Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 2

Stefanie Schneider
'Wedding Day III' 21st Century, Polaroid, Portrait Photography, Contemporary

2005

About the Item

'Wedding Day III' (Till Death do us Part) - 2005 20x24cm, Edition 6/10, Archival C-Print, based on a Polaroid, Certificate and Signature label, artist Inventory No. 4341.18, Not mounted. A German view of the American West The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts and the loneliness of Edward Hopper's haunting paintings. So how exactly did this German photographer become one of the most important artists of the American narrative of the 20th and 21st century? This theme of preservation and deterioration is a core part of Schneider's oeuvre. In an interview in October 2014 with Artnet, the artist explained how her own experiences of pain and loss inspire her. ''My work resembles my life: Love, lost and unrequited, leaves its mark in our lives as a senseless pain that has no place in the present.'' The first to use expired Polaroid film as their medium and in doing so inspired the resurrection of Polaroid film itself. Saving the last production line in the world from it's impending destruction in 2008. Schneider's subjects are often featured in apocalyptic settings: desert planes, trailer parks, oilfields, run-down motels and empty beaches, alone, or if not, not connected with one another. ''It is the tangible experience of ''absence'' that has inspired my work,'' explained Schneider. (Barnebys UK, May 3, 2017 Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen, Bombay Beach Biennale 2018. Stefanie Schneider's new photographic works tell fantastic stories about her adopted Californian home. She seeks out faded American myths and distils auratically charged reality in a very personal and surprising way. She uses out-of-date Polaroid film, and the blemishes caused by the degenerated film stock, - are included in the composition in a painterly way. Exposure mistakes and low budget movie effects are combined to alienating effect. Everything shimmers and flickers before our eyes. The artist plays with the authentic poetry of the amateur, mixing strangely dreamy staging with random photochemical events. In the 16-part work Frozen, which is characterized by a strangely transcendent mood in the lighting, film-still-like pictorial clusters come together to form a mysterious story, with the artist herself as the lonely protagonist. the aesthetic is reminiscent of early Lynch films. The components of the elliptically choreographed events are scenes from an enchanted, gleaming winter landscape, together with "staged snapshots" of a pale young woman in her underskirts, who radiates the troubled reality of a mirage with her sleep walking presence. The story is presented in the manner of cinematic flashbacks or dream sequences. Stage blood and a knife are used to evoke a crime of passion whose surreal attractiveness is derived from the scenic openess of what is shown. The deliberate use of old instant picture stock establishes in a richly faceted way the ephemeral quality of vulnerability and transience within a reality that is brittle from the outset. The American Stars and Stripes, recently updated as the absolute epitome of a patriotic signifier, is the subject of the 9-part work Primary Colors (2001). Schneider's reassuringly European view, free of undue emotion, presents the Stars and Stripes motif in a strangley alienated form: she shows stills with phases of fluttering violently in the wind, even torn in some cases, and the poor film stock emphazises the fragility of the icon even more. (translated from German by Michael Robinson)

More From This Seller

View All
Prepping the Birth (Suburbia) - Contemporary, Polaroid, Photography
By Stefanie Schneider
Located in Morongo Valley, CA
Prepping the Birth (Suburbia) - 2004 20x24cm, Edition of 10, digital C-Print based on the Polaroid, Signature label and Certificate. Artist Inventory No. 1672. Not mounted, Th...
Category

Early 2000s Contemporary Portrait Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Radha Pink (29 Palms, CA) - 21st Century, Polaroid, Portrait Photography
By Stefanie Schneider
Located in Morongo Valley, CA
'Radha Pink' (29 Palms, CA) - 1999 38x36cm, Edition of 30, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #6...
Category

1990s Contemporary Portrait Photography

Materials

Photographic Paper, Polaroid, Color, C Print, Archival Paper

Wedding Day V (Till Death do us Part)
By Stefanie Schneider
Located in Morongo Valley, CA
'Wedding Day V' (Till Death do us Part), 2005 20x24cm, Edition 5/10, digital C-Print print, based on the Polaroid Certificate and Signature label artist Inventory No. 4329.17 not m...
Category

Early 2000s Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Renée's Dream - The Boys (Days of Heaven) - Landscape, Horse, Boys
By Stefanie Schneider
Located in Morongo Valley, CA
Renée's Dream - The Boys (Days of Heaven). Part of the 29 Palms, CA project. - 2006 20x24cm, Edition of 10, plus 2 Artist Proofs, archival C-Print, based on the Polaroid. Signatur...
Category

21st Century and Contemporary Contemporary Portrait Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

My Girl (Till Death do us Part) Contemporary, Woman, Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
My Girl (Till Death do us Part) - 2005 48x46cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #92...
Category

Early 2000s Contemporary Color Photography

Materials

Photographic Paper, Polaroid, Color, C Print, Parchment Paper

Stranger than Paradise II - Proof before Printing - Polaroid, Contemporary
By Stefanie Schneider
Located in Morongo Valley, CA
Stranger than Paradise II - Proof b4 Printing / 2005, 128x125cm analog C-Print, hand-printed by the artist, based on the Polaroid, signed on front. unmounted, untrimmed edges / raw p...
Category

Early 2000s Contemporary Portrait Photography

Materials

Archival Paper, Photographic Paper, Black and White, C Print, Polaroid

You May Also Like

Sun Kissed Wendy, Las Vegas - Contemporary Portrait Color Photography
By Richard Heeps
Located in Cambridge, GB
'Sun Kissed Wendy', from Richard Heeps 'Man's Ruin' Series. This contemporary portrait is part of a sequence of artworks photographing Wendy at the Rockabilly Weekender, Viva Las Veg...
Category

Early 2000s Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Wendy and Dolls, Las Vegas - Contemporary Portrait Color Photography
By Richard Heeps
Located in Cambridge, GB
'Wendy and Dolls', from Richard Heeps 'Man's Ruin' Series. This contemporary portrait is part of a sequence of artworks photographing Wendy at the Rockabilly Weekender, Viva Las Vega...
Category

Early 2000s Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Sun Kissed Wendy, Las Vegas - Contemporary Portrait Color Photography
By Richard Heeps
Located in Cambridge, GB
'Sun Kissed Wendy', from Richard Heeps 'Man's Ruin' Series. This contemporary portrait is part of a sequence of artworks photographing Wendy at the Rockabilly Weekender, Viva Las Veg...
Category

Early 2000s Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Wendy Flaming Eyeball, Las Vegas - Contemporary Portrait Color Photography
By Richard Heeps
Located in Cambridge, GB
'Wendy Flaming Eyeball', from Richard Heeps 'Man's Ruin' Series. This contemporary portrait is part of a sequence of artworks photographing Wendy at the Rockabilly Weekender, Viva La...
Category

Early 2000s Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Wendy Resting, Las Vegas - Contemporary Portrait Color Photography
By Richard Heeps
Located in Cambridge, GB
'Wendy Resting', from Richard Heeps 'Man's Ruin' Series. This contemporary portrait is part of a sequence of artworks photographing Wendy at the Rockabilly Weekender, Viva Las Vegas....
Category

Early 2000s Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Shon & Stephanie, Cambridgeshire - Color Photography
By Richard Heeps
Located in Cambridge, GB
A cinematic outdoor fireside scene which allows you to write the story. Photograph by Richard Heeps presented full frame with the Agfa Ultra film rebate. Created in collaboration wit...
Category

20th Century Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Recently Viewed

View All