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Stefanie Schneider
The Girl II (The Girl behind the White Picket Fence)

2011

$800
£611.64
€704.49
CA$1,121.05
A$1,251.54
CHF 655.79
MX$15,320.10
NOK 8,328.53
SEK 7,852.74
DKK 5,257.67

About the Item

The Girl II (The Girl behind the White Picket Fence) - 2011 38x37cm. Edition of 10 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature label and certificate. Artist Inventory Number: 15707. Not mounted. The exhibition image shows the large edition. A central poster image from the Stefanie Schneider film 'The Girl Behind The White Picket Fence'. A tale told with blemished and expired Polaroid film about the hopes and dreams of a newly orphaned girl after losing her parents who lived in the Californian desert in a vintage Spartan travel trailer. -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice-over monologue - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girl's journal (Palms Springs life magazine / Carolyn Ryder)

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The Girl III (The Girl behind the White Picket Fence) - 2013 38x36cm, Edition 1/10. Analog C-Print, hand-printed by the artist on Fuji Archive Crystal Paper, matte surface, based on the Polaroid. Certificate and Signature label. Artist Inventory # 15705.01. Not mounted. Schneider harnesses the unpredictable chemical mutations of expired Polaroid film, where bursts of color erupt across the surface, destabilizing the photograph's traditional allegiance to reality. These vivid distortions draw her characters into ethereal, trance-like dreamscapes. Like fleeting sequences from a vintage road movie, Schneider’s images shimmer with a transitory quality, dissolving before any definitive conclusions can be drawn. Their ephemeral essence is conveyed through subtle gestures and enigmatic motives. Refusing to yield to the constraints of reality, Schneider’s work keeps alive a delicate interplay of dream, desire, fact, and fiction, blurring the boundaries between them with poetic ambiguity. Stefanie Schneider’s work echoes the heart of American art, channeling the cinematic nostalgia of Ed Ruscha’s roadscapes, the stark sensuality of Georgia O’Keeffe’s deserts, and the haunting solitude of Edward Hopper’s paintings...
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The Girl III (The Girl behind the White Picket Fence) - Contemporary, Polaroid
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The Girl IV (The Girl behind the White Picket Fence) - Contemporary, Polaroid
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