Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Stefanie Schneider
Magic Mountain III (Memories of Green)

2003

$1,400
$2,00030% Off
£1,062.86
£1,518.3730% Off
€1,215.68
€1,736.6930% Off
CA$1,956
CA$2,794.2930% Off
A$2,175.50
A$3,107.8630% Off
CHF 1,135.98
CHF 1,622.8330% Off
MX$26,473.55
MX$37,819.3630% Off
NOK 14,508.19
NOK 20,725.9930% Off
SEK 13,606.13
SEK 19,437.3230% Off
DKK 9,073.09
DKK 12,961.5630% Off
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Magic Mountain III (Memories of Green) - 2003 Edition of 10, 58x56cm. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper. based on an expired Polaroid, Artist inventory Number 1146. Signature label and Certificate. Not mounted. Stefanie Schneider: A German view of the American West The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts and the loneliness of Edward Hopper's haunting paintings. So how exactly did this German photographer become one of the most important artists of the American narrative of the 20th and 21st century? Born in Germany in 1968, photographer Schneider divides her time between Berlin and Los Angeles. Her process begins in the American West, in locations such as the planes and deserts of Southern California, where she photographs her subjects. In Berlin, Schneider develops and enlarges her works. What is most striking about Schneider's images is the colour which evokes the appearance of expired Polaroid film. Her role in preserving the use of Polaroid is one aspect of her work that has gained great respect from her contemporaries and the critics, as her work came about during a time when the Polaroid, a symbol of American photography, was on the road to extinction. This theme of preservation and deterioration is a core part of Schneider's oeuvre. In an interview in October 2014 with Artnet, the artist explained how her own experiences of pain and loss inspire her. ''My work resembles my life: Love, lost and unrequited, leaves its mark in our lives as a senseless pain that has no place in the present.'' Schneider's subjects are often featured in apocalyptic settings: desert planes, trailer parks, oilfields, run-down motels and empty beaches, alone, or if not, not connected with one another. ''It is the tangible experience of ''absence'' that has inspired my work,'' explained Schneider. This sense of absence runs deep through Schneider's work, the fact she even uses expired film means there is a sense of the unknown. Long before Valencia, Mayfair and Amaro, or any other Instagram filters, Schneider was creating this otherworldliness the image sharing network tries to create.

More From This Seller

View All
Magic Mountain 1 (Memories of Green) analog, expired, landscape
By Stefanie Schneider
Located in Morongo Valley, CA
Magic Mountain 1 (Memories of Green) - 2003 Edition of 10, 58x56cm, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid, Artist inventor...
Category

Early 2000s Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Magic Mountain 12 (Memories of Green) - based on a Polaroid, analog, 21st Centur
By Stefanie Schneider
Located in Morongo Valley, CA
Magic Mountain 12 (Memories of Green), Edition 1/5 , 58x56cm, 2003 analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid, Artist inventory Nu...
Category

Early 2000s Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Magic Mountain II (Memories of Green)
By Stefanie Schneider
Located in Morongo Valley, CA
Magic Mountain II (Memories of Green) - 2003 Edition of 10, 58x56cm. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on an expired Polaroid. Signa...
Category

Early 2000s Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Untitled - Renegade (The Last Stand) - analog
By Stefanie Schneider
Located in Morongo Valley, CA
Untitled - Renegade (The Last Stand) - 2004 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist inventor...
Category

Early 2000s Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

In The Range Of Light I (Wastelands)
By Stefanie Schneider
Located in Morongo Valley, CA
In The Range Of Light I (Wastelands) - 2003 Edition 3/5 , 57x56cm. analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist inventor...
Category

Early 2000s Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Memories of Green I, triptych, analog, hand printed, Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
Memories of Green I, triptych, - 2003 Edition of 5, each 58x56cm, installed with gaps 58x178cm, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on ...
Category

Early 2000s Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

You May Also Like

Untitled #35
By Vanessa Marsh
Located in Sante Fe, NM
Vanessa Marsh is an American artist living and working in California. Her series The Sun Beneath the Sky reflects upon the nature of light, atmosphere, geology and time. Layers of pa...
Category

2010s Contemporary Landscape Photography

Materials

Photogram

Untitled #46
By Vanessa Marsh
Located in Sante Fe, NM
Vanessa Marsh is an American artist living and working in California. Her series The Sun Beneath the Sky reflects upon the nature of light, atmosphere, geology and time. Layers of pa...
Category

2010s Contemporary Landscape Photography

Materials

Photogram

Land & Sea VII (A)
By Colleen Fitzgerald
Located in Sante Fe, NM
Edition of 5 Colleen Fitzgerald's series, "Stamina," provides new approaches to conventional subjects by utilizing the materials and tools of photography in non-traditional ways. A unique physical process combines aspects of sculpture and photography, subverting the idealized two-dimensional photograph and providing a new entry point to the enduring photographic subjects of natural landscapes, seascapes, and more. To create the photographs, unexposed large sheets of positive film are cut and bent into three dimensional shapes before being exposed inside a camera outfitted with a custom film holder that accepts the film as a three-dimensional object instead of as a standard, flat sheet. The results on the shaped film can...
Category

2010s Contemporary Color Photography

Materials

Pigment

Transitory Space #196
Located in New York, NY
Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the n...
Category

2010s Contemporary Color Photography

Materials

Digital Pigment

Green Clearing
By Marc Yankus
Located in New York, NY
Archival pigment print Signed, titled, numbered, and dated, verso 17 x 11 inches, sheet (Edition of 15) 22 x 17 inches, sheet (Edition of 15) This photograph is offered by ClampAr...
Category

Early 2000s Contemporary Landscape Photography

Materials

Archival Pigment

THIS COULD BE A JUNGLE A MILLION YEARS AGO
By Michelle Buhler
Located in Los Angeles, CA
Edition of 10 C-Print 17.875 x 17.875 Framed in natural wood Michelle Buhler has a BFA from the University of Utah. She has studied photography at the International Center of Photography and cinematography at New York University. She currently lives in Idaho. Education: New York University, Cinematography, New York, New York, 2011 International Center of Photography, Advanced Color Photorgraphy with Liz Deschenes, New York City, 2007 University of Utah, BFA Photography, Salt Lake City, Utah, 2003 Articles and Awards 2012 Honorable Mention in the 2012 First Edition of Hey Hot Shot, Jen Bekman Gallery, NYC 2012 The Stone Mind, Open House: Art on Iowa by Justin Roth 2003 Red Magazine...
Category

21st Century and Contemporary Conceptual Landscape Photography

Materials

C Print