part 2 (The Last Picture Show) - 2005,
38x36cm, Edition 2/5.
Analog C-Print, hand-printed by the artist on Fuji crystal archive paper, matte finish,
based on a Polaroid.
Signature label and Certificate.
artist inventory number: 1100.02
Not mounted.
Stefanie is a dedicated artist to the medium of 'expired instant film' and built the worlds best analog darkroom to produce her works from concept to finished work of art.
Schneider became the muse to her own medium in 2010 when an admirer bought the last remaining instant film production factory left in the world just before it's destruction, therefore saving the medium from obligation. The full circle complete and it was called Impossible.
The photos 4-10 showing the artist's studio working in summer 2016.
'Primary Colors' is for sale at 1st dibs as well. (image 9)
Stefanie Schneider: A German view of the American West
The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts and the loneliness of Edward Hopper's haunting paintings. So how exactly did this German photographer become one of the most important artists of the American narrative of the 20th and 21st century?
Born in Germany in 1968, photographer Schneider divides her time between Berlin and Los Angeles. Her process begins in the American West, in locations such as the planes and deserts of Southern California, where she photographs her subjects. In Berlin, Schneider develops and enlarges her works by hand. What is initially most striking about Schneider's images is perhaps simply the color of her expired Polaroids but her role in preserving the use of Polaroid film is one aspect of her work that has gained great respect from her contemporaries and the critics, as her work came about during a time when the Polaroid, a symbol of American photography, was on the road to extinction.
This theme of preservation and deterioration is a core part of Schneider's oeuvre. In an interview in October 2014 with Artnet, the artist explained how her own experiences of pain and loss inspire her. ''My work resembles my life: Love, lost and unrequited, leaves its mark in our lives as a senseless pain that has no place in the present.''
Schneider's subjects are often featured in apocalyptic settings: desert planes, trailer parks, oilfields, run-down motels and empty beaches, alone, or if not, not connected with one another. ''It is the tangible experience of ''absence'' that has inspired my work,'' explained Schneider.
(Barnebys UK, May 3, 2017
- Creator:Stefanie Schneider (1968, German)
- Creation Year:2005
- Dimensions:Height: 14.97 in (38 cm)Width: 14.18 in (36 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU65237427212
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
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based on an expired Polaroid.
Artist inventory 8088.
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Artist Inventory 3017.01, ...
Category
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Category
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Edition 2/5,
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Category
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Dusk (The Last Picture Show) - analog, Polaroid, Contemporary
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Located in Morongo Valley, CA
Dusk (The Last Picture Show) - 2005
Edition 4/5,
38x36cm each, 131x127cm installed including gaps.
9 Analog C-Prints, hand-printed by the artist on Archive Fuji Crystal Paper, based...
Category
Early 2000s Contemporary Color Photography
Materials
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