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Stefanie SchneiderRadha in Leopard Dress (29 Palms, CA) - Contemporary, Figurative, Polaroid1999
1999
$2,300
£1,746.44
€1,997.19
CA$3,213.43
A$3,574.04
CHF 1,866.25
MX$43,492.26
NOK 23,834.89
SEK 22,352.92
DKK 14,905.79
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About the Item
Radha in Leopard Dress (29 Palms, CA) - 1999
58x57cm.
Edition of 10, plus 2 Artist Proofs.
Analog C-Print, hand printed by the artist, based on the Polaroid.
Signature label and Certificate.
Artist inventory 299.
Not mounted.
Stefanie Schneider’s work is a meditation on time—its erosion, its persistence, its ability to fracture and reassemble in the mind’s eye. Like faded dreams or half-remembered encounters, her Polaroid images exist in a liminal space where past and present bleed into one another, never quite whole, never truly lost.
Her process itself is an act of defying time. The expired Polaroid film she employs carries within it the chemical scars of its own history, yielding unpredictable mutations that transform each image into an artifact of imperfection. These distortions are not merely aesthetic choices but echoes of memory—relics of moments that refuse to remain static. In an era of hyper-clarity and digital perfection, Schneider’s art invites us to embrace the ephemeral, to find beauty in the decayed and the transient.
The American West, a landscape steeped in myth and reinvention, becomes the perfect backdrop for this exploration of time’s paradoxes. Her subjects—wandering figures in motels, trailer parks, and endless deserts—are suspended between nostalgia and an uncertain future, much like the film she captures them on. They exist in a cinematic loop, their stories unfolding and dissolving, caught in the glow of a setting sun that never fully disappears.
But there is a deeper shift at play, one that mirrors the changing nature of artistic life itself. Before 2020, artists thrived on movement, on exposure, on a constant dialogue between places and people. Travel was a necessity, a lifeline to new influences and inspirations. Yet, in the wake of global upheaval, a hyper-isolationist existence has taken hold, where the act of creation unfolds within a contained world. Schneider’s desert sanctuary reflects this new reality—an alternate universe born from necessity, a space where time stretches and bends inward, echoing the dreamlike qualities of her work. The outside world receded, but within this solitude, another form of freedom emerged: the ability to construct a world entirely of one’s own making.
Memory, like Schneider’s images, is imperfect. It shifts, it fades, it distorts. Yet, in these imperfections, new narratives emerge—ones that feel more real than reality itself. This is the power of Schneider’s work: to remind us that time is not linear but layered, that the past is never truly past, and that every moment carries the weight of all that came before.
Her work is not just a preservation of a vanishing medium—it is a meditation on the nature of remembrance itself. In every blurred silhouette and chemical wash of color, she captures what it means to hold onto time even as it slips through our fingers, to relive and reinterpret, over and over again, the memories we think define us. Schneider’s images are time capsules, not of fixed moments, but of the way moments feel—a testament to how time warps, erases, and ultimately reveals. They are not just photographs; they are fragments of time, unraveling like film caught in the projector’s glow, forever flickering between memory and dream.
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen, Bombay Beach Biennale 2018.
COLLECTIONS
DZ Bank, Frankfurt, Germany / Dreyfuss, Basel, Switzerland / Schmidt Bank, Regensburg, Germany /
Holtzbrinck Verlag, Stuttgart, Germany / Sammlung Sander, Berlin, Germany / ARTISTS for TICHY - TICHY for ARTISTS, TICHY Ocean Foundation, Zurich, Switzerland / Germanisches Nationalmuseum, Nürnberg, Germany / Polaroid Collection, USA / Collection Luc LaRochelle, Montreal, Canada / Kunstsammlung Kanton Zug, Switzerland / Bombay Beach Biennale, California / The Brooklyn Museum, NY / LACMA , Los Angeles / Sir Mark Fehrs Haukohl Collection, Texas, USA
- Creator:Stefanie Schneider (1968, German)
- Creation Year:1999
- Dimensions:Height: 22.84 in (58 cm)Width: 22.45 in (57 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:Seller: STSCH #0131stDibs: LU652316074972
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
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View AllRadha Leopard Dress II (29 Palms, CA) -21st Century, Polaroid, Figurative, Woman
By Stefanie Schneider
Located in Morongo Valley, CA
Radha Leopard Dress II (29 Palms, CA) - 1999
40x40cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Certificate and signature label.
Artis...
Category
1990s Contemporary Color Photography
Materials
Photographic Paper, C Print, Color, Polaroid, Archival Paper
Radha Leopard Dress III - Figurative, Portrait, Polaroid, Photograph, Portrait
By Stefanie Schneider
Located in Morongo Valley, CA
'Radha Leopard Dress III' (29 Palms, CA)
Edition 3/10, 20x20cm, 1999,
digital C-Print, based on a Polaroid.
Signature label and Certificate.
Artist inventory 18258.03.
Not mounted.
Featuring Australian actress Radha Mitchell.
Living and working in Los Angeles and Berlin, Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters.
Schneider works with the chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dreamscapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction.
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen.
