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Stefanie SchneiderWonder Valley (Till Death Do Us Part) - Contemporary, Polaroid2005
2005
$380
£285.66
€331.17
CA$530.54
A$594.23
CHF 309.20
MX$7,216.90
NOK 3,919.85
SEK 3,698.67
DKK 2,471
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About the Item
Wonder Valley (Till Death Do Us Part) - 2005
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature label.
Artist Inventory No. 9154.
Not mounted.
On offer is a piece from the movie: Till Death Do Us Part
'Till Death Do Us Part' an episode of the '29 Palms, CA' project. A film shot on Polaroid stills combined with Super 8 film sequences.
'Till Death Do Us Part' is the story of two young lovers, lonely souls escaping the abuse of reality into each other. Imagine a stranger suddenly in your path, you can just be silent with, and you feel you have known her forever. This is the experience of Cristal and Margarita, that begins when Cristal picks her up hitchhiking on a lonely desert road. A runaway from a cruel older brother and a broken family, Margarita is searching on the edge of the shadows for a home. Cristal is also a lonely child and already dangerously close to vanishing when she finds Margarita. For her, it is the beginning of life. When she finds Margarita, she finds herself, she feels for the first time and discovers that she is not invisible after all.
The childlike, roadside life they make together is a dream that they truly believe will last forever, and with the naive joy of beginners, they dive in, never sensing danger. When two lost souls become one and share everything, do they lose themselves further or do they become whole at last? When a girl has no home, no anchor, can she combine thrive with another? Once a human heart wakes up from isolation for the first time, enchanted by a reflection in love's mirror, can the dreamer fall asleep again, or must she wander searching to find it again forever?
An artistic triumph for Schneider, this piece floats deeper into her exploration of the colors of the human psyche, separation, relationship, androgyny and the fringes of social reality.
The Californian desert light and the vintage colors of Polaroid create an unforgettable atmosphere in the abandoned trailer park.
Austen Tate gives Margarita her voice in poetry and Daisy McCrackin gives Cristal her sound in music.
- Creator:Stefanie Schneider (1968, German)
- Creation Year:2005
- Dimensions:Height: 7.88 in (20 cm)Width: 7.88 in (20 cm)Depth: 0.04 in (1 mm)
- More Editions & Sizes:50x49cm, Edition of 10, plus 2 Artist ProofsPrice: $700
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU652313749922
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
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By Stefanie Schneider
Located in Morongo Valley, CA
Wonder Valley (Till Death Do Us Part) - 2005
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature label.
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Wonder Valley (Till Death Do Us Part) - Contemporary, Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
Wonder Valley (Till Death Do Us Part) - 2005
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature label.
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Edition of 5, 156x125cm.
Digital C-Print based on a Polaroid.
Signature label and Certificate.
Artist Inventory No. 3094.
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Conception (Till Death do us Part) - Contemporary, Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
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Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature label.
Artist Inventory #9157.
Not mounted.
Stefanie Schneider's photographs evoke scintillating moments suspended between daydreams and waking reality. Each scene, captured in the southwestern United States, radiates a surreal enchantment. The artist's role appears minimal yet pivotal, providing the decisive impulse that sets the imagery into motion. The figures in her photographs remain as elusive as the motivations behind their actions, and the narratives woven through her sequences are tantalizingly open to interpretation.
Atmospheric disturbances in Schneider's work emerge as the result of a deliberate narrative arrangement, compelling viewers to navigate between visual mementos and the gaps in memory they conjure. Yet, her artistry is no less purposeful in its engagement with medium. Despite the inherent unpredictability of expired Polaroid film, Schneider wields it with calculated intent. The photo-chemical self-developing process, altered by age and decay, transforms the initial exposure into something alien yet mesmerizing. This dysfunction is a cornerstone of MIND SCREEN, a multi-part work that explores the fragility of reality, authenticity, and comprehension.
Schneider juxtaposes this brittleness with a magical realism steeped in chimeras, crafting dreamlike sequences that resist definitive narratives. She entrusts viewers with the responsibility of piecing together presumed storylines, refusing to offer a manual for interpretation. Instead, her work draws us into a realm where the unreal reigns—shimmering scenes that evoke the mirage of a road movie, a moment of violence, or a tragic self-sacrifice.
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