Items Similar to Whisky Dance III (Sidewinder) - Polaroid, Contemporary, 21st Century, Figurative

Stefanie Schneider - Whisky Dance VIII (Sidewinder) 3 pieces, based on 3 Polaroids

Stefanie Schneider - The Light (Sidewinder) - Polaroid

Stefanie Schneider - Gospel (Sidewinder) - Polaroid, 21st Century, Contemporary

Stefanie Schneider - Nothing to Lose (Sidewinder) - Polaroid, 21st Century, Contemporary

Stefanie Schneider - After the Dance (Sidewinder) - Polaroid, Contemporary, 21st Century, Nude, Color

Stefanie Schneider - She need not move (Sidewinder) - Polaroid

Want more images or videos?

Request additional images or videos from the seller

1 of 2

Stefanie Schneider
Whisky Dance III (Sidewinder) - Polaroid, Contemporary, 21st Century, Figurative
2005

Name: Whisky Dance III (Sidewinder) - Polaroid, Contemporary, 21st Century, Figurative
Brand: Stefanie Schneider
Price: 636.66 AUD
Availability: InStock
Rating: 4.9 (36 reviews)

$419.21

£310.66

€350

CA$572.30

A$636.66

CHF 333.75

MX$7,779.83

NOK 4,249.83

SEK 4,000.63

DKK 2,664.87

Shipping

Retrieving quote...

The 1stDibs Promise:

Authenticity Guarantee,

Money-Back Guarantee,

24-Hour Cancellation

About the Item

Whisky Dance III (Sidewinder), 2005 20x24cm, Edition 1/10, digital C-Print, based on a Polaroid, Certificate and Signature label, artist Inventory # 3207, not mounted Stefanie Schneider's 'Sidewinder' a story from the 29 Palms, CA project featuring JD Rudometkin Private history turned into an intimate mythology of elemental fantasies where reality is perceived through a veil of psychedelic memories and unconscious projections. such is a collection of passions and dreams, an uncanny diary of ephemeral narratives and mental intensities in Stefanie Schneider’s painterly photographs where subjectivity of an ontological doubt uses a poetics of pastische as a vehicle for an intertextual journey towards the truth and the authenticity of primary emotions. here time is immersed in a nostalgic suspense of oneiric dimension, a sort of ambiguous coma of silence and comfort, and open space embraces a psychotic landscape of solitude and accidental pleasure. fetishisized surface of extreme feelings gives a stage for an unsolicited promise of unconditional love and unlimited freedom, a promise framed by sensual tension between fulfilment and expectation." Adam Budak, Kusthaus Graz, 2005 Sidewinder  There’s blood on the dress that hangs in the Airstream trailer outside 29 palms. With the pistol in her sweat palm touching at his temple. Tell me what god’s gonna do for me and you now Stevie’s saying while Brother John Baptiste looks there across to where her cat seems weak and fed. All the good that comes to me from my believing man, I wanna hear about it said to me like that. Just the way you breathed it like you did 10 minutes ago when I was wrapped so well around your head. Silence then. A baby screams his mother out in the dessert night who wakes so late. Orion is a belt John Baptiste looks at through the torn-screen trailer window. There, touching his calf are vipers crawling now across her feet between his knees in front of her he kneeling for his life and they are full of venom with their broken fangs. A gun at head, where even his breath, so short, is preaching. He’s in a wheat field. John Baptiste. Counting birds on telephone wires hung low in afternoon where his mother’s call cannot now reach him. There she stands a weeping willow with the sidewinder underneath the trailer step a drop of blood upon her ankle with the bullet through its head. A scar follows sweat palm to wrist. Torn Stevie. Scars from the weapon to her toes an accidental act of God her father said. On Vaness at California 16 years ago but who’s counting 6 bullets for the barrel wait beside the temple. The long white shaft of tissue hemmed together gods tattoo along her ribs, hip to breast. She wants to fuck the preacher in her trailer with his bible on the alter front row Stevie asks forgiveness holy father from the car that shook her bones apart. John Baptiste asks to pray before she leads his temple head. For twenty minutes darkness hides the accidents in trailer shade her childish screams a preacher underneath her shimmer blue bled dress. The prayers he said beside the bed with mother for relatives with tumors, brand new bicycles, and rain. Stevie takes the whisky in her mouth to wash him out the sidewinder skids across her wounded foot of scars. John Baptiste asks the Lord to heal her in the new day that is breaking mouth of whisky spits it laughing father forgive the trigger finger for the viper he gives thanks And takes the barrel toward his lips through mumbling supplication kiss it Brother Stevie offers, please, but doesn’t wait him there. Copper penny Sunday School upon the tongue. And closed his eyes. A blur of her and mother. Other bodies. Women, gently crushing spirits. Prayers. His han under her weight in grams. The fingernail fang and fucks it. So slid the pull of metal out As god can answer. And into her mouth then. Settles. And wet the metal. He touches her, his finger. Viper like. And fuck it sore. Believers. Repentant whore forgiven preacher leaving town in that old ragtop down and left a rag dress bleeding in the Airstream soft, again.  (JD Rudometkin)  Stefanie Schneider lives and works in the California High Desert and Berlin Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. Schneider works with the chemical mutations of expired polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dreamscapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen.

Creator:

Stefanie Schneider (1968, German)

Creation Year:

2005

Dimensions:

Height: 7.88 in (20 cm)Width: 9.45 in (24 cm)Depth: 0.04 in (1 mm)

Medium:

Archival Paper,Photographic Paper,C Print,Polaroid

Movement & Style:

Outsider Art

Period:

2000-2009

Condition:

Gallery Location:

Morongo Valley, CA

Reference Number:

Materials

Photographic Film, Archival Paper, C Print, Color, Polaroid

Stefanie Schneider
She need not move (Sidewinder) - Polaroid, 2006

$380

Early 2000s Contemporary Photography

Materials

Polaroid

Dietmar Busse
Untitled Polaroid 23, Unique Self Portrait Photograph by Dietmar Busse, 2001

Price Upon Request

Miquel Arnal Set of Polaroid Photographs

By Miquel Arnal

Located in Barcelona, Barcelona

Set of polaroid photographs by Miquel Arnal. In original condition, with minor wear consistent with age and use, preserving a beautiful patina. Material: Photographic paper ...

Category

1990s Spanish Post-Modern Photography

Materials

Paper

Miquel Arnal Set of Polaroid Photographs

$464 Sale Price / set

50% Off

Untitled (Aiden 12), Polaroid Transfer by Mark Beard

By Mark Beard

Located in New York, NY

This polaroid transfer by Mark Beard is offered by CLAMP in New York City.

Category

1990s Contemporary Photography

Materials

Archival Paper, Polaroid

$1,400

More Ways To Browse

Female Sculpture Garden

Four Seasons Sculpture

James Rosenquist Signed

Man Horse Sculpture

19th Century Botanical Watercolor

Stefanie SchneiderWhisky Dance III (Sidewinder) - Polaroid, Contemporary, 21st Century, Figurative2005

About the Item