“It was Stefanie Schneider, who inspired me to start the company THE IMPOSSIBLE PROJECT after seeing her work, which seems to achieve the possible from the impossible, creating the finest of art out of the most basic of mediums and materials. Indeed, after that one day, I was so impressed with her photography that I realized Polaroid film could not be allowed to disappear. Being at the precise moment in time where the world was about to lose Polaroid, I seized the moment and have put all my efforts and passion into saving Polaroid film. For that, I thank Stefanie Schneider almost exclusively, who played a bigger role than anyone in saving this American symbol of photography.” –Florian Kaps, March 8th 2010 (“Doc” Dr. Florian Kaps, founder of “The Impossible Project”)
Selected Exhibitions
2019
Participating and curating the newly founded Polaroid Museum at the Bombay Beach Biennale 2019 (G)
invited project at Saatchi's The Other Art Fair, LA - Polaroid Curation
Instant Dreams USA film release March/April NYC, L.A.
2018
participating and curating Bombay Beach Biennale 2018 (G)
Rough Play Project, Available for all, Joshua, Tree, USA (G)
2017
BLICKFELD] Analoge Fotografie, Kommunale Galerie Steglitz-Zehlendorf (G) (catalog)
Kunstverein Bad Homburg Artlantis, Bad Homburg (G)
2016
Instantdreams, Instantdreams Gallery, Berlin
(S)
2015
Desert Voices, De Re Gallery, Los Angeles (G) with Pamela Littky
Blue Nudes, De Re Gallery, Los Angeles (G)
2014
Summer Show, Galerie Catherine et André Hug, Paris, France (G)
6 Finalists, Saatchi Gallery London (G)
Instantdreams, De Re Gallery, Los Angeles (S)
Grand Opening, De Re Gallery, Los Angeles (G) with Banksy, Andy Warhol, Alison Bignon, Sophie Dickens, Victor Gingembre and others
2013
Heather's Dream, Short, nominated for the German Short Film Award 2013 (Deutscher Kurzfilmpreis)
Images
For Images (Artists fir Tichy), GASK - Gallery of the Central Bohemian Region, Kutná Hora, Czech Republic, (G) with Richard Prince, Nan Golding, Shirana Shahbazi, Sophie Calle, Martin Kippenberger, Arnulf Rainer, Thomas Ruff, Katharina Grosse, Jonathan Meese & others (catalog)
The Girl behind the White Picket Fence, Galerie Catherine et André Hug, Paris, France (S)
Heather's Dream, Short, German Competition Short Film Festival Oberhausen
Multimedia Presentation with Artist Stefanie Schneider, Palms Springs Art Museum, Annenberg Theater
The Polaroid Years: Instant Photography and Experimentation, The Frances Lehman Loeb Art Center, Poughkeepsie, NY, (G) with Ansel Adams, Bruce Charlesworth, Philip-Lorca diCorcia, Charles and Ray Eames, Robert Mapplethorpe, Lisa Oppenheim, Andy Warhol and others, (catalog)
Road Atlas - Straßenfotografie, DZ Bank Collection: Kunsthalle Erfurt (Spring), Art Foyer DZ Bank, Frankfurt/Main, (G) with Helen Levitt, Pieter Hugo, Nobuyoshi Araki, Pietro Donzelli, and others (catalog)
2012
Stranger Than Paradise, Christian Hohmenn Fine Art, Palms Desert, (S)
Stefanie Schneider, Gallery at Cliff Lede Vineyards, Napa Valley, CA, (S)
Bienale Art Auction 2012, Museum of Contemporary Art San Diego, (G), with Ai Weiwei, John Baldessari, Christo, Ed Ruscha, Christopher Russell...
MUSES, Galerie Catherine et André Hug, Paris, France (G)
Polaroid (IM)POSSIBLE - THE WESTLICHT COLLECTION, NRW Forum
Kultur und Wirtschaft, Düsseldorf (G), (catalog)
Road Atlas - Straßenfotografie, DZ Bank Collection: Kunstmuseum Dieselkraftwerk, Cottbus, (G), (catalog),
Studio Scholorship, Centro Cultural Andratx, Mallorca, May
2012
Selling Sex, ShowStudio Gallery, London (G) with Cortney Andrews, Una Burke, Liz Cohen, Inge Jacobsen, and others
Stranger Than Paradise, Scott White Contemporary, San Diego, (S)
2011
Kunst zu verlosen ! // Art to raffle off !, KW Institute for Contemporary Art, (G) with Monica Bonvicini, Tim Eitel...
Category
1990s Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Radha Mind Screen (29 Palms, CA) - Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
Radha Mind Screen (29 Palms, CA) - 2016
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory ...
Category
Early 2000s Contemporary Color Photography
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
Forgotten (29 Palms, CA) - Polaroid, Contemporary, 20th Century
By Stefanie Schneider
Located in Morongo Valley, CA
Forgotten (29 Palms, CA) - 1999
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid,
Signature label and Certificate.
Artist inventory Number ...
Category
1990s Contemporary Nude Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Radha at fence (29 Palms, CA) - Contemporary, 21st Century, Polaroid, Figurative
By Stefanie Schneider
Located in Morongo Valley, CA
Radha at Fence (29 Palms, CA) - 1999
featuring Radha Mitchell
60x58cm,
Edition of 10 plus 2 Artist Proofs.
Analog C-Print, hand-printed and enlarged by the artist, based on the Po...
Category
Early 2000s Contemporary Portrait Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Radha Pink (29 Palms, CA) - 21st Century, Polaroid, Portrait Photography
By Stefanie Schneider
Located in Morongo Valley, CA
'Radha Pink' (29 Palms, CA) - 1999
38x36cm,
Edition of 30, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory #6...
Category
1990s Contemporary Portrait Photography
Materials
Photographic Paper, Polaroid, Color, C Print, Archival Paper
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