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Stefanie Schneider
Stefanie Schneider Minis - The Girl IV (The Girl behind the White ... )

2013

$235.86
£176.55
€200
CA$324.61
A$361.81
CHF 189.83
MX$4,418.35
NOK 2,403.68
SEK 2,271.85
DKK 1,522.54

About the Item

Stefanie Schneider's Minis 'The Girl IV' (The Girl behind the White Picket Fence), 2013 signed and signature brand on verso Lambda digital Color Photographs based on the Polaroid Polaroid sized open Editions 1999-2013 10.7 x 8.8cm (Image 7.9x7.7cm) mounted: sandwiched in between Plexiglass (thickness 0.7cm) And here begins the strange tale — not one of grand gestures or neat conclusions, but of trembling moments caught between heartbeats. Like a whispered confession in a darkened room, these images comfort but also unsettle. The photographs are liminal spaces where the familiar twists into something uncanny: faces half-seen, shadows that refuse to settle, colors bleeding like old wounds. They echo the quiet desperation of a village that time forgot, where the soul’s longings are tangled with loneliness so thick it clings like dust. Schneider’s world is one where love is a ghost that lingers long after the living have gone. It is a love that stumbles, falters, and bleeds — awkward and aching, human in all its flawed beauty. Her work does not lie in wait for you to understand; it thrusts itself into your chest and demands you feel. The ache of absence, the stubborn pulse of memory, the cold fire of longing — all tangled in a stubborn refusal to be forgotten. This is not the soft fading of things past. It is the stubborn, restless flicker of something alive beneath the ash. Her images hold us there — in the unbearable weight of being both seen and unseen, held and abandoned, lost and found. And in that unbearable stillness, we catch a glimpse of ourselves — fragile, flawed, and fiercely, desperately human.

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Stefanie Schneider Minis - Lost (Haley and the Birds)
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