Unknown

24x18 Pillars of Creation James Webb Telescope Space Photography NASA Poster

2022

Original museum grade exhibition prints on acid-free archival photographic paper. These are the highest quality NASA prints ever produced. The bright clusters and nebulae of planet Earth's night sky are often named for flowers or insects. Though its wingspan covers over 3 light-years, NGC 6302 is no exception. With an estimated surface temperature of about 250,000 degrees C, the dying central star of this particular planetary nebula has become exceptionally hot, shining brightly in ultraviolet light but hidden from direct view by a dense torus of dust. This sharp and colorful close-up of the dying star's nebula was recorded in 2009 by the Hubble Space Telescope's Wide Field Camera...

The WEBB imagery is of the most important imagery every taken. The finest museum quality WEBB images avialable. Printed on archival paper using archival inks. Framing options available NASA’s James...

Original museum grade exhibition prints on acid-free archival photographic paper. The bright clusters and nebulae of planet Earth's night sky are often named for flowers or insects. Though its wingspan covers over 3 light-years, NGC 6302 is no exception. With an estimated surface temperature of about 250,000 degrees C, the dying central star of this particular planetary nebula has become exceptionally hot, shining brightly in ultraviolet light but hidden from direct view by a dense torus of dust. This sharp and colorful close-up of the dying star's nebula was recorded in 2009 by the Hubble Space Telescope's Wide Field Camera...

Original museum grade exhibition prints on acid-free archival photographic paper. The bright clusters and nebulae of planet Earth's night sky are often named for flowers or insects. Though its wingspan covers over 3 light-years, NGC 6302 is no exception. With an estimated surface temperature of about 250,000 degrees C, the dying central star of this particular planetary nebula has become exceptionally hot, shining brightly in ultraviolet light but hidden from direct view by a dense torus of dust. This sharp and colorful close-up of the dying star's nebula was recorded in 2009 by the Hubble Space Telescope's Wide Field Camera...

The WEBB imagery is of the most important imagery every taken. The finest museum quality WEBB images available. Printed on museum quality poster paper What looks much like craggy mountains on a moonlit evening is actually the edge of a nearby, young, star-forming region NGC 3324 in the Carina Nebula. Captured in infrared light by the Near-Infrared Camera (NIRCam) on NASA’s James Webb...

Archival museum quality exhibition print. Taken aboard Apollo 8 by Bill Anders, this iconic picture shows Earth peeking out from beyond the lunar surface as the first crewed spacecraft circumnavigated the Moon, with astronauts Anders, Frank Borman, and Jim Lovell...

Original 1987 Japanese B2 poster for the film Raising Arizona directed by Joel Coen / Ethan Coen with Nicolas Cage / Holly Hunter / Trey Wilson / John ...

Coogan's Bluff, Unframed Poster, 1968 Arizona Deputy Sheriff Coogan (Clint Eastwood) is sent to New York City to escort an escaped fugitive back for trial. Year: 1968 Nationality: ...

This Laurel and Hardy film was directed by Alfred L. Werker. In the film Stan and Ollie play two vagabonds roaming the Arizona countryside, who get...

Original vintage travel advertising poster for Arizona Fly TWA featuring a great design by Austin Briggs (1908-1973) depicting a young lady wearing a hat and smiling to the viewer wi...

Arizona lawman Walt Coogan (Clint Eastwood) hopes to make a short business trip to the big city, but his journey quickly becomes an odyssey of violence. Walt is flummoxed when Manhat...

Martha Mans lavender gray white blue green yellow framed in brown frame The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be experienced and has led to a deeper understanding of what my expression in paint is all about. Painting traditional realism with good design as an important element was where I began. Now, the evolution of my painting process has brought me to a point in which the subject, the texture of the oil medium and the physical application of the brushstrokes have become profoundly intertwined. All are so necessary to the finished work that if one were to be taken away the work would be left incomplete. My hope is that the synthesis of the subject, design, expressive brush strokes and the texture of the paint come together to create a work of art in which the viewer experiences all of these elements at once in a powerful statement on canvas. “New Mexico is a land of earthy colors and textures. Rocks, dirt, twiggy plants, reds and ochres against blue grays, dry, wet, cold, hot, mostly hard and rough create a movement in visual and tactile rhythms that surround me. There are times when I am standing in the New Mexico landscape on a warm day when I want to lay down and embrace it. I can’t help but be madly in love with the textures of everything around me. I am drawn to the irresistible forces that seem to bring me closer to the earth. The more I experience these textural qualities of the land, the more I am compelled to use them to express what I want to say. “ Martha was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Students League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor Society, Pennsylvania Watercolor Society, Rocky Mountain Watercolor Society, Pikes Peak Watercolor...

Martha Mans lavender gray white blue green yellow framed in brown frame The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be experienced and has led to a deeper understanding of what my expression in paint is all about. Painting traditional realism with good design as an important element was where I began. Now, the evolution of my painting process has brought me to a point in which the subject, the texture of the oil medium and the physical application of the brushstrokes have become profoundly intertwined. All are so necessary to the finished work that if one were to be taken away the work would be left incomplete. My hope is that the synthesis of the subject, design, expressive brush strokes and the texture of the paint come together to create a work of art in which the viewer experiences all of these elements at once in a powerful statement on canvas. “New Mexico is a land of earthy colors and textures. Rocks, dirt, twiggy plants, reds and ochres against blue grays, dry, wet, cold, hot, mostly hard and rough create a movement in visual and tactile rhythms that surround me. There are times when I am standing in the New Mexico landscape on a warm day when I want to lay down and embrace it. I can’t help but be madly in love with the textures of everything around me. I am drawn to the irresistible forces that seem to bring me closer to the earth. The more I experience these textural qualities of the land, the more I am compelled to use them to express what I want to say. “ Martha was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Students League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor Society, Pennsylvania Watercolor Society, Rocky Mountain Watercolor Society, Pikes Peak Watercolor...

This artwork "Tulips in a Vase" 1995 is an original color lithograph on Wove paper by noted American artist Gary Bukovnik, born 1947. It is hand signed, dated and numbered 169/200 in...

This artwork "Flowers" .1996 is a large original color lithograph on Wove paper by noted American artist Gary Bukovnik, born 1947. It is hand signed, dated and numbered 13/200 in whi...

Artist: Peter Max (1937) Title: Super Bowl XXX - THE PLAYER Year: 1996 Medium: Offset lithograph on premium paper Size: 24 x 36 inches Condition: Excellent Inscription: Signed by the...

"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful objects and textures arranged meti...

This is the series "Timeless East", taken on location in Vietnam. The series uses beautiful color tones that is a unique signature and vision of the photographer. Arched doorways,...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Morning G...

Mesmerizing large format photograph of ethereal floral foliage and sunset horizon, a body of works capturing the tactile surfaces and monochromatic nature and cloudscapes Blue Hour ...

On Land (2006) by Frank Schott, large scale photograph of classic red wooden row boat in dry California desert landscape 26.5 x 40 inches (67 x 102...

Cones ( 2000 ) by Frank Schott, from a series of conceptual photographic observances captured in the California desert 30 x 40 inches (76 x 102cm) signed edition of 25 48 x 65 inche...